Cameras

Two hundred years of the camera, and the footage it gave us. From Niépce's eight-hour window in 1826 and Muybridge's galloping horse to the Lumière train, the moon-landing broadcast, the camcorder, the first digital frame, and the film studio everyone now carries in a pocket. The devices that captured the world, shown beside what they captured.

A chronological documentary of 728 moments spanning 1700–2026 on Loreline.

Curated by Olivier · last updated 2026-09-20

Eras

  1. - Camera obscura (1700) (1 of 4). Camera obscura, the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  2. - Camera obscura (1700) (2 of 4). Camera obscura, the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  3. - Camera obscura (1700) (3 of 4). Camera obscura, the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  4. - Camera obscura (1700) (4 of 4). Camera obscura, the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  5. - Niépce's first photograph (1826). Niépce's first photograph, an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  6. - Niépce's first photograph (1826) (1826) (1 of 4). Enhanced version by the Swiss, Helmut Gersheim (1913-1995) performed ca. 1952 of Niépce's View from the Window at Le Gras, (Harry Ransom Humanities Research Center, University of Texas, Austin) the first successful permanent photograph created by Nicéphore Niépce in 1826 or 1827, in Saint-Loup-de-Varennes.
  7. - Niépce's first photograph (1826) (1826) (2 of 4). Niépce's first photograph (1826), an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  8. - Niépce's first photograph (1826) (1826) (3 of 4). Niépce's first photograph (1826), an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  9. - Niépce's first photograph (1826) (1826) (4 of 4). Niépce's first photograph (1826), an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  10. - First photo of a human (1838) (1838) (1 of 4). This is "Boulevard du Temple", the first ever photograph of a person. The photo was taken by Louis Daguerre in late 1838 or early 1839 in Paris. It is of a busy street, but because exposure time was over ten minutes, the city traffic was moving too much to appear.
  11. - First photo of a human (1838) (1838) (2 of 4). Boulevard du Temple, Paris, 3rd arrondissement, Daguerreotype. Made in 1838 by inventor Louis Daguerre, this is believed to be the earliest photograph showing a living person.
  12. - First photo of a human (1838) (1838) (3 of 4). Boulevard du Temple, Paris, IIIe arrondissement, Daguerreotype. The first surviving picture of a living person, taken in 1838 or possibly 1837. The image shows a busy street, but due to exposure time of more than ten minutes, the traffic was moving too much fast to appear.
  13. - First photo of a human (1838) (1838) (4 of 4). First photo of a human (1838), an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  14. - The daguerreotype camera (1839) (1 of 4). Patient: Francis Manuel. According to Rowley (2022), the view captures an exploratory and intervention surgery for a young Portuguese sailor's diseased fibula. Although Manuel was Townsend's patient, Warren was the lead surgeon who prosecuted the operation on July 3, 1847.
  15. - The daguerreotype camera (1839) (2 of 4). I was asked if I had any good pictures of cased images, and realised that the existing images I had online of this wonderful piece - www.flickr.com/photos/whatsthatpicture/sets/7215762621801... - did not show it in its case, so this is just rectifying that omission.
  16. - The daguerreotype camera (1839) (3 of 4). The daguerreotype camera, the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  17. - The daguerreotype camera (1839) (4 of 4). Exhibit in the Tekniska museet, Stockholm, Sweden. This work is old enough so that it is in the public domain. Photography was permitted in the museum without restriction.
  18. - Bayard's staged photo (1840) (1840) (1 of 4). Bayard's staged photo (1840), an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  19. - Bayard's staged photo (1840) (1840) (2 of 4). Bayard's staged photo (1840), an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  20. - Bayard's staged photo (1840) (1840) (3 of 4). Bayard's staged photo (1840), an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  21. - Bayard's staged photo (1840) (1840) (4 of 4). Bayard's staged photo (1840), an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  22. - Talbot's calotype negative (1843) (1 of 4). Talbot's calotype negative, an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  23. - Talbot's calotype negative (1843) (2 of 4). Westbound view from a window of the hotel "Russischer Hof" at the Zeil towards the Hauptwache, calotype.Notice: Talbot's original print is most likely mirror-sided. Hence, for comparison this at 180° horizontally rotated image had been created (however the original description was not mirrored).
  24. - Talbot's calotype negative (1843) (3 of 4). Talbot's calotype negative, an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  25. - Talbot's calotype (1843) (1 of 3). Talbot's calotype, an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  26. - Talbot's calotype (1843) (2 of 3). Talbot's calotype, an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  27. - Talbot's calotype negative (1843) (4 of 4). John Moffat (Scottish, 1819–1894). William Henry Fox Talbot, 1864. Carbon print, printed 1948 by Harold White. George Eastman Museum, gift of Mrs. Alden Scott Boyer.
  28. - Talbot's calotype (1843) (3 of 3). Talbot's calotype, an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  29. - Early daguerreotype portrait (1845) (1 of 4). Early daguerreotype portrait, an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  30. - Early daguerreotype portrait (1845) (2 of 4). Early daguerreotype portrait, an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  31. - Early daguerreotype portrait (1845) (3 of 4). Early daguerreotype portrait, an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  32. - Early daguerreotype portrait (1845) (4 of 4). Early daguerreotype portrait, an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  33. - First photo of the moon (1851). First Astronomical Photograph - John W. Draper's Moon Daguerreotype. It was taken on March 26, 1840 from the rooftop observatory at New York University.
  34. - First photo of the moon (1851). First photo of the moon, an image made in 1851. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  35. - Nadar's portraits (1860) (1 of 4). Nadar's portraits, an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  36. - The stereoscope (1860). Appears In: Rainforth, Selden Irwin, 1879-1960. Stereoscopic skin clinic Image Description: Image of a handheld stereoscope, made of copper, wood, and iron hinges with glass lenses and felt lining included in the box with viewing cards. Stereoscopic skin clinic. NLM Hidden treasure p.
