Albania

A country archive from the Illyrians to the present, Skanderbeg's twenty-five-year defiance, four Ottoman centuries, the declaration at Vlorë in 1912, the most isolated state in Europe and its bunkers, the crossing of the 1990s, and the mountains, coast and old law that outlasted all of it.

A chronological documentary of 906 moments spanning 3700 BC–2026 on Loreline.

Curated by Olivier · last updated 2026-08-22

Eras

  1. - Copper Age figurines from Maliq. Small anthropomorphic cult figures excavated at Maliq near Korce, made between roughly 3700 and 3100 BC. The Maliq settlement is the key prehistoric site of the Albanian south-east.
  2. - Wine vessel from Apollonia, 575 BC. A ceramic wine vessel of about 575 BC from Apollonia, in the site museum. Apollonia was founded by Greek colonists from Corfu and Corinth around 600 BC and grew rich on trade with the Illyrian interior.
  3. - The Beauty of Durrës - Illyrian mosaic detail (4th c. BCE). The Beauty of Durrës, a celebrated Illyrian pebble mosaic of a woman's head, 4th century BCE, one of Albania's most famous ancient artworks, on display at the National Historical Museum, Tirana.
  4. - Banquet relief from Apollonia. A third-century BC relief showing a banquet scene, excavated at Apollonia and now in the National History Museum in Tirana. Apollonia, founded by Corinthian and Corcyraean settlers around 600 BC, was one of the great cities of the Illyrian coast.
  5. - The river Vjosa personified, from Apollonia. A third-century BC personification of the Vjosa, carved at Apollonia and now in Tirana. The river that the Greeks called the Aoos was already worshipped as a deity when the city stood on its plain.
  6. - Tombstone with an Illyrian name, Apollonia. A second-century BC tombstone from Apollonia carrying an Illyrian name, still kept at the site. Apollonia was a Greek colony where Illyrian and Greek populations lived alongside one another.
  7. - Bronze coin of King Gent. A coin of Gent, the Labeatan king who ruled from Shkodra and was defeated by Rome in 168 BC. His fall ended the independent Illyrian kingdom and brought the eastern Adriatic under Roman rule.
  8. - Butrint mosaic, Baptistery (5th century). Byzantine mosaic pavement at the Baptistery of Butrint, an early Christian/Byzantine archaeological site and UNESCO World Heritage Site in southern Albania, dated to the 5th century.
  9. - The mosaic of Mesaplik. The floor mosaic lifted from Mesaplik, in the hills behind Vlorë, displayed in the National History Museum in Tirana. Mosaic pavements of this kind mark the Christian basilicas that spread across the province in late antiquity.
  10. - Byzantine capital from Durrës. A carved Byzantine capital taken from Durrës, now in the lapidarium of the National Museum of Medieval Art in Korçë. Dyrrachium was the chief Byzantine city on the Adriatic and the western end of the Via Egnatia.
  11. - Butrint Baptistery mosaic pavement, early 6th century AD. The circular Paleochristian Baptistery of Butrint, its floor covered with a well-preserved Byzantine mosaic mixing Christian and aristocratic iconography, early 6th century AD.
  12. - Butrint Baptistery mosaic, animal and bird motifs. Byzantine mosaic of animals and birds on the floor of the 6th-century Paleochristian Baptistery at Butrint, usually kept covered with protective sand.
  13. - Half-moon earring from Shtish-Tufina. A crescent earring of the seventh or eighth century found at Shtish-Tufina near Tirana, in the Archaeological Museum. Finds like it fill the long gap between the Roman province and the first Albanian written record.
  14. - Koman-culture torque, Archaeological Museum of Tirana. A neck ring of the seventh or eighth century from Koman, in the Drin valley. The Koman finds document the population that lived on in the Albanian hills between late antiquity and the medieval principalities.
  15. - Glass bead necklace from Shurdhah. A glass necklace of the seventh or eighth century excavated at Shurdhah island near Shkodër, now in the Archaeological Museum of Tirana.
  16. - Drinking bowl from the Vrap treasure. A gold drinking bowl from the treasure found in 1902 in a field at Vrap, near Tirana, now in the Walters Art Museum. The hoard is usually linked to the Avars and speaks to the mixed world of the early medieval Balkans.
  17. - Byzantine mosaic from Mesopotam, Korce. A thirteenth-century Byzantine mosaic of fighting cocks, taken from the church of St Nicholas at Mesopotam and now in the National Museum of Medieval Art at Korce.
  18. - Byzantine mosaic griffin, Mesopotam basilica (13th c.). 13th-century Byzantine floor mosaic of a griffin from the Saint Nicholas church at Mesopotam, on display at the National Museum of Medieval Art, Korçë.
