Moko

Maori moko and moko kauae, carved rather than punctured into the skin, and their revival after a century of suppression.

Part of Beauty Standards

146 moments in this segment.

  1. - Hongi Hika. (1772, 1828), Maori chief and war leader of the Ngāpuhi iwi in New Zealand. From a sketch by Major-General G.
  2. - JACKSON-John-Hongi-and-Waikato. On 2 March 1820, the Ngāpuhi chiefs Hongi Hika and Hohaia Parata Waikato, his nephew, left the Bay of Islands on the whaler New Zealander to visit England in the company of the missionary Thomas Kendall. They went to Cambridge, where they stayed with Professor Samuel Lee to whom they gave valuable assistance in his.
  3. - Tāwhiao cph 3c09768u. Tāwhiao I, second Māori King (Matutaera Te Pukepuke Te Paue Te Karato Te-a-Pōtatau Tāwhiao), (May 1822, 26 August 1894). Head-and-shoulders portrait, facing slightly left.
  4. - Patuone, by Augustus Earle. Sketch of the Maori chief Patuone (later Eruera Maihi Patuone ), presumably drawn during the artist's travel through the Hokianga in 1827.
  5. - Cootia, Raparaha s head wife, watercolour by R. Hall, c. 1840s. Hall, R :Cootia, Raparaha's head wife 184- Reference Number: A-114-050 Shows Pipi Kutia, daughter of Te Akau and Hapekituarangi. She was Te Rauparaha 's step-daughter & he married her ca 1838.
  6. - Rangihaeta, Raparaha s fighting general and chief actor in the Wairau Massacre, watercolour by R.. Hall, R :Rangihaeta, Raparaha's fighting general and chief actor in the Wairau Massacre 184- Reference Number: A-114-046 Shows head and shoulders profile of left side of this Maori chief, with hair pulled back and with decorative rolls. He wears a feather including a peacock feather in his hair, and wears large.
  7. - Cootia. Rauparaha s head wife, watercolour and gum arabic by Isaac Coates. Coates, Isaac, 1808-1878 :Cootia. Rauparaha's head wife.
  8. - E Manu. Chief - Wauka pa Wauka, watercolour & gum arabic by Isaac Coates. Coates, Isaac, 1808-1878 :E Manu. Chief - Wauka pa Wauka.
  9. - E Piko. Motawarka, Blind Bay, watercolour by R. Hall, c. 1843. Hall, R :E Piko. Motawarka, Blind Bay 184- Reference Number: A-114-048 Profile head and shoulders portrait of a Maori man with moko, wearing a feather cloak, holding a taiaha in front of him.
  10. - E Ranguera. Rangiahaeta s wife. The woman that was killed at the Wiaroi, watercolour & gum arabic by. Coates, Isaac 1808-1878 :E Ranguera. Rangiahaeta's wife.
  11. - Era. A lad of the Motawaka tribe, 19 years of age, watercolour & gum arabic by Isaac Coates. Coates, Isaac 1808-1878 :Era. A lad of the Motawaka tribe, 19 years of age.
  12. - Erino, Massacre Bay, watercolour & gum arabic by Isaac Coates. Coates, Isaac, 1808-1878 :Erino, Massacre Bay. 1843?
  13. - Ko Panni. Natiawa, Queen Charlottes Sound, watercolour by R. Hall, c. 1843. Hall, R :Ko Panni. Natiawa, Queen Charlottes Sound.
  14. - Panni. Chief of the tribe at Queen Charlotte s sound, has two daughters married to Englishmen. Coates, Isaac 1808-1878 :Panni. Chief of the tribe at Queen Charlotte's sound, has two daughters married to Englishmen.
  15. - Piki Warsa. Chief of Motuwaka, watercolour & gum arabic by Isaac Coates. Coates, Isaac 1808-1878 :Piki Warsa. Chief of Motuwaka.
  16. - Rangihaeata, Rauparaha s fighting general, watercolour & gum arabic by Isaac Coates. Coates, Isaac 1808-1878 : Rangihaeata, Rauparaha's fighting general. 1843?
  17. - Bburns as chief. Barnet Burns - the first European to have a Maori tattoo.
