Books

A book is a technology for holding a mind still long enough to copy it. For most of the story that meant an animal skin, a quill and a room of monks working through a winter to produce one volume. Then a goldsmith in Mainz worked out how to cast reusable letters in metal, not the first movable type on earth, since China and Korea had got there centuries before, but the first system that scaled, and the price of a book collapsed. What followed was almost everything: mass literacy, the newspaper, the novel, the pamphlet war, and a permanent argument about who gets to read what. Books have been chained to desks, indexed as forbidden, burned in public squares by governments confident they were on the right side, and hidden under floorboards by people who disagreed. They have also been the most durable storage medium anyone has built: a codex written in the year 800 is still readable, which is more than can be said for a floppy disk from 1994. This archive is the whole of it, the making, the printing, the libraries, the trade, the banning, the individual books that moved something, and the strange private act of reading itself.

A chronological documentary of 1,513 moments spanning 332 BC–2026 on Loreline.

Curated by Olivier · last updated 2026-08-22

Eras

  1. - Book of the Dead of the Priest of Horus, Imhotep (Imuthes). Papyrus, funerary, Book of the Dead, Imouthes, Imhotep, Imuthes in the Metropolitan Museum of Art (Egyptian Art). Papyrus, ink. Digitised image of the artefact itself; dated to the object, ca. 332–200 BCE.
  2. - Muziris Papyrus P.Vindob. G 40822 verso Austrian National Library. Verso side of the Muziris Papyrus (P.Vindob. G 40822), a Greek papyrus document of the mid-2nd century CE preserved in the Austrian National Library. The verso contains an account of Indian cargo from the ship Hermapollon, including Gangetic nard.
  3. - Codex Sinaiticus Paralipomenon 9,27-10,11. Codex Sinaiticus, the fourth-century Greek Bible codex, one of the oldest substantially complete Christian books.
  4. - Codex Ink. Codex Sinaiticus, the fourth-century Greek Bible codex, one of the oldest substantially complete Christian books.
  5. - Codex Sinaiticus Petropolitanus (title). Codex Sinaiticus, the fourth-century Greek Bible codex, one of the oldest substantially complete Christian books.
  6. - Codex Sinaiticus. Pagina, GD009896. Title Codex Sinaiticus. Pagina Series EuroPhot. Art history. 4th century. Artifact EuroPhot. Kunstgeschiedenis. 4de eeuw. Artefact Extent 1 glasdia; 100 x 85 mm. Slide Language Undetermined Typographical details glass slide(s) Additional info General note: Fotograaf onbekend General note: Toegevoegde informatie op dia Biographical or historical data: Oorspronkelijke locatie/Vindplaats: Egypte, Si
  7. - Qur'an Manuscript Folio. 9th century. ink, gold, and color on parchment. Cleveland Museum of Art, 800s-900s. This is a reproduction of the object itself, not a modern photograph of a building.
  8. - Qur'an Manuscript Folio: a second folio. Qur'an Manuscript Folio (verso). Iran or Iraq, Abbasid period, 9th, 10th century. ink, gold, and color on parchment. Cleveland Museum of Art, 800s, 900s. This is a reproduction of the object itself, not a modern photograph of a building.
  9. - Trinity College - Book of Kells. The Book of Kells, the insular Gospel manuscript of about 800 now at Trinity College Dublin.
  10. - Qur'an Manuscript Folio (recto); left side of bifolio. 9th century. gold, ink and colors on parchment. Cleveland Museum of Art, 800s. This is a reproduction of the object itself, not a modern photograph of a building.
  11. - Dublin Trinity College Library Long Room Book of Kells 1. The Book of Kells, the insular Gospel manuscript of about 800 now at Trinity College Dublin.
  12. - The book of Kells library interior 3. The Book of Kells, the insular Gospel manuscript of about 800 now at Trinity College Dublin.
  13. - Qur'an Manuscript Folio (verso), view 2. Qur'an Manuscript Folio. Iran or Iraq, Abbasid period, 800s, 900s. ink, gold, and color on parchment. Cleveland Museum of Art, 800s, 900s. This is a reproduction of the object itself, not a modern photograph of a building.
  14. - Bifolium Excised from a Carolingian Gradual. 9th century. gold and silver ink on purple parchment. Cleveland Museum of Art, c. 830–60. This is a reproduction of the object itself, not a modern photograph of a building.
  15. - Diamond sutra. Frontispiece of a printed dated copy of the Diamond Sutra. Ink on paper: woodblock print. Or.8210/P.2
  16. - E-codices csg-0728 004 max. The earliest manuscript catalogue of the monastery of St. Gall from the middle of the 9th century, followed by a collection of important law texts (capitularies of Ansegis, Lex Salica, Lex Ribuaria). (smu)
  17. - Diamond Sutra - Exhibits on the ground floor of Himalayan Tibet Museum in Darjeeling 12. The Diamond Sutra, the Dunhuang copy of 868 is the earliest dated printed book to survive complete.
  18. - Himalayan Tibet Museum - Darjeeling - Diamond Sutra (1). The Diamond Sutra, the Dunhuang copy of 868 is the earliest dated printed book to survive complete.
  19. - Tibetan Diamond Sutra. The Diamond Sutra, the Dunhuang copy of 868 is the earliest dated printed book to survive complete.
  20. - Gospel Book with Commentaries. 1000–1100. This is a reproduction of the object itself, not a modern photograph of a building.
  21. - Text, folio 110 (recto), from a Gospel Book with Commentaries. 1000–1100. This is a reproduction of the object itself, not a modern photograph of a building.
  22. - Text, folio 121 (verso), from a Gospel Book with Commentaries. 1000–1100. This is a reproduction of the object itself, not a modern photograph of a building.
  23. - Syriac manuscript 11 century liturgy - 2. A Syriac manuscript in the Aramaic script used by the Churches of the East.
  24. - Syriac Orthodox icon of Jesus Christ, St. Peter, and St. Paul. A Syriac manuscript in the Aramaic script used by the Churches of the East.
  25. - Funerary Papyrus of Tayuhenutmut (1894.180). Potent symbols, sacred words, and divine protection helped ancient Egyptians transition from the earthly realm to an eternal existence. Interactions between mortals and the gods were depicted on funerary objects including papyri, like this example made for temple singer Tayu-henut-Mut (“the mistress of [the goddess] Mut”). This papyrus shows Tayu-henut-Mut standing with raised hands before an offe
  26. - Papyrus with the Instruction of Amenemope. (1077-664 BC). It was discovered at Thebes, and was purchased by the British Museum through Wallis Budge in 1888.
  27. - Leaf from a Greek Psalter and New Testament. 1084. This is a reproduction of the object itself, not a modern photograph of a building.
  28. - Domesday Croydon Cheam. The Domesday Book, the 1086 survey of England ordered by William the Conqueror.
  29. - Selseydomesday. The Domesday Book, the 1086 survey of England ordered by William the Conqueror.
  30. - Domesday zinco Somerset Glastonbury. The Domesday Book, the 1086 survey of England ordered by William the Conqueror.