  37. - Nadar's portraits (1860) (2 of 4). Nadar's portraits, an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  38. - The stereoscope (1860). From Cincinnati Public Library: "Children viewing images from the Library’s stereograph collection at Old Main. Prior to the advent of motion pictures, stereographs were a popular form of entertainment. Stereographs were created by placing two slight variations of the same scene side-by-side on a card.
  39. - Nadar's portraits (1860) (3 of 4). Nadar's portraits, an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  40. - Nadar's portraits (1860) (4 of 4). Nadar's portraits, an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  41. - First colour photo (Maxwell 1861) (1861). First colour photo (Maxwell 1861), an image made in 1861. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  42. - Civil War photography (Brady) (1863) (1 of 4). Wet collodion negative portrait of Rear Adm. David D. Porter, officer of the Federal Navy, by the Brady National Photographic Art Gallery. Restoration by Adam Cuerden, of the usual "remove dust and other damage, and repair the edges" sort.
  43. - Civil War photography (Brady) (1863) (2 of 4). Civil War era locomotive and clerestory-roofed passenger cars (cropped from Civil War locomotive and clerestory-roofed passenger cars at junction (Mathew Brady photo).jpg).The image has been cropped and distracting background removed to more clearly illustrate an early example of clerestory roofs in railroad passenger...
  44. - Civil War photography (Brady) (1863) (3 of 4). Civil War photography (Brady), an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  45. - Civil War photography (Brady) (1863) (4 of 4). From the Civil War photographic album of Louis Philippe d'Orleans Comte de Paris. Various Photographers including Mathew Brady, c. 1862 – The Stephan Loewentheil Family Photography Collection, Cornell University.
  46. - Early landscape photography (1865) (1 of 4). Early landscape photography, an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  47. - Early landscape photography (1865) (2 of 4). Early landscape photography, an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  48. - Early landscape photography (1865) (3 of 4). Early landscape photography, an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  49. - Early landscape photography (1865) (4 of 4). Early landscape photography, an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  50. - A tintype (1870) (1 of 4). A tintype, an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  51. - A tintype (1870) (2 of 4). Date: ca. 1875 Part of: African-American Collection Physical Description: 1 photograph tintype Folder or box number: Folder 82 Genre/Form: Tintypes Cite as: Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library Repository: Beinecke Rare Book & Manuscript Library, Yale University Bibliogr...
  52. - A tintype (1870) (3 of 4). A tintype, an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  53. - A tintype (1870) (4 of 4). A tintype, an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  54. - Muybridge's galloping horse (1878) (1878) (1 of 4). The Horse in Motion by Eadweard Muybridge. Noted photographer, Eadweard Muybridge was hired, in 1872, by Leland Stanford a railroad baron and future university founder, to find out if there was moment mid-stride where horses had all hooves off the ground.[1] It took several years but Muybridge delivered having captured...
  55. - Muybridge's galloping horse (1878) (1878) (2 of 4). The Horse in Motion by Eadweard Muybridge. Noted photographer, Eadweard Muybridge was hired, in 1872, by Leland Stanford a railroad baron and future university founder, to find out if there was moment mid-stride where horses had all hooves off the ground.
  56. - Muybridge's galloping horse (1878) (1878) (3 of 4). Muybridge's galloping horse (1878), an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  57. - Muybridge's galloping horse (1878) (1878) (4 of 4). The Horse in Motion by Eadweard Muybridge. Noted photographer, Eadweard Muybridge was hired, in 1872, by Leland Stanford a railroad baron and future university founder, to find out if there was moment mid-stride where horses had all hooves off the ground.
  58. - The zoopraxiscope (1879) (1 of 4). Muybridge, Eadweard,, 1830-1904,, artist. The zoopraxiscope--Athletes--Boxing c1893. 1 print : lithograph, color. Notes: Title from item. No. 2. Copyright by Eadweard Muybridge. Images on a disc which when spun gives the illusion of two men boxing.
  59. - The zoopraxiscope (1879) (4 of 4). Muybridge, Eadweard,, 1830-1904,, artist. The zoopraxiscope--Horse galloping c1893. 1 print : lithograph, color. Notes: Title from item. No. 42. Copyright by Eadweard Muybridge. Images on a disc which when spun gives the illusion of a man riding a galloping horse.
  60. - The magic lantern (1880) (1 of 4). The magic lantern, the camera itself, 1880. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  61. - The magic lantern (1880) (2 of 4). This Victorian magic-lantern slide illustrating the story "Curfew Must Not Right Tonight," is one of about 2,100 lantern slides by Joseph Boggs Beale, America's foremost lantern artist.
  62. - The magic lantern (1880) (4 of 4). a) Figure of a seated figure in blue-gray trousers and green coat, on circular plinth decorated with masks and shells. Threaded circular opening on belly. b) conical pierced hat. c) tube with square slide holder. d) upainted projector tube, lens missing. e) circular slightly domed cover.
  63. - Marey's chronophotography (1882) (1 of 4). Marey's chronophotography, an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  64. - Marey's chronophotography (1882) (2 of 4). Marey's chronophotography, an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  65. - Marey's chronophotography (1882) (3 of 4). Marey's chronophotography, an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  66. - Marey's chronophotography (1882) (4 of 4). Marey's chronophotography, an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  67. - Muybridge's motion studies (1887) (1 of 4). Muybridge's motion studies, an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  68. - Muybridge's motion studies (1887) (2 of 4). Muybridge's motion studies, an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  69. - Muybridge's motion studies (1887) (3 of 4). Muybridge's motion studies, an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  70. - Muybridge's motion studies (1887) (4 of 4). Muybridge's motion studies, an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  71. - Roundhay Garden Scene (1888) (1888). Roundhay Garden Scene (1888), an image made in 1888. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  72. - The first Kodak (1888) (1888) (1 of 3). Kodak stereo 'Box Brownie' camera, from advertisement in 1905 photography magazine. This took two pictures at once, which could be viewed in a special viewer to create a 'stereoscopic' or 3-dimensional view of the object.