  18. - George French Angas01. Te Wainokenoke (seated), to the left of Nohorua (with full moko and a grey beard). Behind the couple is Nohorua's son, Tuarau, standing wrapped in a blanket, ca 1844.
  19. - Hariata Rongo. Hone Heke standing, his face in profile, wearing a flax cloak. At his left side and slightly behind him is Hariata, his wife, also in a flax cloak.
  20. - Pōtatau Te Wherowhero by George French Angas. Pōtatau Te Wherowhero, Waikato chief, Taken at the Marae of the Great Waikato people the Ngāti Māhanga tribe of Te Papa o Rotu. He became the first Māori king in 1858.
  21. - Te Rauparaha. Shows head and shoulders portrait of the Ngati Toa chief Te Rauparaha with moko, earring, and wrapped in a blanket around the shoulders.
  22. - Femme Maori avec un tatouage au menton 1998-3173-139. Femme Maori avec un tatouage au menton. Maori woman with tattoed chin and underlip.
  23. - Portrait of Ngairo Rakai Hikuroa. A portrait of Ngairo Rakai Hikuroa, Maori chief. The staff, taiaha in Maori, is carried by chiefs.
  24. - Louis John Steele Portrait of a young Maori woman with moko Google Art Project. Portrait of a young Maori woman with moko.
  25. - Unidentified Maori man with a moko. Reference Number.PA1-o-423-14-6
  26. - Mungakahu, chief of Motupoi, and his wife, Ko Mari. George French Angas delt; J. W. Giles lith. Plate. Angas, George French, 1822-1886 :Mungakahu, chief of Motupoi, and his wife, Ko Mari / George French Angas delt ; J. W.
  27. - Ko Tamihana te Rauparaha, watercolour by Thomas Biddulph Hutton. Hutton, Thomas Biddulph, 1824-1886 :Ko Tamihana te Rauparaha. 1845 Reference Number: E-137-q-005 Tamihana Te Rauparaha, or Katu, (son of the Ngati Toa warrior chief Te Rauparaha) standing wrapped in a fine flax kaitaka cloak with a woven taniko border.
  28. - Charles Decimus Barraud, Rangihaeata. 1856, Reference Number B-004-021. Barraud, Charles Decimus 1822-1897 :Rangihaeata. 1856 Reference Number: B-004-021 Shows Maori rangatira standing with white hair, moko, feather cloak, and a greenstone mere in his right hand.
  29. - Charles Decimus Barraud, Rangihaeta New Zealand Maori chief who killed Captn. Wakefield at the Wairau. Barraud, Charles Decimus 1822-1897 : Rangihaeta New Zealand Maori chief who killed Captn. Wakefield at the Wairau massacre, June 1843.
  30. - Chef Maori 1998-23049-173. Chef Maori - Maori chief with tattoed face wearing peacock feather.
  31. - Chef Maori au taiaha 1998-23059-173. Chef Maori au taiaha. Maori chief holding a taiaha.
  32. - Chef Maori Tomiti-te-mutu 1998-3162-173. Tomiti Te Mutu, chef Maori - Maori chief Tomiti Te Mutu. Also known as Tomika Te Mutu.
  33. - Chef Maori1998-3157-173. Tomika Te Mutu,(Ngāi Te Rangi), New Zealand, c. 1860, attributed to John Nicol Crombie; New Zealand albumen carte-de-visite print, from album Celebrated Maori Chiefs, State Library of New South Wales, PXB 118.
  34. - Femme Maori 1998-3160-173. Femme Maori (Maori Woman) with tattoo on chin.
  35. - Femme Maori Hariota Hull 1964-9530-173. Femme Maori, Harriota Hull. Hariota Hull, Maori woman.
  36. - Patuone, photograph by George Redfern. Eruera Maihi Patuone, photograph by George Redfern.
  37. - Wife of Renata Kawepo. Carte de visite portrait of woman described as one of Renata Kawepo's wives taken, probably in the 1870s, by Samuel Carnell of Napier.
  38. - Eruera Maihi Patuone. A portrait of Eruera Maihi Patuone by Gottfried Lindauer.