  31. - Plate XXIV 2 Domesday Book Guilford 1086. Terra Regis. In Wochinges Hundredo. In Gildeford habet Rex Willelmus 75 hagas in quibus manent 175 homines. Tempore Regis Edwardi reddebat 18 libras et 3 denarios. Modo appreciatur 30 libris et tamen reddit 32 libras. De supradictis hagis habet Rannulfus clericus tres hagas ubi manent sex homines, et inde liabet isdem Rannulfus sacam et socam, nisi commune geldum in villa venerit, undo nullus cv
  32. - Bilingual Syriac-New Persian psalter in Syriac script, Bulayik, 12th-13th century AD, paper - Ethnological Mus. A Syriac manuscript in the Aramaic script used by the Churches of the East.
  33. - Page from a Qur'an, Sura al-Nisa 4, verses 159–60. 1100s. This is a reproduction of the object itself, not a modern photograph of a building.
  34. - Fragment of the Cairo Genizah - The Passover Haggadah, pages 3&4 plus ruler. A fragment from the Cairo Geniza, the storeroom of the Ben Ezra Synagogue that preserved roughly 400,000 discarded Jewish manuscript fragments.
  35. - Solomon Schechter studying the fragments of the Cairo Genizah, c. 1898. A fragment from the Cairo Geniza, the storeroom of the Ben Ezra Synagogue that preserved roughly 400,000 discarded Jewish manuscript fragments.
  36. - Double-Sided Leaf from a Qur'an. 1100s. This is a reproduction of the object itself, not a modern photograph of a building.
  37. - Fragment of the Cairo Genizah - The Passover Haggadah, pages 1&2 plus ruler. A fragment from the Cairo Geniza, the storeroom of the Ben Ezra Synagogue that preserved roughly 400,000 discarded Jewish manuscript fragments.
  38. - Ephrem's Commentary on the Diatessaron. A Syriac manuscript in the Aramaic script used by the Churches of the East.
  39. - Meta-Discourse on the Teachings from the Treasury (Abidharmakosha-Bhashya). ). Japan, Heian period (794–1185). handscroll; gold and silver on indigo-dyed paper. Cleveland Museum of Art, 1100s. This is a reproduction of the object itself, not a modern photograph of a building.
  40. - Folio from a Qur'an. (1037–1194). ink, gold, and colors on paper. Cleveland Museum of Art, 1100s. This is a reproduction of the object itself, not a modern photograph of a building.
  41. - Title Page of St. Gregory's "Moralia": Job Visited by His Three Friends (above) and Gregory the Great and His. (below). Switzerland, Monastery of Engelberg, 12th century. ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1143–1178. This is a reproduction of the object itself, not a modern photograph of a building.
  42. - Aethicus, Handschrift, Benediktinerstift Admont, Stiftsbibliothek, Fragm. C 472 (Ende des Werks und Alphabet). Admont, Benedictine Abbey, Fragment C 472 (formerly Cod. 472, fol. 1f/2r): This fragment was embedded for centuries in Codex 472 of the Benedictine Abbey of Admont, a Sedulius manuscript from the 12th century. During the restoration of the binding in 1952, it was removed. Winfried Stelzer identified the fragment as an early version of the Cosmography of Aethicus, dating to the late 9th century. He
  43. - T-S NS 163.57. A fragment from the Cairo Geniza, the storeroom of the Ben Ezra Synagogue that preserved roughly 400,000 discarded Jewish manuscript fragments.
  44. - Lalitwistra Waipulya Sutra. A Buddhist sutra manuscript or printed text, the copying of sutras was itself a devotional act. Low-resolution scan retained as scarce primary material.
  45. - SMT D119 Facsimile of f plate 21 of the manuscript Troano. Maya codex material. Only four pre-conquest Maya codices survive; much of what circulates is nineteenth-century facsimile plates.
  46. - 4Q41 2. A Hebrew biblical manuscript or scroll, the text tradition copied by hand for two millennia.
  47. - Dharmakīrtisāgara.. A Buddhist sutra manuscript or printed text, the copying of sutras was itself a devotional act. Low-resolution scan retained as scarce primary material.
  48. - Entire Tanakh scroll set. A Hebrew biblical manuscript or scroll, the text tradition copied by hand for two millennia.
  49. - Detail of Maya Codex - Museum of Anthropology - Mexico City - Mexico. Maya codex material. Only four pre-conquest Maya codices survive; much of what circulates is nineteenth-century facsimile plates.
  50. - GYANTSE Bibliotheque. A Buddhist sutra manuscript or printed text, the copying of sutras was itself a devotional act.
  51. - CodexPages9 17. The Dresden Codex, the best preserved of the four surviving Maya codices, containing astronomical and calendrical tables.
  52. - SMT D111 Facsimile of plate 20 of the manuscript Troano. Maya codex material. Only four pre-conquest Maya codices survive; much of what circulates is nineteenth-century facsimile plates.
  53. - MA D363 Maya animals hunted. Maya codex material. Only four pre-conquest Maya codices survive; much of what circulates is nineteenth-century facsimile plates.
  54. - Dresden Codex f8461796. The Dresden Codex, the best preserved of the four surviving Maya codices, containing astronomical and calendrical tables.
  55. - Isaiah scroll. A Hebrew biblical manuscript or scroll, the text tradition copied by hand for two millennia.
  56. - KellsFol027v4Evang. Image of Folio 27v, with the four evangelist symbols from the en:Book of Kells, a 1200 year old book. Scanned from: Meehan, Bernard; The Book of Kells': an illustrated introduction to the manuscript in Trinity College Dublin. London: Thames and Hudson, 1994. p. 8.
  57. - Magna Carta Exhibition. Magna Carta, sealed at Runnymede in 1215; several original engrossments and many later facsimiles survive.
  58. - Magna Carta deposited in Congressional Library for duration of war. Washington, D.C., Nov. 28. The most cheris. Magna Carta, sealed at Runnymede in 1215; several original engrossments and many later facsimiles survive.
  59. - Magna Carta Lincoln Castle 01. Magna Carta, sealed at Runnymede in 1215; several original engrossments and many later facsimiles survive.
  60. - Initial I: Entwined Beast and Serpent: Leaf from a Bible (2 of 2 Excised Leaves). ). England, Glastonbury(?), 13th century. tempera and ink on vellum. Cleveland Museum of Art, c. 1225–50. This is a reproduction of the object itself, not a modern photograph of a building.
  61. - Bifolia with Scenes from the Life of Christ. (Diocese of Hildesheim), Braunschweig(?), 13th century. tempera, and gold on vellum. Cleveland Museum of Art, 1230–1240. This is a reproduction of the object itself, not a modern photograph of a building.
  62. - Tangut Diamond Sutra frontispiece. Initial illustration to a woodblock printed edition of the Tangut translation of the Diamond Sutra recovered from a stupa near the Mogao Caves at Dunhuang, now held at the Dunhuang Research Academy [G11·035].
  63. - Handwritten diamond sutra zhang jizhi song dynasty 1253. The Chinese calligrapher Zhang Jizhi (張即之, 1186–1266) made this handwritten edition of the Diamond Sutra (section depicted) on 18 July 1253 during the Song dynasty. The calligraphy is in the style of the regular script with elements of the running script. The transcription of sutras, a practice for which Zhang Jizhi was well-known, was considered an act of accumulating merit in Buddhism. The India
  64. - Poem by Wang Wei in the Cursive Script Style. (1127-1279). Album leaf; ink on silk. Cleveland Museum of Art, 1256. This is a reproduction of the object itself, not a modern photograph of a building.