  73. - The first Kodak (1888) (1888) (2 of 3). The first Kodak (1888), the camera itself, 1888. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  74. - Roundhay Garden Scene (1888). (1888). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  75. - 1891-95; 1900 - Chronophotographs by Étienne-Jules Marey (HA series) - Marey, Georges Demenÿ, Comte. Marey Chronophotography (1891). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  76. - Dickson Greeting (1891). ). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  77. - Dickson Greeting. SUMMARY\r Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.\r \r OTHER TITLES\r Variant LC title: Early Edison camera tests; DLC \r \r CREATED/PUBLISHED\r [United States, 1891].\r \r NOTES\r Copyright: no reg.
  78. - Edison Kinetoscopic Record of a Sneeze, Jan. 7, 1894. Edison Kinetoscope (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  79. - The Dickson Experimental Sound Film. Dickson Experimental Sound Film (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  80. - Fred Ott's Sneeze (1894). Fred Ott's Sneeze (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  81. - William Dickson: Fred Ott's Sneeze (1894). Fred Ott's Sneeze is a film realized by William Dickson for Edison's Kinetoscope. The film stars Fred Ott, an employee of Thomas Edison's laboratory. Fred Ott's Sneeze was the first film to be copyrighted in the US. It was filmed on the 7th of January 1894 in the interior of the Black Maria Studio.
  82. - Thomas Edison's - Carmencita - Black Maria Studio (1894) World's First Film Studio. Carmencita (Edison Black Maria) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  83. - Carmencita. (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  84. - Edison Kinetoscope (1894). Edison Kinetoscope, the camera itself, 1894. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  85. - Edison Kinetoscope (1894). Title: The souvenir strip of Edison Kinetoscope Eugene [i.e. Eugen] Sandow, the modern Hercules / / taken and copyrighted by W.K.L. Dickson. Abstract/medium: 1 photographic print on card mount ; print 17 x 8.5 cm.
  86. - 1894 - Buffalo Dance - William Kennedy Laurie Dickson (Edison Studios). Buffalo Dance (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  87. - Annie Oakley (1894): by Thomas A. Edison Kinetoscope. Annie Oakley (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  88. - Annie Oakley. 1894 (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  89. - Early Traffic (1890-1899). Early traffic (British Pathe) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  90. - L'arroseur arrosé [The Sprinkler Sprinkled] (Louis Lumière, 1895). The Sprinkler Sprinkled (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  91. - 1895 - Serpentine Dance by Annabelle - William Kennedy Laurie Dickson (Edison Studios). Annabelle Serpentine Dance (Edison) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  92. - Boat Leaving The Port (1895). Boat Leaving the Port (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  93. - Baby's Dinner - Repas de Bebe (Lumiere - 1895). Baby's Meal (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  94. - [Actual 4K Scan] The Arrival of a Train at La Ciotat Station - Lumière Brothers - 1896.. Lumiere Arrival of a Train La Ciotat 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  95. - Workers Leaving the Lumière Factory (1895) - The First Motion Picture in History | Lumière Brothers. Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  96. - "Workers Leaving the Lumière Factory in Lyon" (Lumière Brothers, France, 1895). Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  97. - Workers Leaving The Lumiere Factory - Lumiere Brothers 1895. Lumiere Workers Leaving the Factory 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  98. - La Sortie de l'Usine Lumière à Lyon (Workers Leaving the Lumiere Factory) 2 (1895) Louis Lumiere. Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  99. - Repas de bébé (Baby's Breakfast) (1895) Louis Lumiere. Lumiere Baby's Breakfast 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  100. - The Lumière Cinématographe (1895) (2 of 4). The Lumière Cinématographe, the camera itself, 1895. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  101. - The Lumière Cinématographe (1895) (4 of 4). The Lumière Cinématographe, the camera itself, 1895. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  102. - Arrival of a Train at La Ciotat, 1895 (Lumière brothers). Lumiere Arrival of a Train (1895). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  103. - Feeding the Doves 1896. Feeding the Doves (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  104. - Auguste and Louis Lumière - Démolition d'un mur (1896). Demolition of a Wall (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  105. - The Arrival of a Train at La Ciotat (1896) Louis Lumière. Arrival of a Train at La Ciotat (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  106. - The Arrival of a Train at La Ciotat Station 1896 - Lumière Brothers (4K scan). Arrival of a Train at La Ciotat (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  107. - 1896 - On Brighton Beach - George Albert Smith ou Robert William Paul (?). On Brighton Beach (G.A. Smith / R.W. Paul) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  108. - Démolition d'un mur [Demolition of a Wall] (Lumière, 1896). Demolition of a Wall (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  109. - The Kiss (1896) May Irwin, John Rice - First kiss in commercial cinema. The Kiss (May Irwin / John Rice, Edison) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  110. - May Irwin Kiss. The Kiss (May Irwin Kiss, Edison) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  111. - Early English Traffic: Turn of the Century London (1896-1903) | British Pathé. Early London traffic (British Pathe) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  112. - The One Man Band (1900) George Melies. This film was released by director George Melies in 1900. One man magically duplicates himself and creates an entire orchestra.
  113. - grandma's reading glass / short experimental film directed by George Albert Smith 1900. Grandma's Reading Glass (G.A. Smith) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  114. - The One-Man Band (L'Homme-Orchestre, 1900) ㅡ Georges Méliès. The One-Man Band (Melies) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  115. - 1901 - The Big Swallow - James Williamson. The Big Swallow (Williamson) (1901). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  116. - A Trip to the Moon (1902) (1902) (1 of 4). Photographic print of a production still for Georges Méliès's 1902 film A Trip to the Moon. This is the scene in which the projectile designed to travel to the Moon is loaded into its cannon. This still featured in an exhibition at La Caixa Foundation.