  39. - Renata Kawepo (between 1880 and 1888). Renata Te Kawepo. Photographed by Samuel Carnell in the 1880s.
  40. - Renata Kawepo (between 1880 and 1888) 2. Carte de visite portrait of Renata Kawepo, taken in the 1880s by Samuel Carnell of Napier.
  41. - Tawhiao Maori King 1880s. Tawhiao, second King of the Maori. Carte de visite portrait of Tukaroto Matutaera Potatau Te Wherowhero Tawhiao, the second Maori King, taken, probably in the 1880s, by an unknown photographer.
  42. - E Witti, chief of Waikanai, watercolour by R. Hall, c. 1840s. Hall, R :E Witti, chief of Waikanai 184- Reference Number: A-114-051 Profile head and shoulders portrait of Wiremu Kingi Te Rangitake, also known as Whiti, a signatory of the Treaty of Waitangi. He is shown wrapped in a cloak or blanket and with full moko Key terms: 1 image, categorised under Watercolours and.
  43. - Arthur James Iles Tuterei Karewa of the Ngatimaru tribe, North Island, New Zealand Google Art Project. Tuterei Karewa of the Ngatimaru tribe, North Island, New Zealand Tuterei Karewa of the Ngatimaru tribe, North Island, New Zealand Tuterei Karewa of the Ngatimaru tribe, North Island, New Zealand.
  44. - Hinepare
  45. - Tuterei KarewaWC. Tuterei Karewa chief of the Ngatimaru tribe. 1890s.
  46. - Ihaka Whaanga. A sketch of Ihaka Whaanga after a photograph, from an ethnographic journal, 1890. Photo is tagged creative commons by google and was made in the US before 1927, with a subject deceased since 1875.
  47. - Māori rāngatira, Te Hauhau in Aotearoa New Zealand, 1885. Māori chief, Te Hauhau, leans against a fence in front of a wharenui at Te Kūiti in Aotearoa New Zealand. He has huia feathers in his hair and is holding a taiaha, point down, in front of him.
  48. - Uhi
  49. - Patara Te Tuhi, Auckland Weekly News, 13 January 1899. A noted Maori chief: Patara Te Tuhi. 1/4 length portrait of Patara Te Tuhi.
  50. - James Cowan with moko. Photograph of James Cowan, with a moko drawn in pen.
  51. - Emerald Hours in New Zealand (1906) · Lowth · 058. Photo of a Māori chief from Emerald Hours in New Zealand (1906), a travelogue by English tourist Alys Lowth Adlam (writing as Alys Lowth). The book was illustrated with numerous photographs and diagrams, some attributed, supplied by her and her publisher.
  52. - Charles Frederick Goldie Maramena Wiari. Maramena Wiari, Chieftainness of the Tuhourangi Tribe, Te Arawa, Maramena Wiari, Chieftainness of the Tuhourangi Tribe, Te Arawa.
  53. - Tattooed maori with feathers in hair - page 280. Maori man with feathers - probably turkey feathers - in hair. Image from scanned version of book on Wikisource.
  54. - Maori woman smoking a pipe. Veronica (Vera) Cummings (1891 - 1940) was a New Zealand painter and a student of C.F. Goldie.
  55. - Gilfillan hone heke. Hone Heke. From a pencil sketch by J.
  56. - Kereopa te rau (cropped). Kereopa te Rau (Called Kai-whatu, or 'Eye-eater ).
  57. - Moko zones. Moko nomenclature by Horatio Gordon Robley from 1. Titi 2.
  58. - MaoriMoko. (pre-1923).
  59. - Moko-caratteristico-tattoo-Maori. Moko caratteristico tatuaggio delle tribù Maori.
  60. - Blind Tohunga. Matapo, the oldest of his people.
  61. - Carved In Skin - Tales from Te Papa episode 84. Uhi chisels, pigment and preserved marked heads in a museum collection are used to explain how moko was cut into the skin rather than punctured, leaving grooved rather than flat lines.
  62. - Hugh Wilson 70. Hugh Wilson about to give a talk in Akaroa.