  65. - Poem by Wang Wei in the Cursive Script Style - Song Lizong. Calligraphy in the Cleveland Museum of Art (Chinese Art). China, Southern Song dynasty (1127-1279). Digitised image of the artefact itself; dated to the object, 1256.
  66. - Partial Leaf from a Latin Bible: Initial I[n principio] with the Marriage at Cana. 13th century. ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1260–1270. This is a reproduction of the object itself, not a modern photograph of a building.
  67. - Miniature Excised from a Psalter: The Nativity. (?), 13th century. ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1270. This is a reproduction of the object itself, not a modern photograph of a building.
  68. - Bifolium from a Bible: Initial E[t factum est] with Ezekiel. Manuscript in the Cleveland Museum of Art (Medieval Art). France, Paris. Digitised image of the artefact itself; dated to the object, c. 1290.
  69. - Miniatures from a Manuscript of the Apocalypse. 1295. This is a reproduction of the object itself, not a modern photograph of a building.
  70. - Historiated Initial (O) Excised from an Antiphonary: The Donor, Gorus Fucci, Kneels before Christ. (?). ink, tempera, and gold on parchment. Cleveland Museum of Art, c. 1300–1350. This is a reproduction of the object itself, not a modern photograph of a building.
  71. - Bifolio from a Gradual: Initial (G) with Christ, the Virgin, and Apostles and Initial (O) (recto). ). Italy, Siena(?). Ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1300. This is a reproduction of the object itself, not a modern photograph of a building.
  72. - Leaf from a Book of Hours: Initial D: Massacre of the Innocents (1 of 2 Excised Leaves). ). Northeastern France or Flanders. ink, tempera and gold on vellum. Cleveland Museum of Art, c. 1300–1330. This is a reproduction of the object itself, not a modern photograph of a building.
  73. - Libro el ekspozicio de Matenadaran 65. An Armenian illuminated manuscript, a tradition centred on the Gospel book and now largely held at the Matenadaran in Yerevan.
  74. - Libro el ekspozicio de Matenadaran 47. An Armenian illuminated manuscript, a tradition centred on the Gospel book and now largely held at the Matenadaran in Yerevan.
  75. - Portrait of St Mark from The Four Gospels Wellcome L0022867. An Armenian illuminated manuscript, a tradition centred on the Gospel book and now largely held at the Matenadaran in Yerevan.
  76. - Libro el ekspozicio de Matenadaran 74. An Armenian illuminated manuscript, a tradition centred on the Gospel book and now largely held at the Matenadaran in Yerevan.
  77. - Hebrew Bible Spain. A Hebrew biblical manuscript or scroll, the text tradition copied by hand for two millennia.
  78. - Avatamsaka Sutra No. 78. Bound Volume in the Cleveland Museum of Art (Korean Art). Korea, Goryeo dynasty (918–1392). Digitised image of the artefact itself; dated to the object, 1300s.
  79. - Libro el ekspozicio de Matenadaran 87. An Armenian illuminated manuscript, a tradition centred on the Gospel book and now largely held at the Matenadaran in Yerevan.
  80. - AM 45 fol.-27-0010v. Page 10v of AM 45 fol. (Fríssbók, Codex Frisianus), showing part of Haralds saga hins hárfagra
  81. - Moroccan Qur'an Manuscript, c. 1300 04. Qur'an Manuscript from Morocco/al-Andalus, c. 1300 held at the Metropolitan Museum of Art Title:Section from a Qur'an Manuscript Date:ca. 1300 Geography:Attributed to Morocco or Southern Spain Medium:Ink, gold, and opaque watercolor on parchment Dimensions:7 15/16 x 7 9/16 in. (20.2 x 19.2 cm) Classification:Codices Credit Line:Purchase, Lila Acheson Wallace Gift, 2004 Accession Number:2004.90 htt
  82. - Leaf from a Book of Hours: Initial D: Flight into Egypt (2 of 2 Excised Leaves). ). Northern France or Flanders, early 14th Century. ink, tempera, and gold on vellum. Cleveland Museum of Art, early 1300s. This is a reproduction of the object itself, not a modern photograph of a building.
  83. - "Isfandiyar's Third Course: He Slays a Dragon", Folio from a Shahnama (Book of Kings). Folio from an illustrated manuscript in the Metropolitan Museum of Art (Islamic Art). Ink, opaque watercolor, gold, and silver on paper. Digitised image of the artefact itself; dated to the object, ca. 1330–40.
  84. - Peacock-shaped Hand Washing Device (recto); Text Page, Arabic Prose (verso). ). Syria, Damascus, Mamluk Period, 14th Century. opaque watercolor and gold on paper. Cleveland Museum of Art, 1315. This is a reproduction of the object itself, not a modern photograph of a building.
  85. - Leaf Excised from an Antiphonary: Initial Q with Saints Peter and Paul. 1325. This is a reproduction of the object itself, not a modern photograph of a building.
  86. - Leaf from a Missal: The Crucifixion (recto) and Text (verso). ). Bohemia. ink, tempera, and gold leaf on parchment. Cleveland Museum of Art, c. 1330–40. This is a reproduction of the object itself, not a modern photograph of a building.
  87. - Leaf from a Gradual: Historiated Initial R: The Resurrection (recto) and Initial D (verso). ). Italy, Naples. ink, tempera, and gold on parchment. Cleveland Museum of Art, mid-1300s. This is a reproduction of the object itself, not a modern photograph of a building.
  88. - "Bizhan Slaughters the Wild Boars of Irman", Folio from a Shahnama (Book of Kings). Folio from an illustrated manuscript in the Metropolitan Museum of Art (Islamic Art). Ink, opaque watercolor, and gold on paper. Digitised image of the artefact itself; dated to the object, dated 741 AH/1341 CE.
  89. - The Tale of the Twelve Faces. "Bizhan Addresses the Army": Illustration from the Firdausi Shahnama (recto); Th. "The Warriors Engage in Combat": Illustration from the Firdausi Shahnama (verso). Iran, Shiraz, Inju (Il-Khanid), 14th Century. opaque watercolor and ink on paper. Cleveland Museum of Art, 1341. This is a reproduction of the object itself, not a modern photograp
  90. - Zürich, Braginsky Collection, B93 page 32. A Hebrew illuminated manuscript, a marriage contract or festival scroll, from the Braginsky Collection.
  91. - A Qur'an scroll (tumar) commissioned for Ghiyath al-Din Sultan Muhammad ibn Sultan Eretna, signed Mubarakshah. 'ABDULLAH, EASTERN ANATOLIA, DATED AH 754/1353-54 AD Arabic manuscript on buff paper, the beginning with a series of alternated round and rectangular panels heavily and elegantly illuminated in gold, silver and polychrome and including religious invocations and names of God, flanked
  92. - Le livre de seyntz medicines f.67 r. (cropped). A portion of a page of Henry of Grosmont, 1st Duke of Lancaster 's Le Livre de Seyntz Medicines '' showing the title.
  93. - Yu-hai (Ocean of Jade) woodblock bound volume. Bound Volume in the Cleveland Museum of Art (Chinese Art). China, Ming dynasty (1368–1644). Digitised image of the artefact itself; dated to the object, 1368–1644.