  117. - A Trip to the Moon (1902) (1902) (2 of 4). Photographic print of a production still for Georges Méliès's 1902 film A Trip to the Moon. This is the scene in which mythological figures representing planets look down on the sleeping space travelers. This still featured in an exhibition at La Caixa Foundation.
  118. - A Trip to the Moon (1902) (1902) (3 of 4). Photographic print of a production still for Georges Méliès's 1902 film A Trip to the Moon. This is the scene in which stars look down on the sleeping space travelers. This still featured in an exhibition at La Caixa Foundation.
  119. - A Trip to the Moon (1902) (1902) (4 of 4). A Trip to the Moon (1902), an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  120. - 1901/1902 - 8 preserved fragments of Edward Raymond Turner. Early color film Friese-Greene Biocolour (1909). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  121. - The First Colour Film by Edward Raymond Turner (1899/1902). Edward Turner 1902 first color film (1902). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  122. - Le Voyage dans la Lune (1902) - Georges Méliès - (HQ) - Music by David Short - Billi Brass Quintet. Melies A Trip to the Moon 1902 (1902). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  123. - A Trip to the Moon (1902) - ORIGINAL B/W Movie by Georges Méliès (le voyage dans la lune). A Trip to the Moon (Melies) (1902). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  124. - Life of an American Fireman (1903) Edison. Life of an American Fireman (Porter) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  125. - EdisonElectrocutesElephant. Electrocuting an Elephant (Topsy, Edison) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  126. - Electrocuting an Elephant. (Topsy, Edison) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  127. - The Great Train Robbery (1903) (1903) (1 of 3). The Great Train Robbery (1903), an image made in 1903. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  128. - The Great Train Robbery (1903) (1903) (2 of 3). Still from the 1903 film The Great Train Robbery Caption reads as follows:2. The Great Train Robbery, the first story-telling picture ever made, directed by Edwin S. Porter for Edison and released in 1903.
  129. - The Great Train Robbery (1903) (1903) (3 of 3). The Great Train Robbery (1903), an image made in 1903. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  130. - The Great Train Robbery (1903) Edwin S. Porter. Released in December 7, 1903 CAST Gilbert M. 'Broncho Billy' Anderson as Bandit / Shot Passenger / Tenderfoot Dancer Justus D. Barnes as Bandit Leader, Who Fires at Camera Robert Milasch as Trainman / Bandit PRODUCTION / CREW Directed by Edwin S. Porter Second Unit Direction by Gilbert M.
  131. - The Great Train Robbery. (Porter) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  132. - Le voyage à travers l'impossible [An Impossible Voyage] (Georges Méliès, 1904). The Impossible Voyage (Melies) (1904). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  133. - Rescued by Rover (Lewin Fitzhamon, Cecil M. Hepworth, 1905). Rescued by Rover (Hepworth) (1905). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  134. - Rescued by Rover (1905). In 1903, Cecil Hepworth made a worthwhile attempt to film 'Alice In Wonderland' featuring May Clark but it wasn't until 1905 that he made the film now considered by many to be advanced for that period, with regard to structure and continuity. With a running time of six minutes.
  135. - A Trip Down Market Street, 1906 - With Sound!. A Trip Down Market Street, San Francisco (1906). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  136. - Edison Newsreels San Francisco Earthquake Aftermath (Silent, 1906). San Francisco Earthquake aftermath (Edison) (1906). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  137. - Autochrome colour photo (1907) (1907) (1 of 4). Beskrivelse / Description: Autochrome is an early color photography process. Patented in 1903 by the Lumière brothers in France and first marketed in 1907, it was the principal color photography process in use before the advent of subtractive color film in the mid-1930s (wikipedia). Dato / Date: ca.
  138. - Autochrome colour photo (1907) (1907) (2 of 4). Autochrome colour photo (1907), an image made in 1907. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  139. - Autochrome colour photo (1907) (1907) (3 of 4). Autochrome colour photo (1907), an image made in 1907. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  140. - Autochrome colour photo (1907) (1907) (4 of 4). Autochrome colour photo (1907), an image made in 1907. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  141. - 1908 Real Color Film - 'The Harvest' (Kinemacolor). Kinemacolor 1908 (1908). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  142. - Rare Kinemacolor Footage of a Waltz (c.1910). Kinemacolor footage (1910). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  143. - Autochrome color photo (1910) (1 of 4). Autochrome color photo, an image made in 1910. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  144. - Autochrome color photo (1910) (2 of 4). Beskrivelse / Description: Gammelt gårdstun i Tesse, Vågå- eller Lom-traktene. Autochrome is an early color photography process. Patented in 1903 by the Lumière brothers in France and first marketed in 1907, it was the principal color photography process in use before the advent of subtractive color film in the mid-193...
  145. - Autochrome color photo (1910) (3 of 4). Louis Lumiere with microscope and test tubes, looking towards camera. Autochrome portrait. Note: Lumiere is co-inventor of the Autochrome process; this may depict him working on it, with color dyes in the test tubes.