  63. - Ancestor image (tekoteko), North Island, New Zealand, Bishop Museum, 01410. Ancestor image ( tekoteko ), wood, pearl shell and pigment, North Island, New Zealand, Bishop Museum, accession 01410.
  64. - Portraits of Contemporary Maori with Ta Moko - Artist Sofia Minson on Radio New Zealand. A painter describes making portraits of Māori subjects who wear tā moko and the decisions involved in depicting a living marked face.
  65. - Reviving the Tradition of Skin-Stitched Tattoos Presentation. A talk on Alaskan and wider Inuit skin-stitched marking covers the historical record, the reasons the practice stopped, and the work of putting it back into use.
  66. - Mark Kopua, Aotearoa. Mark Kopua, who works with uhi, discusses what tā moko encodes, how he learned the practice and the responsibilities that come with applying it.
  67. - Normalizing Moko: Te Moko Kauae o Erena.Māori chin tattoo. Rotorua, New Zealand.. In Rotorua a woman wearing her kauae talks about making marked faces ordinary again in everyday New Zealand settings.
  68. - Ta Moko - Maori Tattoo in the 21st Century. Contemporary Māori practice of tā moko is examined for how it sits alongside machine tattooing, the return of the uhi, and the questions of authority that come with it.
  69. - Maori Chief, New Zealand, 1891. Maori chief, Menehira, poses he has a mustache, short, graying hair with feather decorations and extensive facial tattoos. He wears a cloak made of layers of flax fringe around his upper body and holds a wooden staff with a carving on top.
  70. - 4 of 4 - Shelly and her moko kauae are welcomed into the world. Once the chin moko is complete, Shelly Davies is welcomed back by her people in a ceremony that formally receives her with the new mark.
  71. - 4 of 4 - Shelly and her moko kauae are welcomed into the world. Once the chin moko is complete, Shelly Davies is welcomed back by her people in a ceremony that formally receives her with the new mark.
  72. - 2 of 4 - Shelly Davies of Ngātiwai receiving her moko kauae (traditional chin tattoo). Shelly Davies of Ngātiwai receives her chin moko, with the practitioner at work and her people present through the session.
  73. - 2 of 4 - Shelly Davies of Ngātiwai receiving her moko kauae (traditional chin tattoo). Shelly Davies of Ngātiwai receives her chin moko, with the practitioner at work and her people present through the session.
  74. - Moko Kauae. Māori women discuss the moko kauae at length: the decision to take one, the wider revival among wāhine, and the questions raised about who it belongs to.
  75. - Moko Kauae. Māori women discuss the moko kauae at length: the decision to take one, the wider revival among wāhine, and the questions raised about who it belongs to.
  76. - Maori Woman with Her Tiki, in the manner of Gottfried Lindauer. Maori Woman with Her Tiki, oil on canvas painting in the manner of Gottfried Lindauer with gallery label on back.
  77. - You've seen Maori tattoos before, but getting one is a meaningful cultural event. Receiving a Māori moko involves karakia, family presence and obligations that continue afterwards, which is what separates it from walking into a tattoo shop.
  78. - You've seen Maori tattoos before, but getting one is a meaningful cultural event. Receiving a Māori moko involves karakia, family presence and obligations that continue afterwards, which is what separates it from walking into a tattoo shop.
  79. - Tattoo in Oceania: a living legacy. Marking traditions across Oceania are shown through objects and contemporary practice, with attention to how museums hold material from practices that are still alive.
  80. - Tattoo in Oceania: a living legacy. Marking traditions across Oceania are shown through objects and contemporary practice, with attention to how museums hold material from practices that are still alive.
  81. - Moko Kauae - Abby Collier. Abby Collier receives her moko kauae and talks about the reasons that brought her to it, what her whānau made of the decision and how it felt to carry it afterwards.
  82. - Moko Kauae - Abby Collier. Abby Collier receives her moko kauae and talks about the reasons that brought her to it, what her whānau made of the decision and how it felt to carry it afterwards.
  83. - Tā Moko - Introduction. The vocabulary of tā moko is introduced: the areas of the face and body it occupies, what the spirals and lines encode, and how the practice sat within Māori society.
  84. - Tā Moko - Introduction. The vocabulary of tā moko is introduced: the areas of the face and body it occupies, what the spirals and lines encode, and how the practice sat within Māori society.