  19. - Byzantine mosaic of cocks, Mesopotam basilica (13th c.). 13th-century Byzantine mosaic depicting cocks, from the Saint Nicholas church at Mesopotam, National Museum of Medieval Art, Korçë.
  20. - Archangel Michael icon, 14th century. 14th-century icon of the Archangel Michael, one of the earliest works in the National Museum of Medieval Art, Korçë collection.
  21. - Andrea II Muzaka in the Kastoria church painting. A fourteenth-century wall painting showing Andrea II Muzaka in the church of St Athanasius of Mouzaki at Kastoria. The Muzaka were one of the great Albanian noble houses of the late Middle Ages, before the Ottoman advance.
  22. - Fresco of the prince Teodor Muzaka. A fifteenth-century fresco portrait of the Albanian prince Teodor Muzaka in the church of Saint Athanasius at Kastoria. The Muzaka were one of the great families who ruled parts of Albania before the Ottoman conquest.
  23. - Coin struck under Skanderbeg. A coin bearing the name of Gjergj Kastrioti, struck between about 1450 and 1468 and now in the Numismatic Museum in Athens. Minting his own coin was a claim to sovereignty as much as the war itself.
  24. - The helmet and sword of Skanderbeg in Vienna. The goat-headed helmet and the sword long identified with Gjergj Kastrioti, kept in the Kunsthistorisches Museum in Vienna. The helmet became the emblem on the Albanian coat of arms and, in bronze, the centrepiece of Krujë.
  25. - Miniature of Archbishop Pal Engjëlli. A painted miniature of Pal Engjëlli, archbishop of Durrës and chancellor to Skanderbeg, from the 1464 Statutes of Drisht. Engjëlli negotiated with Rome and Naples on Skanderbeg's behalf and issued the first surviving sentence written in Albanian.
  26. - Portrait of Skanderbeg made in his lifetime. A likeness of Gjergj Kastrioti drawn in 1466, two years before his death and while the war against the Ottomans was still being fought. It is among the very few images made while he was alive.
  27. - Holy Mary with Christ Child, Hodegetria icon (Onufri, c. 1500). Hodegetria-type icon of the Virgin and Child, attributed to Onufri, circa 1500, photographed in Berat.
  28. - Teuta of Illyria engraved in Italy. A Renaissance Italian engraving of Teuta, the Illyrian queen whose fleets provoked Rome into the first Illyrian war in 229 BC. Her name re-entered Albanian usage in the national revival.
  29. - 16th-century Albanian costumes. A costume-codex plate depicting Albanian men's dress in the 16th century, the earliest artwork-sourced costume document available, from the genre of European 'costume book' engravings.
  30. - Skanderbeg portrait of 1520. A north Italian panel portrait painted in 1520, barely fifty years after Skanderbeg's death, and among the earliest surviving painted likenesses.
  31. - Mehmed the Second before the walls of Shkodra. A relief of 1532 on the Albanian confraternity house in Venice shows the Ottoman sultan besieging Shkodra in vain. Albanian refugees in Venice commissioned the panels as a memorial to their lost city.
  32. - Mary and Jesus icon, iconostasis detail (Onufri Museum). Detail of a Virgin and Child icon on the iconostasis of the Church of the Dormition of St Mary, Berat citadel, the church that now houses the Onufri Museum.
  33. - Fresco of the Last Judgment, Church of the Dormition of St Mary (Onufri Museum). Last Judgment fresco on the wall of the Church of the Dormition of St Mary, Berat citadel, the church housing the Onufri Museum's icon collection.
  34. - Onufri - St. Theodore Tironi and Stratelates icon. Icon of Saints Theodore Tiro and Theodore Stratelates, attributed to the 16th-century master painter Onufri.
  35. - Onufri Christus - Christ Pantocrator icon. Icon of Christ Pantocrator (half-length) attributed to Onufri, 16th century.
  36. - Mary and Child icon, Onufri (16th century). Hodegetria icon of the Virgin and Child by Onufri, 16th century.
  37. - Onufri Icon Berat - four-scene iconostasis panel. Four-scene icon panel by Onufri (John the Baptist, St Nicholas, Dormition of the Virgin, Dormition of St Nicholas), 16th century, exhibited at the Onufri Museum, Berat.
  38. - Onufri - descent into Hades icon. Icon depicting the Anastasis/Descent into Hades, attributed to Onufri, 16th century, National Museum of Medieval Art, Korçë.
  39. - Onufri - detail from Baptism of Christ. Detail of a Baptism of Christ icon attributed to Onufri, 16th century, National Museum of Medieval Art, Korçë.
  40. - Sixteenth-century portrait of Skanderbeg. An Italian painted portrait of Gjergj Kastrioti Skanderbeg made roughly a century after his death, between 1552 and 1568. Italy kept his memory alive through the printing presses and painters of the Renaissance.