  146. - Autochrome color photo (1910) (4 of 4). Autochrome color photo, an image made in 1910. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  147. - Pathé Gazette News Reel, 1918. Pathe Gazette newsreel (1918). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  148. - Kodak 1922 Kodachrome Film Test. Kodachrome 1922 first color motion test (1922). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  149. - Kodachrome Color Motion Picture Tests (1922). 1922 Kodachrome two-color test (1922). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  150. - The Leica 35mm (1925) (3 of 4). The Leica 35mm, the camera itself, 1925. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  151. - 16mm Home Movies - Kodacolor, 1934 Chicago World's Fair. 1934 Kodacolor home movies World's Fair (1934). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  152. - The Bolex (1935) (3 of 4). The Bolex, the camera itself, 1935. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  153. - Kodachrome Demonstration Reel - 1935 (Faded Color) | 16mm Film Scan. Kodachrome introduced 1935 (1935). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  154. - (1935) Becky Sharp: The First Three-Strip Technicolor Feature. Becky Sharp 1935 first Technicolor (1935). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  155. - Yosemite Daytrip (1930s) California 8mm Home Movie in Color. 1930s color 8mm home movie (1935). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  156. - The early TV camera (1936) (2 of 3). The early TV camera, the camera itself, 1936. Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  157. - 1936 Early Kodachrome Colour Film, Views from the Terminal Tower, Cleveland. Early Kodachrome 1936 (1936). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  158. - Leni Riefenstahl: Olympia - Festival of Beauty (1936). Olympia by Leni Riefenstahl (1936). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  159. - Leni Riefenstahl: Olympia - Festival of Nations (1936). Olympia by Leni Riefenstahl (1936). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  160. - Riefenstahl Olympia Diving Sequence. Olympia diving sequence (1936). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  161. - Jesse Owens' Historic Wins at the Berlin 1936 Olympics. Jesse Owens 1936 Berlin (1936). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  162. - Berlin 1936 Olympics - Jesse Owens film footage. Part of our ultimate footage series "Berlin 1936 Olympics". Available for broadcasting - Lizenzanfragen/licencing requests: [email protected] For more people and places in history: Check out our playlist "worldfilmheritage".
  163. - The First BBC Television Programme - 1936. First BBC programme 1936 (1936). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  164. - 1937: The First Shows on BBC Television. First BBC TV shows 1937 (1937). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  165. - Hindenburg Explosion - Paramount Newsreel (1937). The tragic crash of the Hindenburg airship in 1937 is described, detailing the events leading up to the disaster and the aftermath. The airship caught fire and crashed while attempting to land, resulting in the deaths of 36 people. The cause of the fire remains unknown.
  166. - Hindenburg Disaster newsreel paired with Herbert Morrison recording. Hindenburg Herb Morrison audio (1937). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  167. - Hindenburg Disaster: Real Zeppelin Explosion Footage (1937). Hindenburg disaster newsreel (1937). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  168. - Hindenburg Disaster - Real Footage (1937). Hindenburg disaster newsreel (1937). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  169. - Herbert Morrison, WLS Radio Chicago - Report of the Hindenburg Crash at Lakehurst. Hindenburg Herb Morrison audio (1937). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  170. - 1937 8mm Home Movie. 1937 amateur 8mm home movie (1937). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  171. - 1938 Christmas Original Color 8mm Film Home Movie. 1938 color 8mm home movie reel (1938). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  172. - Home Movies: Caribbean (1938). 1938 amateur home movie (archive) (1938). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  173. - Chester J. Selden Home Movie: The Andrews 1938, Betty's Cottage 1941. 1938 amateur home movie reel (1938). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  174. - A Walk Through the 1939 New York World's Fair | Kodachrome 16mm Film Scan. Kodachrome test footage 1940s color (1939). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  175. - Television: An RCA Presentation (1939). RCA TV at 1939 World's Fair (1939). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  176. - TV Display at the 1939 World's Fair. TV at 1939 World's Fair (1939). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  177. - Birth of TV at the 1939 New York World's Fair RCA Pavilion - Sarnoff Address. Birth of TV 1939 World's Fair (1939). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  178. - Early 1940s RCA Television System: Iconoscope & Kinescope. Iconoscope & kinescope RCA (1942). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  179. - Dorothy entering Technicolor. Wizard of Oz Technicolor 1939 (1939). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  180. - Radio and Television - 1940, Pre-World War II Era. Radio & TV 1940 pre-WWII (1940). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  181. - Kodachrome color film (1940) (1 of 4). Kodachrome color film, an image made in 1940. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  182. - Kodachrome color film (1940) (2 of 4). Kodachrome color film, an image made in 1940. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  183. - Kodachrome color film (1940) (3 of 4). Kodachrome color film, an image made in 1940. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  184. - Kodachrome color film (1940) (4 of 4). Kodachrome color film, an image made in 1940. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  185. - Kodachrome colour film (1940) (1 of 3). Kodachrome colour film, an image made in 1940. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  186. - Kodachrome colour film (1940) (2 of 3). Kodachrome colour film, an image made in 1940. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  187. - Kodachrome colour film (1940) (3 of 3). Kodachrome colour film, an image made in 1940. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  188. - Home Movies (Kodachrome) Europe in the 1940s, Reel 1 of 2. 1940s Kodachrome WWII-era footage (1940). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  189. - 1940s Colour Footage WWII UK Blitz Wardens Training. 1940s color WWII footage (1940). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  190. - 1940 Kodachrome Home Movies of Mardi Gras, New Orleans. 1940 Kodachrome home movies (1940). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  191. - Epave (1943) - Jacques-Yves Cousteau. Cousteau early underwater film (1943). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  192. - Normandy Landings (1944). D-Day Normandy newsreel (1944). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  193. - Official Films Newsreel - D-Day Invasion of Normandy France, June 6 1944. D-Day Normandy newsreel (1944). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  194. - Cameramen Who Filmed D-Day Landings (1944). D-Day combat cameramen (1944). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  195. - D-Day To D+3 (1944) - Combat Cameraman 16mm Footage. D-Day combat cameraman footage (1944). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  196. - D-Day Plus On Beach (1944). Unissued / Unused material. France. Various shots trucks etc. being unloaded from landing craft on beach for D-day. Various shots senior officers including Tedder and Ramsey. M/S as soldiers walk through rubble. C/U sailors. Various shots of landing craft on beach, supplies are unloaded.
