DEBBY FRIDAY — Bet On Me

JUL 01 2025 · 12:00

DEBBY FRIDAY — Bet On Me

DEBBY FRIDAY — Bet On Me (2025) Director: Kevan Funk (co-directed with DEBBY FRIDAY) Era: Mid-2020s Alt-Pop / Breakbeat Revival (2025) - Post-Polaris Prize era for Debby Friday; part of a broader resurgence of drum-and-bass-adjacent production aesthetics in indie-electronic pop, released as a pre-album single on Sub Pop/Royal Mountain Records High curatorial value as a document of a pivotal moment in Debby Friday's career — the transition from acclaimed debut to major-label-adjacent sophomore release — and as evidence of the 2025 breakbeat/alt-pop convergence. The Massey Hall setting, co-directorial model with Kevan Funk, and serialized visual universe make this an exemplary case study in sophisticated independent music video production in mid-2020s Canada. Context: Released July 9, 2025, 'Bet On Me' is a pre-album single from Debby Friday's sophomore LP The Starrr Of The Queen Of Life (Sub Pop / Royal Mountain Records, August 1, 2025). Friday, a Nigerian-Canadian artist based in Toronto, arrived at this record as a Polaris Music Prize winner for her 2023 debut Good Luck, making this release one of the most anticipated indie-electronic records in Canada that year. Filmed at Toronto's historic Massey Hall, the video situates the track within a cinematic universe shared across all album singles. Friday has described the song as an ode to intuition and raw self-belief — a manifesto of autonomous ambition that resonates with broader 2020s themes of self-determination in underground pop and electronic music. Director notes: Co-directed by Kevan Funk and DEBBY FRIDAY, marking a documented ongoing creative collaboration between the two. The video was filmed at Toronto's Massey Hall. Cinematography by Shady Hanna. Produced by Kevan Funk, DEBBY FRIDAY, and Maya Gelfand. Executive Producer: MERCHANT. The visual continues the cinematic universe of The Starrr Of The Queen Of Life, threading a narrative across all preceding singles from the album. Additional crew includes 1st AC Adrian Muir, 2nd AC Susan Liu, Gaffer Ryan Dioso, LED Supervisor Matt Eckensweiler, Steadicam operator Mike DiStefano, Costume Designer Maria Katarina, Hair and Makeup by Myla Martin, and 3D Animation by Jovy Bergen. Color by Kassi Bellamy.

Source: radarchive.org

Part of RAD Archive · Watch in the documentary

More from RAD Archive