  85. - Fresh Season 9 Episode 27 - The Evolution of Tatau & Tā Moko: Pacific & Māori Tattooing. Samoan tatau and Māori tā moko are set beside one another, their tools, their protocols and the different paths each took through suppression and revival.
  86. - Fresh Season 9 Episode 27 - The Evolution of Tatau & Tā Moko: Pacific & Māori Tattooing. Samoan tatau and Māori tā moko are set beside one another, their tools, their protocols and the different paths each took through suppression and revival.
  87. - Mataora: The Living Face. Mataora, the full facial moko worn by men, is taken by a small number in Aotearoa today, and those who wear it describe living with a marked face in public.
  88. - Mataora: The Living Face. Mataora, the full facial moko worn by men, is taken by a small number in Aotearoa today, and those who wear it describe living with a marked face in public.
  89. - Māori leading the resurgence of indigenous tattoos | Local Focus. Indigenous marking is returning in several places at once, and Māori practitioners describe their part in that and the demand they are now meeting.
  90. - Māori leading the resurgence of indigenous tattoos | Local Focus. Indigenous marking is returning in several places at once, and Māori practitioners describe their part in that and the demand they are now meeting.
  91. - Marks of Mana Pt2 - Moko Kauae Stories. Wāhine Māori who carry the moko kauae speak about what led them to it and how it sits with women's marking traditions elsewhere in the Pacific.
  92. - Marks of Mana Pt2 - Moko Kauae Stories. Wāhine Māori who carry the moko kauae speak about what led them to it and how it sits with women's marking traditions elsewhere in the Pacific.
  93. - Francine's Moko Kauae Journey. Francine Pehi follows her own path to the chin moko, from the reasons she gives for wanting it to the day it is put on.
  94. - Francine's Moko Kauae Journey. Francine Pehi follows her own path to the chin moko, from the reasons she gives for wanting it to the day it is put on.
  95. - Who owns the IP rights to moko kauae - wearer or artist?. Ownership of a moko kauae design is contested between the person wearing it and the artist who drew it, and the intellectual property question is put to Māori practitioners.
  96. - Who owns the IP rights to moko kauae - wearer or artist?. Ownership of a moko kauae design is contested between the person wearing it and the artist who drew it, and the intellectual property question is put to Māori practitioners.
  97. - Broxh explains traditional Maori tattoos. A carver walks through Māori marking and the patterns it shares with whakairo, explaining what the forms mean and why they are not interchangeable.
  98. - Broxh explains traditional Maori tattoos. A carver walks through Māori marking and the patterns it shares with whakairo, explaining what the forms mean and why they are not interchangeable.
  99. - Kauae - Stevie Davis-Tana. Stevie Davis-Tana speaks about the kauae she wears, what it ties her to and how she carries it day to day.
  100. - Kauae - Stevie Davis-Tana. Stevie Davis-Tana speaks about the kauae she wears, what it ties her to and how she carries it day to day.
  101. - My Moko Kauae Journey. One woman recounts arriving at her moko kauae, the conversations with family beforehand and the day it was applied.
  102. - My Moko Kauae Journey. One woman recounts arriving at her moko kauae, the conversations with family beforehand and the day it was applied.
  103. - Exploring New Zealand's Ancient Tattoo Identity | Needles & Pins with Grace Neutral Episode 4. In Aotearoa, tā moko practitioners and people wearing moko kauae talk about the chisel, the pigment, the protocol around receiving a moko and the questions of who may wear one.
  104. - Exploring New Zealand's Ancient Tattoo Identity | Needles & Pins with Grace Neutral Episode 4. In Aotearoa, tā moko practitioners and people wearing moko kauae talk about the chisel, the pigment, the protocol around receiving a moko and the questions of who may wear one.
  105. - WAKA HUIA - REVIVING MOKO KAUAE FULL EPISODE. After generations in which it nearly disappeared, the moko kauae has returned among Māori women, and practitioners and wearers trace how that recovery happened.