  197. - 16mm Color Home Movie (1940s). 1940s color 16mm home movie (1945). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  198. - 8mm Film Archive: James O'Gara 1940s Home Movies Reel 1 of 3. 1940s 8mm home movie archive reel (1945). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  199. - 1945 Kodachrome Color WWII Officer Home on Leave, Amarillo Texas, July 4th 1945. 1945 Kodachrome color home footage (1945). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  200. - The Nature of Color - 1946 Educational Film in Kodachrome. 1946 Kodachrome color educational film (1946). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  201. - V-2 Rocket Films Earth (1946). V-2 rocket first photo of Earth (1946). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  202. - Pictures Taken From V2 Rocket (1946). Thought to be Selected Originals from late 1940s material. New Mexico. A camera which travelled on a V-2 rocket recorded shots of the world from 65 miles up. Various shots of the camera, which travelled in the fin of the rocket, it is taken intact from the metal container. M/S of the V2.
  203. - Early Jacques Cousteau Film: Silent Landscapes (1947) Aqua-Lung Documentary. Cousteau early underwater film (1947). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  204. - What Is Television Part 1 (1948): How Does a TV Camera Work?. What is Television 1948 (1948). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  205. - Quick Developing Camera - 1948 (Movietone Moment). Polaroid Land Camera 1948 newsreel (1948). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  206. - Archive footage of Wedding in the 1950s, home movie film. 8mm vs Super 8 home movie footage (1950). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  207. - How Television Works (1950 British Educational Film). How Television Works 1950 (1950). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  208. - Archive footage of 1950s Florida: 16mm home movie film. 1950s 16mm home movie (1955). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  209. - 1950s Birthday Party with Magician: Vintage Archival Film. 1950s home movie reel (1955). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  210. - The Silent World: Jacques Cousteau (1956). Cousteau The Silent World (1956). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  211. - Edgerton's high-speed photos (1957) (1 of 4). Edgerton's high-speed photos, an image made in 1957. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  212. - Edgerton's high-speed photos (1957) (2 of 4). Edgerton's high-speed photos, an image made in 1957. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  213. - Edgerton's high-speed photos (1957) (3 of 4). The Rapatronic camera is a high-speed camera with an exposure time as brief as 10 nanoseconds. It was developed by Harold Edgerton in the 1940s. This image is part of a sequence of photographs taken within milliseconds of ignition of an nuclear explosive.
  214. - Edgerton's high-speed photos (1957) (4 of 4). The Rapatronic camera is a high-speed camera with an exposure time as brief as 10 nanoseconds. It was developed by Harold Edgerton in the 1940s. This image is part of a sequence of photographs taken within milliseconds of ignition of an nuclear explosive.
  215. - Pye / BBC Television Studio Camera Research Film (1950s-60s). Pye/BBC TV studio cameras (1958). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  216. - KIRO's Ampex Equipment Arrives in the Late 1950s. Ampex arrives at station 1950s (1958). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  217. - 1958 First Color TV Broadcast: Eisenhower Inaugural Address (WRC-TV). First color TV broadcast WRC 1958 (1958). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  218. - 1958: Introducing VERA - Britain's First Videotape Recorder. BBC VERA videotape 1958 (1958). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  219. - Oldest Surviving Color Videotape: WRC-TV Dedication, May 22 1958. Oldest color videotape 1958 (1958). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  220. - Public wash-house Liverpool (1959) - BFI National Archive. 1959 amateur archive film (1959). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  221. - Kodak Instamatic Commercial. Kodak Instamatic 1963 (1963). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  222. - Filming A World Without Sun (1964) Promo for Jacques Cousteau's Documentary. Cousteau World Without Sun (1964). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  223. - The Super 8 camera (1965) (1965) (2 of 4). The Super 8 camera (1965), the camera itself, 1965. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  224. - The TV studio camera (1965) (2 of 4). Tamvision’s camera operators Tuomo Kurikka and Lasse Koskinen film a television program at Frenckell’s studio in Tampere. The program is possibly Kalevi-sedän koulu.
  225. - The TV studio camera (1965) (4 of 4). Tamvision’s camera operator Kauno Peltola, studio director Raimo Mikkola and camera operator Tuomo Kurikka film a television program at Frenckell’s studio in Tampere. The program is possibly Kalevi-sedän koulu.
  226. - Mariner 4 Mars Photos - 1965. Mariner 4 first Mars photos (1965). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  227. - 1966 RCA TR-4 2-inch Videotape Recorder Demonstration. RCA TR-4 videotape recorder (1966). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  228. - The Television Camera Tube (16mm, 1967). Television camera tube (film) (1967). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  229. - The Portapak (1967) (1967) (1 of 3). CONCERT FOR BANGLA DESH - AUGUST 1, 1971 Shown are three inconsecutive video frames from the original 1/2" reel to reel 1971 videotape of the first half hour of the afternoon show two events held on August 1, 1971 of the Concert for Bangla Desh at Madison Square Garden, New York City.
  230. - The Portapak (1967) (1967) (2 of 3). CONCERT FOR BANGLA DESH - AUGUST 1, 1971 Shown are three inconsecutive video frames from the original 1/2" reel to reel 1971 videotape of the first half hour of the afternoon show two events held on August 1, 1971 of the Concert for Bangla Desh at Madison Square Garden, New York City.
  231. - The Portapak (1967) (1967) (3 of 3). CONCERT FOR BANGLA DESH - AUGUST 1, 1971 Shown are three inconsecutive video frames from the original 1/2" reel to reel 1971 videotape of the first half hour of the afternoon show two events held on August 1, 1971 of the Concert for Bangla Desh at Madison Square Garden, New York City.