  41. - A page from the Meshari of Gjon Buzuku, 1555. A scanned page from Gjon Buzuku's Meshari (The Missal), the first printed book in the Albanian language.
  42. - Excerpt from the Meshari of Gjon Buzuku. A second scanned excerpt from the 1555 Meshari, the founding text of printed Albanian.
  43. - Skanderbeg turns away from the Ottomans. A woodcut of about 1564, from a Polish world chronicle, showing Gjergj Kastrioti breaking with the Ottoman army. The scene stands for the desertion at Niš that began the Albanian revolt.
  44. - Skanderbeg portrait of the 1570s. A late sixteenth-century painted portrait of Gjergj Kastrioti. European workshops kept producing his likeness for a century after his death, when he was still cited as the model of resistance to the Ottomans.
  45. - Onufri - St. Peter icon (Onufri Museum, Berat). Icon of the Apostle Saint Peter painted by Nikolla Onufri (son of the master Onufri), second half of the 16th century. Held in the Onufri Museum, Berat.
  46. - Skanderbeg takes Petrela, from Barleti's history. A printed illustration from Marin Barleti's life of Skanderbeg showing the capture of Petrela castle from the Ottomans. Barleti's book carried the Skanderbeg story across Europe and shaped how it was told for centuries.
  47. - Skanderbeg returns to Krujë. A German engraving of 1578 imagines Gjergj Kastrioti riding back into Krujë. In November 1443 he deserted the Ottoman army at Niš, seized the castle with a forged firman and raised his own banner over it.
  48. - The death of Skanderbeg. A German woodcut of 1578 shows the death of Gjergj Kastrioti. He died of fever at Lezhë in January 1468, and the resistance he had led for twenty-five years unravelled within a decade.
  49. - The battle of Ohrid. A woodcut of 1578 depicting the battle of Ohrid of 1464, one of the later victories of Skanderbeg's league over Ottoman field armies. The war ranged well beyond the Albanian lands proper.
  50. - Skanderbeg trained in the Enderun school. A woodcut of 1578 shows Gjergj Kastrioti among the students of the Enderun, the palace school in Edirne. Taken as a hostage in boyhood, he served the sultan as a commander before turning against him in 1443.
  51. - Skanderbeg lands in Italy. A 1578 engraving of Skanderbeg disembarking with his troops in Apulia in 1461, sent to help Ferdinand of Naples hold his throne. The campaign tied Albania into Italian politics and prepared the way for later Arberesh settlement.
  52. - The second siege of Krujë. A woodcut of 1587 depicting the siege of Krujë of 1466, when Mehmed the Second came in person and still failed to take the castle. The town held out again the following year.
  53. - Engraving of Donika Arianiti, 1596. A 1596 engraving of Andronika Arianiti, known as Donika, who married Skanderbeg in 1451 and left Albania for Italy after the Ottoman conquest. The plate is from Boissard's collection of portraits printed in Frankfurt, more than a century after her lifetime.
  54. - Skanderbeg engraved by Dominicus Custos. The Flemish engraver Dominicus Custos cut this portrait of Skanderbeg around 1600 for a printed gallery of commanders. Print made the Albanian hero a familiar figure across Catholic Europe.
  55. - Skanderbeg on foot, engraved in 1601. A full-length engraved portrait of Gjergj Kastrioti published in 1601. Prints like this carried his image through Europe long after his death, in books that held him up as the shield of Christendom.
  56. - Rembrandt's sketch of Skanderbeg. Rembrandt drew this study of Skanderbeg in the second quarter of the seventeenth century, working from the engraved likenesses then circulating in the Netherlands.
  57. - Christ Pantocrator, 1680. An icon of Christ Pantocrator dated 1680, in the National History Museum. It comes out of the Berat painting tradition that Onufri founded a century earlier, rather than from his own hand, he was working in the mid-sixteenth century.
  58. - Frontispiece of Pjetër Bogdani's Cuneus Prophetarum, 1685. The frontispiece of Cuneus Prophetarum, printed in Padua in 1685, one of the earliest major works of Albanian prose literature.
  59. - The siege of Kruje engraved in 1694. A 1694 engraving of the Ottoman siege of Kruje in 1477-1478, nine years after Skanderbeg's death, when the fortress finally fell. European printmakers were still working the Albanian wars two centuries later.
  60. - Anonymous icon of Archangel Michael, Korçë collection. Anonymous icon of the Archangel Michael, National Museum of Medieval Art, Korçë, part of the museum's post-Byzantine icon holdings.
  61. - Dagger (Jambiya) with Sheath, Albanian, 18th century. An 18th-century Albanian dagger and sheath, steel, wood, gold, brass, coral and copper, the kind of edged weapon worn tucked into the brez (sash) as part of men's formal highland dress. Held by the Metropolitan Museum of Art.