  106. - WAKA HUIA - REVIVING MOKO KAUAE FULL EPISODE. After generations in which it nearly disappeared, the moko kauae has returned among Māori women, and practitioners and wearers trace how that recovery happened.
  107. - Inuk woman shares the meaning behind her traditional tattoos. An Inuk woman explains the lines on her face and hands, what each one marks in her life, and how she came to have them applied.
  108. - Inuk woman shares the meaning behind her traditional tattoos. An Inuk woman explains the lines on her face and hands, what each one marks in her life, and how she came to have them applied.
  109. - Maori Woman With Face Tattoo Is 1st to Anchor Primetime News. A Māori journalist wearing a moko kauae presents a primetime bulletin in New Zealand, and the reaction to seeing a marked chin in that role becomes part of the story.
  110. - Maori Woman With Face Tattoo Is 1st to Anchor Primetime News. A Māori journalist wearing a moko kauae presents a primetime bulletin in New Zealand, and the reaction to seeing a marked chin in that role becomes part of the story.
  111. - Kiwis can ‘learn’ from insult levelled at wāhine with moko kauae. After a wāhine with a moko kauae was publicly insulted in New Zealand, Māori commentators discuss what the episode showed about attitudes to marked faces.
  112. - Kiwis can ‘learn’ from insult levelled at wāhine with moko kauae. After a wāhine with a moko kauae was publicly insulted in New Zealand, Māori commentators discuss what the episode showed about attitudes to marked faces.
  113. - Oriini Kaipara explains the history and meaning of traditional moko kauae | Newshub. Oriini Kaipara sets out what the moko kauae is, why it is worn on the chin by Māori women, and how it connects to whakapapa rather than to personal ornament.
  114. - Oriini Kaipara explains the history and meaning of traditional moko kauae | Newshub. Oriini Kaipara sets out what the moko kauae is, why it is worn on the chin by Māori women, and how it connects to whakapapa rather than to personal ornament.
  115. - Māori Woman Explains Traditional Face Tattoo 😮 | UNILAD Adventure. Asked directly about the marks on her chin, a Māori woman explains the moko kauae as an expression of ancestry and identity rather than a choice of style.
  116. - Māori Woman Explains Traditional Face Tattoo 😮 | UNILAD Adventure. Asked directly about the marks on her chin, a Māori woman explains the moko kauae as an expression of ancestry and identity rather than a choice of style.
  117. - We asked people: Can you wear moko if you don’t whakapapa Māori?. Whether a person without Māori whakapapa can wear moko is put to people on the street, and the answers turn on the difference between moko and kirituhi.
  118. - We asked people: Can you wear moko if you don’t whakapapa Māori?. Whether a person without Māori whakapapa can wear moko is put to people on the street, and the answers turn on the difference between moko and kirituhi.
  119. - Tunniit: Retracing the Lines of Inuit Tattoos | Official Trailer. Tunniit, the Inuit facial markings, are searched for among elders across the Arctic by a filmmaker trying to recover how and why they were applied before they stopped.
  120. - Tunniit: Retracing the Lines of Inuit Tattoos | Official Trailer. Tunniit, the Inuit facial markings, are searched for among elders across the Arctic by a filmmaker trying to recover how and why they were applied before they stopped.
  121. - Ta Moko - the Trailblazers. The practitioners who brought tā moko back into use after decades of decline are profiled, including how they recovered technique and defended the right to practise it.
  122. - Ta Moko - the Trailblazers. The practitioners who brought tā moko back into use after decades of decline are profiled, including how they recovered technique and defended the right to practise it.
  123. - Tunniit - Inuit Tattoos in Greenland. In Greenland, Inuit markings on the face and hands are being worn again, and the patterns and the reasons for taking them are briefly introduced.
  124. - Tunniit - Inuit Tattoos in Greenland. In Greenland, Inuit markings on the face and hands are being worn again, and the patterns and the reasons for taking them are briefly introduced.
  125. - Amazing ceremony for Moko Kauae. Tino ātaahua ❤️🌀. A moko kauae is given within a ceremony, with karakia, waiata and the woman's family and community gathered around her.
  126. - Amazing ceremony for Moko Kauae. Tino ātaahua ❤️🌀. A moko kauae is given within a ceremony, with karakia, waiata and the woman's family and community gathered around her.