  232. - Earthrise (1968) (1968) (1 of 4). Taken by Apollo 8 crewmember Bill Anders on December 24, 1968, at mission time 075:49:07 [8] (16:40 UTC), while in orbit around the Moon, showing the Earth rising for the third time above the lunar horizon. The lunar horizon is approximately 780 kilometers from the spacecraft.
  233. - Earthrise (1968) (1968) (2 of 4). Earthrise (1968), an image made in 1968. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  234. - Earthrise (1968) (1968) (3 of 4). This view of the rising Earth greeted the Apollo 8 astronauts as they came from behind the Moon after the fourth nearside orbit. Earth is about five degrees above the horizon in the photo. The unnamed surface features in the foreground are near the eastern limb of the Moon as viewed from Earth.
  235. - Earthrise (1968) (1968) (4 of 4). (December 24, 1968) This view of the rising Earth greeted the Apollo 8 astronauts on December 24, 1968 as they came from behind the Moon after the fourth nearside orbit. The photo is displayed here in its original orientation, though it is more commonly viewed with the lunar surface at the bottom of the photo.
  236. - Apollo 11 photographs (1969) (1969) (1 of 4). The Apollo 11 lunar landing mission crew, pictured from left to right, Neil A. Armstrong, commander; Michael Collins, command module pilot; and Edwin E. Aldrin Jr., lunar module pilot.
  237. - The Hasselblad on the Moon (1969) (1 of 3). The Hasselblad on the Moon, the camera itself, 1969. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  238. - Apollo 11 photographs (1969) (1969) (2 of 4). Astronaut Edwin E."Buzz" Aldrin Jr., Lunar Module pilot, is photographed during the Apollo 11 extravehicular activity on the Moon. He has just deployed the Early Apollo Scientific Experiments Package (EASEP).
  239. - The Hasselblad on the Moon (1969) (2 of 3). Short description: Astronaut Buzz Aldrin on the Moon Full description: Astronaut Buzz Aldrin, Lunar Module pilot, walks on the surface of the Moon near the leg of the Lunar Module (LM) "Eagle" during the Apollo 11 extravehicular activity (EVA). Astronaut Neil A.
  240. - The Apollo TV camera (1969) (1 of 4). Astronaut Neil A. Armstrong, Apollo 11 commander, descends the ladder of the Apollo 11 Lunar Module (LM) prior to making the first step by man on another celestial body. This view is a black and white reproduction taken from a telecast by the Apollo 11 lunar surface camera during extravehicular activity (EVA).
  241. - Apollo 11 photographs (1969) (1969) (3 of 4). Apollo 11 photographs (1969), an image made in 1969. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  242. - The Apollo TV camera (1969) (3 of 4). Scope and content: The original database describes this as: Description: Astronaut Edwin E. Aldrin,Lunar Module (LM) pilot, salutes the U.S. flag that has been placed on the moon. The LM is visible in the left field of view.
  243. - Apollo 11 photographs (1969) (1969) (4 of 4). Apollo 11 photographs (1969), an image made in 1969. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  244. - The Apollo TV camera (1969) (4 of 4). The Apollo TV camera, the camera itself, 1969. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  245. - The Hasselblad on the Moon (1969) (3 of 3). The Blue Marble" is a famous photograph of the Earth taken on December 7, 1972, by the crew of the Apollo 17 spacecraft en route to the Moon at a distance of about 29,400 kilometres (18,300 mi). It shows Africa, Antarctica, and the Arabian Peninsula.
  246. - Historic Apollo 11 Moon Landing Footage. Apollo 11 restored footage (1969). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  247. - Watch Neil Armstrong's First Steps on the Moon. Apollo 11 one small step (1969). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  248. - Apollo 11 Lands on the Moon - CBS News - 1969-07-20. Apollo 11 live TV broadcast (CBS) (1969). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  249. - Apollo 12 - Pete Conrad Steps on the Moon - Photos, Film, TV. Apollo 12 surface footage (1969). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  250. - Ampex: Miracles of Magnetic Recording. Ampex magnetic recording (1956). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  251. - 1971 Sony U-Matic Videocassette Demonstration in Stereo (Program A-0001). Sony U-matic 1971 (1971). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  252. - Sony U-matic System Demo (1971). In 1969, Sony introduced a prototype for the first widespread video cassette, the 3/4" (1.905 cm) composite U-matic system, which Sony introduced commercially in September 1971 after working out industry standards with other manufacturers. Sony later refined it to Broadcast Video U-matic or BVU.
  253. - 1971 Sony U-Matic Videocassette Demonstration (Program A-0003). Another early Sony U-Matic demo tape, showing how to operate their play-only model VP-1000 (which was the same model number as Pioneer's first laserdisc player in 1980.) This one played really well with no cleaning or baking needed.
  254. - Apollo 15 TV - Astronauts on the Moon Surface - EVA (1971). Apollo 15 surface EVA TV (1971). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  255. - Apollo 16 Lunar Rover "Grand Prix" (1972). Apollo 16 Lunar Rover camera (1972). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  256. - The Blue Marble (1972) (1972). The Blue Marble (1972), an image made in 1972. Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  257. - Polaroid SX-70 Land Camera - 1972 Commercial by Charles and Ray Eames. Brought to you by Rock And Co., a subsidiary of www.TVItaliaWeb.tv Polaroid SX-70 Film by Charles and Ray Eames. In 1972 the Polaroid Corporation commissioned the Eames Office to produce a film introducing the new and revolutionary SX-70 instant-photography camera developed by Edwin Land.
  258. - SX-70. In 1972 the Polaroid Corporation commissioned the Eames Office to produce a film introducing the new and revolutionary SX-70 instant-photography camera developed by Edwin Land. The film demonstrates several potential uses for the camera and shows how it operates.