  94. - Jikji pages. Two pages (pp. 4v, 5r ) of a 1377 manuscript of the Jikji, the oldest example of printing with metal movable type. Held at and digitized by the Département des Manuscrits at the Bibliothèque nationale de France
  95. - Hours of Charles the Noble, King of Navarre (1361-1425). Bound Volume in the Cleveland Museum of Art (Medieval Art). France, Paris. Digitised image of the artefact itself; dated to the object, c. 1404.
  96. - Firma parlante marginale autografa di Paris Malmignati.. Handwritten marginal notes in a book or manuscript, the reader’s own traces left in the margin.
  97. - Gorgias marginalia 03. Clarke Plato. Handwritten marginal notes in a book or manuscript, the reader’s own traces left in the margin.
  98. - Phaidros marginalia 1. Clarke Plato. Handwritten marginal notes in a book or manuscript, the reader’s own traces left in the margin.
  99. - Gorgias marginalia 05. Clarke Plato. Handwritten marginal notes in a book or manuscript, the reader’s own traces left in the margin.
  100. - The Story of Hushang (recto), Illustration and text (Persian Prose) from Majmac al-Tavarikh (A Compendium of. ) of Hafiz-i Abru; Text Page, Persian Prose, (verso), from Majmac al-Tavarikh (A Compendium of Histories) of Hafiz-i Abru. Afghanistan, Herat, Timurid period (1370–1501). ink and opaque watercolor on paper. Cleveland Museum of Art, early 1400s. This is a reproduction of the object
  101. - Hours of Charles the Noble, King of Navarre (1361-1425): fol. 11r, November. Bound Volume in the Cleveland Museum of Art (Medieval Art). France, Paris. Digitised image of the artefact itself; dated to the object, c. 1405.
  102. - Ellesmere Chaucer f. 138r. The Ellesmere manuscript of Chaucer’s Canterbury Tales, copied around 1400-1410 and now at the Huntington Library.
  103. - Ellesmere Chaucer f. 115v. The Ellesmere manuscript of Chaucer’s Canterbury Tales, copied around 1400-1410 and now at the Huntington Library.
  104. - Ellesmere Chaucer f. 133r (Physician's Tale). The Ellesmere manuscript of Chaucer’s Canterbury Tales, copied around 1400-1410 and now at the Huntington Library.
  105. - Pair of Bifolio from a Book of Hours: Adoration of the Magi and Coronation of the Virgin. 1415. This is a reproduction of the object itself, not a modern photograph of a building.
  106. - Leaf from a Gradual: Historiated Initial S[alve Sancta Parens] with Birth of the Virgin (recto) and Music (ver. ). Northern Italy, 15th century. ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1420–50. This is a reproduction of the object itself, not a modern photograph of a building.
  107. - Book of Hours (Use of Paris) - The Bedford Master. Bound Volume in the Cleveland Museum of Art (Medieval Art). France, Paris. Digitised image of the artefact itself; dated to the object, c. 1420.
  108. - Voynich Manuscript (135). A page from the Voynich manuscript, an early fifteenth-century codex in an undeciphered script.
  109. - DroseraVoynichManuscriptF56r. A page from the Voynich manuscript, an early fifteenth-century codex in an undeciphered script.
  110. - Mappa Voynich Monti Sibillini. A page from the Voynich manuscript, an early fifteenth-century codex in an undeciphered script.
  111. - Leaf Excised from the Tarleton Hours: Christ Carrying the Cross. 15th century. ink, tempera, silver, and gold on vellum. Cleveland Museum of Art, c. 1430. This is a reproduction of the object itself, not a modern photograph of a building.
  112. - Bifolio from a Book of Hours: The Crucifixion (recto), Text (verso). ). France (Angers, Nantes, or Poitiers). ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1435. This is a reproduction of the object itself, not a modern photograph of a building.
  113. - Leaf from a Missal: The Crucifixion (Frontispiece for the Canon of the Mass). ). North Netherlands, Augustinian Cloister of Agnietenberg, near Zwolle, 15th century. ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1440–1450. This is a reproduction of the object itself, not a modern photograph of a building.
  114. - Book of Hours (Use of Metz) - France, Metz. Bound Volume in the Cleveland Museum of Art (Medieval Art). France, Metz. Digitised image of the artefact itself; dated to the object, c. 1440.
  115. - Single Leaf from a Gospel Book with a Portrait of Saint Luke. (Ethiopia). ink and tempera on vellum. Cleveland Museum of Art, c. 1440–80. This is a reproduction of the object itself, not a modern photograph of a building.
  116. - Herodotus, Histories, with marginalia by Lorenzo Valla, Vat. gr. 122, fol. 41r und 122r. Herodotus, Histories. With marginalia by humanist Lorenzo Valla. Vatican library, Vat. gr. 122, fol. 41r und 122r.
  117. - Arithmetica boetij. - Upper cover (IA6659). Style: Knotwork/ropework|Panel design; Caption: Upper cover; Colour: Brown; Edge: Unspecified
  118. - Compendium Biblie quod et aureum alias Biblie Reportorium nuncupatur.-- - Upper cover (IA1422). Style: Unspecified; Caption: Upper cover; Colour: White / cream; Edge: Unspecified
  119. - fol. 1 recto- Psalterium.- -fol. 2 recto-- -B-Eatus vir q no abijt in consilio impiorum, etc. - Upper cover (I. Style: Panel design; Caption: Upper cover; Colour: Brown; Edge: Unspecified
  120. - Manipulus curatorum.- - Upper cover (IA2103). Style: Unspecified; Caption: Upper cover; Colour: White / cream; Edge: Unspecified
  121. - Quadragesimale doctoris illuminati F. de M. - Upper cover (IA22648). Style: Panel design; Caption: Upper cover; Colour: Brown; Edge: Unspecified
  122. - Gutenberg Bible - Gutenberg, Johann, 1397?-1468. Johann Gutenberg was born in Mainz, Germany, around 1400, the son of an aristocratic family with ties to the local metalworking industry. He lived in Strasbourg (in present-day France) for a time, where he carried out experiments with moveable metallic type made from a mold. By the mid-1450s, he had perfected a system of printing with moveable type that he used to create what became the world’s mo
  123. - Bifolio from a Book of Hours: Initial V with Floral Border (recto); Text (verso). ). Austria (? ) or Bohemia (?), 15th century. ink, tempera and gold on vellum. Cleveland Museum of Art, c. 1460–1500. This is a reproduction of the object itself, not a modern photograph of a building.
  124. - Replica of gutenberg bible. The Gutenberg Bible of about 1455, the first substantial European book printed with movable type. Some frames photograph a facsimile on display.
  125. - Gutenbergbibel aus Rendsburg. The Gutenberg Bible of about 1455, the first substantial European book printed with movable type. Some frames photograph a facsimile on display.
  126. - Germania, biblia latina (bibbia di gutenberg), 1455-56 ca. (saint-omer, bibliothèque de l'agglomeration du pay. The Gutenberg Bible of about 1455, the first substantial European book printed with movable type. Some frames photograph a facsimile on display.
  127. - Gutenberg-bible - Johannes Gensfleisch zur Laden zum Gutenberg. Commentary on Solomon's from Gutenberg's Latin bible, circa 1453 -1456.
  128. - Leaf from Jehan de Courcy's "Chronique Universelle": King Priam Meets Helen and Paris outside the Gates of Tro. 15th century. ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1470. This is a reproduction of the object itself, not a modern photograph of a building.
