The Sound & The Producers
The birth of the four-on-the-floor: Philly soul, the strings and the beat, Giorgio Moroder's Munich synth machine, Salsoul and the 12-inch single that let a groove run forever.
Part of Disco
22 moments in this segment.
- — Isaac Hayes — Theme from Shaft. Isaac Hayes's wah-wah funk theme won an Oscar in 1972 and pointed the way to disco's orchestral funk.
- — The O'Jays — Love Train. The Philadelphia sound of Gamble & Huff, all strings and brotherhood, laid the template for disco.
- — MFSB — TSOP (Soul Train theme). 'The Sound of Philadelphia' became the theme to Soul Train and one of disco's founding grooves.
- — Love Unlimited Orchestra — Love's Theme. An instrumental number one in 1974, Love's Theme was one of disco's earliest blueprints.
- — The Jackson 5 — Dancing Machine. The Jackson 5's Dancing Machine caught the early dancefloor beat and Michael's robot in 1974.
- — The Hues Corporation — Rock the Boat. Often called the first true disco hit to top the American charts, in 1974.
- — B.T. Express — Do It ('Til You're Satisfied). B.T. Express's raw 1974 funk-disco was one of the sound's earliest club hits.
- — Barry White — Can't Get Enough of Your Love. Barry White and his Love Unlimited Orchestra brought lush, orchestral seduction to the pre-disco dancefloor.
- — Donna Summer — Love to Love You Baby. Giorgio Moroder produced a seventeen-minute seduction that announced the album-side disco epic.
- — Gloria Gaynor — Never Can Say Goodbye. Gloria Gaynor's 1975 album pioneered the continuous, non-stop DJ-friendly disco side.
- — The birth of the 12-inch single. The extended 12-inch single, pioneered by DJs and mastered by Tom Moulton, let a groove run for ten minutes.
- — The Salsoul Orchestra. Salsoul Records and its orchestra gave New York disco its lush, Latin-tinged house style.
- — Diana Ross — Love Hangover. Diana Ross's shift from ballad to four-on-the-floor mid-song became a dancefloor landmark in 1976.
- — Rose Royce — Car Wash. Norman Whitfield's Car Wash was a funk-disco crossover smash and a hit film soundtrack.
- — Cerrone — Love in C Minor. The French producer Cerrone opened Eurodisco with an orchestral, sixteen-minute suite in 1976.
- — The Trammps — Disco Inferno. 'Burn baby burn' — the Trammps' Disco Inferno became an anthem after Saturday Night Fever.
- — Giorgio Moroder and the Munich sound. From his Musicland studio, Giorgio Moroder built the pulsing synthesizer sound that defined late disco.
- — First Choice — Doctor Love. Philadelphia's First Choice made proto-house classics beloved by DJs for decades.
- — Donna Summer — I Feel Love. Moroder's fully synthesized 1977 track invented the sound of electronic dance music.
- — Salsoul and the disco orchestra. Vince Montana's Salsoul Orchestra brought Philly's orchestral polish to the New York underground.
- — Rodgers & Edwards, the hitmakers. Beyond Chic, Nile Rodgers and Bernard Edwards produced Diana Ross's Diana and Sister Sledge — disco's sharpest production team.
- — Shalamar — The Second Time Around. Born from the Soul Train dancers, Shalamar carried disco into a slicker post-disco groove.