  259. - Apollo 17 Lunar Liftoff HD (Inside and Outside View). Apollo 17 lunar liftoff (1972). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  260. - Videofreex, Lanesville NY 1973. Videofreex collective (1973). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  261. - Pictures From Pioneer 10 (1973). Pioneer 10 first Jupiter photos (1973). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  262. - Planet Mercury Pictures From Mariner 10 (1974). Mariner 10 first Mercury photos (1974). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  263. - Photos of Jupiter Taken From Pioneer 11 (1974). Pioneer 11 Jupiter photos (1974). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  264. - Sasson's first digital camera (1975) (1975). Sasson's first digital camera (1975), the camera itself, 1975. Film gave way to data: the first digital sensors, the DSLR, and the first cameras built into telephones.
  265. - 1970s Montreal, Super 8 Home Movies. 1970s Super 8 home movies (1975). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  266. - RCA TK-76 Technical Training (Part 1). RCA TK-76 training (1976). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  267. - Electronic News Gathering - ENG in 1976. ENG broadcast news camera (1974). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  268. - Viking 1: on July 20, 1976. Viking 1 first photo from Mars surface (1976). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  269. - Voyager 2 - Launch (1977). ). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  270. - Voyager 1 - Launch (1977). ). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  271. - Communications Milestone: Charged Coupled Devices (with Bonus Edition Introduction) - AT&T Archives. CCD sensor Nobel Boyle Smith (1969). Film gave way to data: the first digital sensors, the DSLR, and the first cameras built into telephones.
  272. - Voyager 1 Flies by Jupiter (1979). Voyager 1 Jupiter flyby imaging (1979). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  273. - JVC Vidstar Camera 1979 TV commercial. Camcorder 1980s VHS commercial (1984). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  274. - Sony CEO Akio Morita Unveils the Mavica Camera (1981). Sony Mavica 1981 - Akio Morita unveils first still video camera (1981). Film gave way to data: the first digital sensors, the DSLR, and the first cameras built into telephones.
  275. - 1983: Video Wars - Betamax versus VHS. Betamax vs VHS 1983 (1983). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  276. - 1984 Panasonic Video Camera System 'By Itself' TV Commercial. Panasonic camcorder 1984 ad (1984). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  277. - 1984 U.S. Army Electronic News Gathering / EFP Systems. ENG/EFP US Army 1984 (1984). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  278. - Sony Video8 Handycam Commercial (1985). Sony Video8 Handycam ad (1985). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  279. - Sony Handycam Original Commercial 1985. Sony Handycam first ad (1985). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  280. - 1985 Sony Demo: GCS-1 BetaMovie Camera & GCS-50 Editor. Sony Betamovie demo 1985 (1985). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  281. - Sony Handicam 8mm Video Commercial - 1985!. Sony Handycam Video8 (1985). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  282. - Edgerton and His Incredible Seeing Machines (1985 documentary). Doc Edgerton high-speed photography (1985). Colour, instant prints and home movies brought the camera into everyday life, and one rode to the Moon.
  283. - 1985 Sony Handycam 'Bigger Isn't Better' Christmas TV Commercial. Sony Handycam Christmas ad (1985). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  284. - Sony Video8 Handycam - 1986 Australian TV Commercial. Sony Video8 Handycam ad AU (1986). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  285. - Panasonic VHS Camcorder 'Wedding' Commercial (1987). Panasonic camcorder 1987 ad (1987). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  286. - The Handycam (1989) (3 of 4). The Handycam, the camera itself, 1989. Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  287. - America's Funniest Home Videos: Season 1 Pilot (1989). America's Funniest Home Videos (1989). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  288. - "America's Funniest Home Videos" First Episode Open/Close. Americas Funniest Home Videos (1989). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  289. - Panasonic Video Camera 1990 Commercial. Panasonic camcorder 1990 ad (1990). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  290. - Apple QuickTime 1.0 Beta - DogCow (1991). A bizarre clip included on the QuickTime 1.0 Beta CD-ROM, provided to developers back in 1991. "Moof" the beloved DogCow underwent significant changes between Systems 6 and 7, and the QuickTime team apparently had strong feelings about the event. Or they ate too many magic mushrooms...
  291. - Apple QuickTime 1.0 Tour (1991). This tongue-in-cheek video was included on the QuickTime 1.0 CD-ROM, provided by Apple to developers back in 1991. The original clip was a whopping 152 x 116 pixels in size! Gotta love the portable QuickTime container for the DEC PDP 11.
  292. - Apple QuickTake Digital Camera Commercial (1994). Apple QuickTake 1994 commercial (1994). Film gave way to data: the first digital sensors, the DSLR, and the first cameras built into telephones.
  293. - The Apple QuickTake (1994) (1994) (1 of 4). The Apple QuickTake (1994), the camera itself, 1994. Film gave way to data: the first digital sensors, the DSLR, and the first cameras built into telephones.
  294. - Casio Digital Camera QV-10 Advert (1995). Casio QV-10 1995 ad (1995). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  295. - Sony Digital Mavica Commercial (1997). Sony Mavica ad (1997). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  296. - The Trojan Room Coffee Pot on Look East. Trojan Room coffee pot webcam (1993). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  297. - Father of Video Art: Nam June Paik (full interview, c.2000). Nam June Paik interview (2000). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  298. - Guerilla TV - Episode 1. Guerrilla TV episode (1972). Magnetic tape and the camcorder put a moving-image camera in the home, the newsroom, and the bystander’s hand.
  299. - J-PHONE J-SH04 Commercial. The Sharp J-SH04 (2000). Film gave way to data: the first digital sensors, the DSLR, and the first cameras built into telephones.
  300. - 2001: CAMERAS on PHONES? - BBC News Retro Tech. 2001 cameras on phones BBC archive (cameraphone arrival) (2001). Now everyone carries a film studio: the phone camera, GoPro, the drone, and software that paints with light.

…and 428 more moments.

Full text archive: /loreline-text/cameras.md

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