  129. - Illuminated Folio (recto) from a Gulistan (Rose Garden) of Sa'di (c. 1213–1291). ). Afghanistan, Herat, Timurid period (1370–1501). Gum tempera, ink, gold, and silver on paper. Cleveland Museum of Art, c. 1475–1500; border: c. 1550. This is a reproduction of the object itself, not a modern photograph of a building.
  130. - Book of Hours (Use of Rouen) - Master of the Geneva Latini. Bound Volume in the Cleveland Museum of Art (Medieval Art). France, Rouen. Digitised image of the artefact itself; dated to the object, c. 1470.
  131. - Leaf from a Book of Hours: The Annunciation. (?). ink, tempera, and gold on vellum. Cleveland Museum of Art, 1470s. This is a reproduction of the object itself, not a modern photograph of a building.
  132. - Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (ve. ). Afghanistan or Iran, Timurid period (1370–1501). opaque watercolor, ink, and gold on paper. Cleveland Museum of Art, c. 1485. This is a reproduction of the object itself, not a modern photograph of a building.
  133. - Single Leaf from a Missal: The Crucifixion. 15th century. ink, tempera, and gold on vellum. Cleveland Museum of Art, c. 1480. This is a reproduction of the object itself, not a modern photograph of a building.
  134. - Left side of a double-page album folio: Outside a Royal Encampment (recto) and Calligraphy, Persian Verses (ve - Bihzad. Manuscript in the Cleveland Museum of Art (Islamic Art). Afghanistan or Iran, Timurid period (1370–1501). Digitised image of the artefact itself; dated to the object, c. 1485.
  135. - Liber Chronicarum (2022-12-06) 01. The Nuremberg Chronicle (Liber Chronicarum), printed by Anton Koberger in 1493, the most heavily illustrated book of the incunable period.
  136. - Leaf from a Book of Hours: Ape Hunting Wild Boars (recto) and Ape Fishing (verso). ). France, Paris or Rouen, 16th century. ink, tempera and liquid gold on vellum. Cleveland Museum of Art, c. 1500–1510. This is a reproduction of the object itself, not a modern photograph of a building.
  137. - Hours of Queen Isabella the Catholic, Queen of Spain. Bound Volume in the Cleveland Museum of Art (Medieval Art). Flanders, Bruges and Ghent. Digitised image of the artefact itself; dated to the object, c. 1500.
  138. - Anthology of Persian Poetry in Oblong Format (Safina). Non-illustrated manuscript in the Metropolitan Museum of Art (Islamic Art). Ink, watercolor, and gold on paper. Binding: leather. Digitised image of the artefact itself; dated to the object, dated 905 AH/1499–1500 CE.
  139. - Printed Book of Hours (Use of Rome). Bound Volume in the Cleveland Museum of Art (Medieval Art). France, Paris. Digitised image of the artefact itself; dated to the object, 1510.
  140. - Printed Book of Hours (Use of Rome): fol. 66v, Text. Bound Volume in the Cleveland Museum of Art (Medieval Art). France, Paris. Digitised image of the artefact itself; dated to the object, 1510.
  141. - Printed Book of Hours (Use of Rome): fol. 95v, Text. Bound Volume in the Cleveland Museum of Art (Medieval Art). France, Paris. Digitised image of the artefact itself; dated to the object, 1510.
  142. - "Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers", Folio from the Shah Jahan Alb. Album leaf in the Metropolitan Museum of Art (Islamic Art). Ink, opaque watercolor, and gold on paper. Digitised image of the artefact itself; dated to the object, verso: ca. 1610–15; recto: ca.1535–45.
  143. - Leaf from a Psalter and Prayerbook: Calendar Page with Labors (recto) and Calendar Page with Peasant (verso). ). Germany, Hildesheim (?), 16th century. ink, tempera and liquid gold on vellum. Cleveland Museum of Art, c. 1524. This is a reproduction of the object itself, not a modern photograph of a building.
  144. - Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eati. (recto) and Ornamental Border with Flowers and Squirrel (verso) (2 of 3 Excised Leaves). North Germany, Hildesheim (?), 16th century. ink, tempera and liquid gold on vellum. Cleveland Museum of Art, c. 1524. This is a reproduction of the object itself, not a modern photograph of
  145. - St. Anthony Reading. Print in the Cleveland Museum of Art (Prints). Germany. Digitised image of the artefact itself; dated to the object, 1519.
  146. - Retreat on an Autumn Day, in Cursive Script. (1368–1644). Handscroll; ink on paper. Cleveland Museum of Art, dated 1523. This is a reproduction of the object itself, not a modern photograph of a building.
  147. - Retreat on an Autumn Day, in Cursive Script - Zhu Yunming. Calligraphy in the Cleveland Museum of Art (Chinese Art). China, Ming dynasty (1368–1644). Digitised image of the artefact itself; dated to the object, dated 1523.
  148. - Nicolai Copernici Torinensis De revolutionibus orbium coelestium - Détail 3. Copernicus, De revolutionibus orbium coelestium (1543), which placed the Sun at the centre.
  149. - Andreas Vesalius - De humani corporis fabrica libri septem - Museum Hof van Busleyden Mechelen 6-07-2018. Vesalius, De humani corporis fabrica (1543), the anatomical atlas whose woodcuts reset the relationship between text and illustration.
  150. - Nicolai Copernici Torinensis De revolutionibus orbium coelestium. Copernicus, De revolutionibus orbium coelestium (1543), which placed the Sun at the centre.
  151. - Andreas Vesalius (1514-1564) Menselijk skelet - Museum Hof van Busleyden Mechelen 6-07-2018 12-39-03. Vesalius, De humani corporis fabrica (1543), the anatomical atlas whose woodcuts reset the relationship between text and illustration.
  152. - Nicolai Copernici Torinensis De revolutionibus orbium coelestium - Détail 2. Copernicus, De revolutionibus orbium coelestium (1543), which placed the Sun at the centre.
  153. - Vesalius, 'De Humani Corporis Fabrica Epitome' Wellcome L0048809. Vesalius, De humani corporis fabrica (1543), the anatomical atlas whose woodcuts reset the relationship between text and illustration.
  154. - Folio 5 reverso de la Tira de Tepechpan. A page from a Mesoamerican pictorial codex, the Aztec and colonial-Mexican book form combining image and glyph.
  155. - Folio from khamse of nezami 15th. A Persian manuscript painting, made as an illustration bound inside a book rather than as a standalone picture.
  156. - Atl tlachinolli. A page from a Mesoamerican pictorial codex, the Aztec and colonial-Mexican book form combining image and glyph.
  157. - An album page with a portrait of a Zand kneeling maiden, Iran, late 18th - early 19th century. A Persian manuscript painting, made as an illustration bound inside a book rather than as a standalone picture.
  158. - Hamse-i Nevâî. A Persian manuscript painting, made as an illustration bound inside a book rather than as a standalone picture.
  159. - Qajar Miniature (1800 - 1850) Georgian State Museum of Theatre, Music, Film and Choreography - Art Palace. A Persian manuscript painting, made as an illustration bound inside a book rather than as a standalone picture.