  127. - Native Lens: KAKIÑIIT. Kakiniit, the Inuit facial and body markings, are being applied again by young practitioners working from photographs and elders' memories after a long gap.
  128. - Native Lens: KAKIÑIIT. Kakiniit, the Inuit facial and body markings, are being applied again by young practitioners working from photographs and elders' memories after a long gap.
  129. - Discover the Maori: A Journey Through Tattoo Traditions and Dance Rituals. Māori marking and performance are presented together, with the moko alongside the haka and the carving traditions that share its design language.
  130. - Discover the Maori: A Journey Through Tattoo Traditions and Dance Rituals. Māori marking and performance are presented together, with the moko alongside the haka and the carving traditions that share its design language.
  131. - One woman's moko kauae journey involving her community I The Hui 2019. A woman's decision to take the moko kauae is worked through with her whānau and hapū, who are involved in the process rather than simply told about it.
  132. - One woman's moko kauae journey involving her community I The Hui 2019. A woman's decision to take the moko kauae is worked through with her whānau and hapū, who are involved in the process rather than simply told about it.
  133. - The History of Traditional Inuit Tattoos for Indigenous Peoples' Day. Inuit skin-stitched and poked markings, worn on the face, hands and thighs, largely stopped under missionary and government pressure, and those taking them up again explain what the lines recorded.
  134. - The History of Traditional Inuit Tattoos for Indigenous Peoples' Day. Inuit skin-stitched and poked markings, worn on the face, hands and thighs, largely stopped under missionary and government pressure, and those taking them up again explain what the lines recorded.
  135. - 23. Turumakina Duley - Reconnecting with Roots: The Power of Moko. Turumakina Duley talks at length about taking up moko as practice and as identity, the training involved and the reconnection it required.
  136. - 23. Turumakina Duley - Reconnecting with Roots: The Power of Moko. Turumakina Duley talks at length about taking up moko as practice and as identity, the training involved and the reconnection it required.
  137. - “Māori Culture: Clothing & Tattoos”. Māori dress and marking are introduced together, with the korowai, the woven garments and the moko treated as parts of one visual system.
  138. - “Māori Culture: Clothing & Tattoos”. Māori dress and marking are introduced together, with the korowai, the woven garments and the moko treated as parts of one visual system.
  139. - ‘Our Inked Identity’ feat. Rangi Maika | Best Australian Shorts. Rangi Maika speaks about the marks he carries and the place they hold in his sense of who he is.
  140. - ‘Our Inked Identity’ feat. Rangi Maika | Best Australian Shorts. Rangi Maika speaks about the marks he carries and the place they hold in his sense of who he is.
  141. - Tradition, identity and maturity. Is puberty the right age for tā moko? | The Hui 2026. Whether puberty is the right point to receive tā moko is debated among Māori practitioners and families, weighing readiness, tradition and the permanence of the mark.
  142. - Tradition, identity and maturity. Is puberty the right age for tā moko? | The Hui 2026. Whether puberty is the right point to receive tā moko is debated among Māori practitioners and families, weighing readiness, tradition and the permanence of the mark.
  143. - Stitched in Skin: The Revival of Inuit Tattooing. Skin stitching pulls a sinew thread carrying pigment through the skin, and Inuit practitioners returning to that method describe learning it and what the lines mean.
  144. - Stitched in Skin: The Revival of Inuit Tattooing. Skin stitching pulls a sinew thread carrying pigment through the skin, and Inuit practitioners returning to that method describe learning it and what the lines mean.
  145. - Tā Moko: The Māori Tattoo That Carries Identity, History and Heritage. Tā moko carries lineage, rank and personal history in its lines, with each design belonging to the individual and their whakapapa rather than being drawn from a common catalogue.
  146. - Tā Moko: The Māori Tattoo That Carries Identity, History and Heritage. Tā moko carries lineage, rank and personal history in its lines, with each design belonging to the individual and their whakapapa rather than being drawn from a common catalogue.
L
O
R
E
L
I
N
E
MOKO
MOMENTS0000
VIEWS0000
LIKES0000
TIME0000
Search moments...