  160. - Codex Carafianus. Image of the Codex Carafianus as found in Quentin's book (raw JP2 version cropped). It is a 1583 edition of the w:Leuven Vulgate (Genesis ch. 23-24) corrected by the commission established by Sixtus V under the presidency of cardinal Carafa. Quentin writes that the original printed readings and notes in the margins of the Leuven Vulgate have been strikethrough. See the unmodified 1583 Leuven Vulga
  161. - The Bristol Psalter - Lower Cover (Add ms 40731). Style: Greek style (alla greca); Caption: Lower Cover; Colour: Brown; Edge: Unspecified
  162. - Yusuf and Zulaykha (recto); Text Page, Persian Verses (verso). ). Iran, Shiraz or Mashhad, Safavid period (1501–1722). Gum tempera, ink, and gold on paper. Cleveland Museum of Art, c. 1556–65. This is a reproduction of the object itself, not a modern photograph of a building.
  163. - Four Poems: Calligraphy in Cursive Script (xingshu). Calligraphy in the Cleveland Museum of Art (Chinese Art). China, Ming dynasty (1368–1644). Digitised image of the artefact itself; dated to the object, 1500s-1600s.
  164. - Cathalogus librorum qui prohibentur. Portada del libro Cathalogus librorum qui prohibentur mandato Illustrissimi & Reverend.[issimi] D.[omini] D.[omini] Ferdinandi de Valdes Hispalen.[sis] Archiepi.[scopi], Inquisitoris Generalis Hispaniae (Pinciae: Sebastianus Martinez excudebat, MDCLIX) [Valladolid, 1559]
  165. - Selections from the Collection of Japanese Poems from Ancient and Modern Times (Kokin wakashū) with Design of. (1573-1615) to Edo period (1615-1858). handscroll; ink on silk with gold and silver. Cleveland Museum of Art, 1600s. This is a reproduction of the object itself, not a modern photograph of a building.
  166. - Calligraphic exercises and verses of Hafiz (Persian, about 1325–1389) (verso). ). Persian, Uzbekistan, Bukhara. Gum tempera, ink, and gold on paper. Cleveland Museum of Art, 1575–76. This is a reproduction of the object itself, not a modern photograph of a building.
  167. - "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds). Folio from an illustrated manuscript in the Metropolitan Museum of Art (Islamic Art). Ink, opaque watercolor, gold, and silver on paper. Digitised image of the artefact itself; dated to the object, ca. 1600.
  168. - "Shaikh San'an beneath the Window of the Christian Maiden", Folio18r from a Mantiq al-Tayr (Language of the Bi. Folio from an illustrated manuscript in the Metropolitan Museum of Art (Islamic Art). Opaque watercolor, silver, and gold on paper. Digitised image of the artefact itself; dated to the object, ca. 1600.
  169. - Cholula, Tlaxcala, Mexico WDL502. A page from a Mesoamerican pictorial codex, the Aztec and colonial-Mexican book form combining image and glyph.
  170. - Muchitlan, Tlaxcala, Mexico WDL407. A page from a Mesoamerican pictorial codex, the Aztec and colonial-Mexican book form combining image and glyph.
  171. - Calligraphy: Preface to the Anvar-i Suhaili. 16th century. Gum tempera, ink, and gold on paper. Cleveland Museum of Art, c. 1590. This is a reproduction of the object itself, not a modern photograph of a building.
  172. - Calligraphy. (reigned 1556–1605). Gum tempera, ink, and gold on paper. Cleveland Museum of Art, c. 1596. This is a reproduction of the object itself, not a modern photograph of a building.
  173. - Muhammad Abu al-Su'ud (Abu Su'ud Efendi) (d. 1574); Du'anama (Book of Prayers) signed Muhammad Amin al-Husayni. MUHAMMAD ABU AL-SU'UD (ABU SU'UD EFENDI) (D. 1574 AD): DU'ANAMA (BOOK OF PRAYERS) SIGNED MUHAMMAD AMIN AL-HUSAYNI AL-TIRMIDHI, OTTOMAN TURKEY, DATED AH 1008/1599-1600 AD An early copy of this prayer book composed by Sultan Sulayman's Grand Mufti, Ottoman manuscript on paper, 39ff. plus 2 fly-leaves, each folio with 13ll. of elegant nasta'liq script, some words picked out in red, text within thick
  174. - Assumption of the Virgin and God the Father Holding an Orb, Coptic Christian manuscript, Ethiopia, Amhara peop. An Ethiopian Christian manuscript in Ge’ez, written on goatskin parchment and bound in the distinctive Ethiopian wooden-board style.
  175. - Skanda Purana, Sanskrit, miniature Grantha script, Whish manuscript collection, acquired 1829 CE. A palm-leaf manuscript from South or Southeast Asia: text incised into dried palm leaf with a stylus and inked, then strung between wooden boards.
  176. - Гэндзи by shakko. Material relating to The Tale of Genji, written by Murasaki Shikibu around 1010 and often called the first novel.
  177. - Ethiopic manuscript cover. An Ethiopian Christian manuscript in Ge’ez, written on goatskin parchment and bound in the distinctive Ethiopian wooden-board style.
  178. - Timbuktu Manuscript. A manuscript from the private libraries of Timbuktu in Mali, covering law, astronomy, mathematics and theology in Arabic.
  179. - Folio Quran Maghrebi script Mamma Haidara Library 34119. A manuscript from the private libraries of Timbuktu in Mali, covering law, astronomy, mathematics and theology in Arabic.
  180. - Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Pr - Hon'ami Kōetsu. Selections from the New Collection of Japanese Poems from Ancient and Modern Times (Shinkokin wakashū) with Printed Designs of Chinese Lions and Crab Finger Grass. Japan, Edo period (1615–1868). handscroll; ink, gold, and silver on paper. Cleveland Museum of Art, early 1600s. This is a reproduction of the object itself, not a modern photograph of a building.

1,213 further moments continue the chronology here. Full text archive: /loreline-text/books.md

  1. - Decorative tools (bookbinding). Decorative tools, including flowers, circles, stars, and leaves, for decorating bookbindings
  2. - Book restrictions in American prisons. KPBS investigates the scale of book bans inside prisons, which restrict far more titles than schools do.
  3. - Anthropic settles authors' AI copyright suit for $1.5 billion. NBC News reports the settlement of a class action brought by authors over the use of their books to train AI models.
  4. - Arabic printing in the Bodleian collections. A curator presents early Arabic-script printed books held at Oxford.
  5. - Seattle Central Library explained. An architectural analysis of Rem Koolhaas's radical library for the digital age.
  6. - The Cairo Genizah: from storeroom to scholarly revolution. How a discarded-paper store in the Ben Ezra synagogue became one of the largest medieval document caches in the world.
  7. - A washi papermaker working alone. A Japanese craftsman making washi single-handedly, filmed through the whole process from bark to dried sheet.
  8. - Why students score lower on digital tests. A cognitive scientist reviews the evidence that reading and testing on screens produces weaker results than paper.
  9. - Library resilience exercises. Brewster Kahle's keynote on book bans, criminalised librarians and the pressures on libraries.
  10. - Timbuktu's manuscripts return after years in hiding. AP reports on the return of medieval manuscripts smuggled out of Timbuktu to escape destruction by armed groups.
  11. - William Ged and the invention of stereotype printing. On the Edinburgh goldsmith who devised stereotype plates in the 1720s and failed to make them pay.
  12. - Why digital reading fails: the cognitive map problem. A cognitive scientist explains the spatial-memory account of why readers retain less from screens.
  13. - A refreshable braille display, demonstrated. Short demonstration of how an electronic braille display renders digital text as raised dots line by line.
  14. - How comics help people learn to read. On the history of comics in education, from the moral panic of the 1940s to their current use in literacy teaching.
  15. - Codex Mashhad, an early Qur'an manuscript. A specialist introduces Codex Mashhad, one of the most complete surviving Qur'an manuscripts from the first Islamic century.
  16. - Inside the Arctic World Archive. Conference session on the vault in a Svalbard coal mine storing data on film for institutions worldwide, designed to survive without power or maintenance for centuries.
  17. - The one page of the Voynich we can read. Voynich Talk examines folio 116v, the section written in recognisable script, and why it is still hard.
  18. - Spain and Franco nostalgia. ARTE examines how Spain handles the memory of the dictatorship, including its cultural controls.
  19. - How the world's most expensive colour is made. A report on ultramarine from lapis lazuli, the pigment that dominated the economics of illumination until the synthetic version arrived in 1824.
  20. - What books were actually burned in 1933. A detailed examination of the titles and authors targeted in the Nazi book burnings and how the lists were compiled.
  21. - Charles Dickens: a short history. A London Review of Books segment on Dickens's career, including his serial publication and commercial success.
  22. - What happened to Book of the Month. An examination of the subscription book club model, its long history and its recent difficulties.
  23. - Panizzi Lectures 2025: plants, politics and print. British Library annual lecture series on books in their elements, this session on print in South Africa.
  24. - Panizzi Lectures 2025: insects and colonial archives. British Library lecture on postcolonial book history and the material fate of colonial archives.
  25. - Audiobooks outsell e-books as format revenue grows. A publishing-news channel reports industry revenue figures showing audiobook growth overtaking e-book sales.
  26. - The first library in the world. Irving Finkel, filmed inside the British Museum, on the Assyrian library at Nineveh.
  27. - The American Library Association turns 150. A short film marking the anniversary of the professional body that has shaped American library reading since 1876.
  28. - Gutenberg and the European invention of printing. A lecture on what Gutenberg actually invented, and why the type mould matters more than the press.
  29. - Champa manuscript, later leaves. A Champa manuscript describes the early eighteenth-century social culture of the Champa community.
  30. - Champa manuscript, opening leaves. A Champa manuscript describes the early eighteenth-century social culture of the Champa community.
  31. - Making a limp parchment binding. A demonstration of the limp parchment binding that became widespread for cheaper books.
  32. - The ALA Youth Media Awards. The American Library Association's annual ceremony announcing the Newbery, Caldecott and other children's book awards.
  33. - Codex Sinaiticus. Photo of Codex Sinaiticus in its display case in the British Library in London, England
  34. - Reading South African literature against censorship. An introduction to the South African novels suppressed under apartheid and why each was banned.
  35. - Ten years of the Vatican Library digital archive. A report on a decade of the project to digitise and preserve the Vatican's manuscripts.
  36. - A night inside the National Library of China. Walkthrough of the largest library in Asia in Beijing, and of the reading culture that keeps its halls full.
  37. - The Epic of Atrahasis and the history of cuneiform. The Morgan Library presents a cuneiform tablet and the earliest forms of recorded text.
  38. - Mesoamerican maguey paper. A Library of Congress conservator's research on maguey paper, its botanical origin and its regional manufacture.
  39. - Vesalius and the anatomical atlas. The National Library of Medicine on the 1543 Fabrica: its scale, its illustrations, and why it changed how the body was pictured.
  40. - Incunabula of the second printing revolution. A Grolier Club lecture on the earliest printed books and what the term incunabula actually covers.
  41. - The seven-day parchment process. A craft documentary following the full traditional sequence from raw skin to finished writing surface.
  42. - Why the court banned the textbook. An analysis of the reasoning behind the Indian textbook restriction and the objections to it.
  43. - India's Supreme Court bans a school textbook. A news report on the Indian Supreme Court restricting an NCERT textbook chapter.
  44. - Inside a print-on-demand book factory. How a single-copy print-on-demand book is produced, printed, bound and shipped.
  45. - AI reads a sealed Roman scroll. A PBS segment on the first text recovered from inside an unopened Herculaneum scroll.
  46. - Reading the Dresden Codex. Detailed walk through the Maya bark-paper screenfold held in Dresden, whose Venus and eclipse tables encode centuries of astronomical observation. It is the most complete of the four surviving Maya books.
  47. - Why were these books banned?. HistoryExtra examines specific banned titles and the stated reasons in each case.
  48. - The blocked merger and the book industry. A District of Columbia Bar panel analyses the antitrust case that stopped Penguin Random House from acquiring Simon & Schuster.
  49. - How libraries address mass incarceration. An ALA book-club discussion on library services and reading access for incarcerated people.
  50. - Samizdat: how Soviet citizens escaped censorship. A Cold War history documentary on the clandestine reproduction and circulation of banned texts in the USSR.
  51. - Television under Franco. A documentary on Spanish broadcasting under Franco, and the censorship apparatus that governed all media.
  52. - Exploring space through rare books. Library of Congress curators present early printed books on astronomy and space from the collection.
  53. - How penny-serial vampires improved literacy. A history series arguing that cheap Victorian serial fiction expanded the reading public.
  54. - Casting type on Monotype and Linotype. C.C. Stern Type Foundry volunteers cast type for a poetry project on both hot-metal systems.
  55. - Exlibris XB 4831 UB Mannheim. Exlibris für Maurice Guibert; Exlibris für Julia und Julius Willstaedter. Das Bild zeigt zwei unterschiedliche Werke. Das obere Exlibris zeigt den bekannten französischen Maler Henri de Toulouse-Lautrec in einer japanischen Karikatur. Basis für das Exlibris ist eine Fotografie des Exlibrisinhabers Maurice Guibert, der Henri de Toulouse-Lautrec so portraitierte. Das Exlibris in blau wurde von einem
  56. - The Book-of-the-Month Club launches. A short history of the 1926 founding of the subscription club that reshaped how Americans chose books.
  57. - Macmillan's CEO on what publishing looks like now. An editor summarises remarks by Macmillan's chief executive on the current state of trade publishing and what it means for authors.
  58. - The role of x-height in word recognition. A research paper on how x-height affects how quickly letters and words are recognised.
  59. - Gandhi's printing press in Durban. A lecture on the press Gandhi ran in South Africa and what it says about print in the Indian Ocean world.
  60. - Book bans remain at record highs, ALA says. The Associated Press reports the American Library Association's annual count of challenged and removed titles.
  61. - The medieval scriptorium, reviewed. A discussion of Sara J. Charles's history of the scriptorium and what recent scholarship says about how monastic book production actually worked.
  62. - The First Folio: the book that saved Shakespeare. A documentary on the compilation, financing and printing of the 1623 collected plays.
  63. - Restoring Armenian manuscript pastedowns. Conservators from the Matenadaran present their treatment of pastedowns in Armenian bindings at a Baltic conservation triennial.
  64. - The Internet Archive in peril. A 2026 account of how AI crawling and litigation are threatening the Internet Archive.
  65. - Censoring publications in twentieth-century Ireland. A lecture on the Irish register of prohibited publications and the reasoning recorded by its censors.
  66. - A lost page of the Archimedes Palimpsest resurfaces. RFI report on a long-missing leaf of the palimpsest identified in a fine arts museum.
  67. - Beyond banned books: censoring African diasporic literature. A panel on which books get challenged and the arguments made for and against removal.
  68. - "The Source," a new experiential research gallery for children, teens and families at the Library of Congress. 9, 2026. Photo by Shawn Miller/Library of Congress. Note: Privacy and publicity rights for individuals depicted may apply. Modern photograph of the subject as it appears today.
  69. - 150 years of the Comstock laws. A historical society panel on the Comstock Act's long afterlife in American obscenity law.
  70. - Can a court ban a book in India?. A legal explainer on the powers Indian courts have over publications, using the NCERT case.
  71. - The story behind the Carnegie libraries. A 2026 local news report on the surviving Carnegie library buildings and their current use.
  72. - Soviet samizdat: imagining a new society. Scholar Ann Komaromi on samizdat as a system: how texts were retyped, circulated and read in the USSR.
  73. - Traditional publishing's quarterly numbers. A publishing-news channel reviews reported quarterly results for the major trade houses.
  74. - Masterpieces of Ottoman calligraphy. A walk through the Topkapi Palace calligraphy collection and its thousands of rare Islamic manuscripts.
  75. - The dark history of the Jaffna library burning. A Tamil-language documentary assembling witness testimony about the 1981 arson.
  76. - Codex Sinaiticus: the oldest complete New Testament. Detailed manuscript talk on the 4th-century Greek Bible found at St Catherine's Monastery in Sinai, now split between four institutions, and what its corrections reveal about how the text was copied.
  77. - Writers underground: Soviet samizdat, 1967-1982. A history podcast on the network of typists and readers who circulated banned manuscripts in the USSR.
  78. - Inside the Index of Forbidden Books. A discussion of how the Index worked, who administered it and what was actually on it.
  79. - FCU - Librería. A bookshop. Modern photograph.
  80. - Arty Bees Books. A second-hand bookshop. Modern photograph.
  81. - Lead-made Chinese Movable Types, Hangzhou National Archives 112. Movable type, individual sorts of metal or wood assembled into a page. Modern photograph.
  82. - Cité eco presse billet 3. A printing press. Modern photograph.
  83. - Cité eco presse billet 2. A printing press. Modern photograph.
  84. - Replica metal print plate of Jikji Shimche Yojeol. The Jikji, printed in Korea in 1377 with movable metal type, 78 years before the Gutenberg Bible. Modern photograph.
  85. - Banned books and freedom of expression. A Gresham College lecture surveying the history and legal theory of book banning.
  86. - A discussion of The Librarians. A 2026 panel discussion of Kim Snyder's documentary profiling American librarians under pressure.
  87. - The science of reading comprehension. A Harvard Graduate School of Education session with researchers on what is known about how comprehension develops.
  88. - Ibrahim Muteferrika brings printing to the Ottoman Empire. On the Hungarian-born convert who established Ottoman Turkish printing in the 1720s.
  89. - Creative dissent against censorship. Burmese artists and writers on the strategies they use to publish around official restrictions.
  90. - What the unrolled Vesuvius scroll actually means. An archaeologist assesses the first fully unrolled Herculaneum scroll and the wider set of imaging projects it belongs to.
  91. - A Herculaneum scroll, burned and saved. Greg Lanier walks through the background of the effort to decipher the Vesuvius-charred scrolls.
  92. - Lady Chatterley: scandal and courtroom. The publishing history of the novel and the arguments the defence used to win.
  93. - The rise and fall of the paperback book. An account of the mass-market paperback as a format, its boom decades and its contraction.
  94. - Reader, Come Home as a university pre-read. Princeton on choosing Maryanne Wolf's book about deep reading and digital distraction for its incoming class.
  95. - The rise of the post-literate society. DW News examines evidence that sustained reading is declining and what researchers make of the trend.
  96. - Why fewer Americans read for pleasure. PBS NewsHour examines survey data showing a long decline in reading for pleasure and what may explain it.
  97. - The Hong Kong booksellers who disappeared. A report on the detention of Hong Kong booksellers who sold politically sensitive titles.
  98. - Book trade news: bestsellers and an AI book-award controversy. A roundup of current publishing news including sales figures and a dispute over an AI-assisted book winning an award.
  99. - Lady Chatterley's Lover on trial. A history podcast on the trial as a political and legal event, not just a literary one.
  100. - TU Delft Library. A 2026 study of the Delft library building you walk over rather than into.
  101. - The national library of Sarajevo. A history of the library's collections, its destruction and what could not be replaced.
  102. - Stuttgart City Library. A 2026 study of the Stuttgart library's cube-within-a-cube plan and what it does to reading.
  103. - The Vatican Apostolic Library. A visual essay on the library's structure, its holdings and its survival.
  104. - The last night a newspaper was set in hot metal. An account of the final hot-metal newspaper composition and the moment the trade ended.
  105. - Scriptorium. Revista Mensual. Col·lecció del Museu Etnogràfic de Ripoll 14. Scriptorium. Revista Mensual. Col·lecció del Museu Etnogràfic de Ripoll
  106. - Forged in fire: the Jefferson collection. A 2026 seminar on the Jefferson collection at the Library of Congress and what fire did to it twice.
  107. - Television in communist Romania. A documentary on Romanian broadcasting under Ceausescu and the censorship regime that governed all media.
  108. - The printmakers of Kolkata. A documentary on Kolkata's surviving letterpress printing houses and the trade that grew from colonial-era presses.
  109. - The scattering of the Yongle Dadian. Account of how the Ming imperial encyclopedia was lost, fire, theft, and the 1900 sacking of Beijing, leaving only a few hundred of its 11,095 volumes, now spread across collections worldwide.
  110. - Bookstores: a CBS Sunday Morning collection. A compilation of CBS Sunday Morning reports on American bookshops and the people who run them.
  111. - Massachusetts signs a Freedom to Read law. A local news report on state legislation intended to limit book removals from libraries and schools.
  112. - Alexandria was not burned down in a night. A sober treatment arguing the library's end was a slow process of neglect, defunding and dispersal.
  113. - 2.4 million Afghan girls shut out of school. Reuters on UNESCO's estimate of girls excluded from secondary education in Afghanistan since 2021.
  114. - Tibetan manuscript and xylography. An introduction to the Tibetan book: manuscript production, block printing, and the Kangyur and Tengyur as archival systems.
  115. - Censoring books in schools and libraries. A Centre for Free Expression panel on what school and library censorship means for the future of reading.
  116. - Europe's AI rules reach authors worldwide. A publishing-news podcast covers how EU AI transparency requirements affect authors and publishers outside Europe.
  117. - Libraries don't die in a day. A long-form account of the Library of Alexandria that rejects the single-fire myth.
  118. - AI firms are buying and destroying antique books. Forbes reports on AI companies acquiring old and rare printed books in order to digitise them for training data.
  119. - AI companies are buying and destroying books to scan them. CBS News covers a 404 Media investigation finding that AI firms buy print books, cut the spines off and scan the pages.
  120. - The novel written on toilet paper in prison. On Ngugi wa Thiong'o, detained without trial in Kenya, who wrote a novel in Gikuyu on prison toilet paper.

Full text archive: /loreline-text/books.md

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Codex Sinaiticus. Pagina, GD009896 | Loreline