  62. - Voskopojë St Nicholas church frescoes, 1726. Interior fresco of the Church of St Nicholas, Voskopojë, dated 1726, part of the celebrated fresco cycles of the once-prosperous Aromanian/Albanian trading town.
  63. - Saint Jovan Vladimir vita icon by Kostandin Shpataraku, 1739. Vita icon of Saint Jovan Vladimir surrounded by scenes from his life, painted 1739 by Kostandin Shpataraku, originally from Ardenica Monastery, now in the National Museum of Medieval Art, Korçë.
  64. - The Elbasan Gospel Manuscript, alternate page. Another page from the Elbasan Gospel Manuscript, showing the Elbasan script devised for writing Albanian.
  65. - Kostandin Shpataraku - St Demetrius on horseback, Onufri Museum. 18th-century icon of Saint Demetrius on horseback by Kostandin Shpataraku, held at the Onufri Museum, Berat.
  66. - Iconostasis, National Museum of Medieval Art - Hodegetria (18th c.). 18th-century Hodegetria icon on the iconostasis of the National Museum of Medieval Art, Korçë.
  67. - Christ Pantokrator icon by Athanas Zografi, 1750. Icon of Christ Pantokrator painted by Athanas Zografi in 1750, one of the Zografi brothers, National Museum of Medieval Art, Korçë.
  68. - Saint George and the Dragon icon, National Museum of Medieval Art. Icon of Saint George and the Dragon, National Museum of Medieval Art, Korçë, post-Byzantine Albanian icon painting.
  69. - First Ecumenical Synod icon, Korçë, 1756. Icon of the First Ecumenical Synod (Council of Nicaea), painted 1756 by the Zografi brothers workshop of Korçë, National Museum of Medieval Art.
  70. - Karl Topia icon by Kostandin Shpataraku, Ardenica Monastery. Detail of an icon depicting the medieval Albanian ruler Karl Topia, painted by Kostandin Shpataraku at Ardenica Monastery in the 18th century.
  71. - Pages of the Elbasan Gospel Manuscript. The Elbasan Gospel Manuscript records Orthodox scripture in Albanian using a unique alphabet devised in the eighteenth century. It is one of the earliest substantial texts written in the Albanian language.
  72. - Circumcision of Christ icon, Korçë (1760-1780). Icon of the Circumcision of Christ, painted 1760-1780, National Museum of Medieval Art, Korçë.
  73. - Zografi Brothers mural fresco, Ardenica Monastery, c. 1780. Mural fresco painted by the Zografi Brothers around 1780 at the Church of Saint Mary, Ardenica Monastery.
  74. - Voskopojë St Athanasius church exterior with frescoes. St Athanasius' Church, Voskopojë (Moscopole), one of the 18th-century Orthodox churches of the town famed for its fresco cycles.
  75. - Albanian yatagan in the Musee barrois. A nineteenth-century Albanian yatagan with damascened metal, ivory and semi-precious stones, held in the Musee barrois in France. Arms of this quality were made in the workshops of Prizren and Shkoder under Ottoman rule.
  76. - Festival costume from Albania, 19th-early 20th century. A festival costume in silk, cotton, gilt thread and velvet weave, Albania, 19th-early 20th century, held by the Honolulu Museum of Art (accession 3307.1), a full ceremonial ensemble rather than a single garment piece.
  77. - Albanian silver filigree jewellery, 19th-20th century. Albanian silver filigree jewellery from the 19th and 20th centuries, held at the Kosovo Museum in Prishtina, exactly the bridal-silver tradition (filigree, belt buckles, coin work) central to this facet.
  78. - Art of the Lithograph: Albanian, Plate XVIII. A lithograph plate from 1819 titled 'Albanian,' part of a German portfolio demonstrating the lithographic technique by subject genre. Included with an explicit caveat: the title suggests a costume/type study (a common genre of the period) but the object record does not confirm the plate's actual subject matter, so this should be spot-checked visually before publication.
  79. - Albanais au service d'Ali Pacha, by Louis Dupré. A lithograph by Louis Dupré of a young Albanian lord in the service of Ali Pasha of Ioannina, 1820, from Dupré's published album of his Ottoman travels, an early European artist's record praising the subject's 'costume et ses armes' (costume and weapons).
  80. - Woman's sleeveless jacket, Albania, mid-19th century. A woman's sleeveless jelek-type jacket in silk with gold and silver embroidery, Albania, mid-19th century, held by the Royal Ontario Museum, a garment-first museum object, dated to its own production era.
  81. - Naum Veqilharxhi's Ëvetar, the first Albanian primer, 1845. Naum Veqilharxhi's 1845 Ëvetar, an Albanian-language primer written in his own invented Vithkuqi alphabet.
  82. - Cleveland Museum of Art - Albanian embroidered headcloth, 19th century. Linen headcloth embroidered with silk, Albania, 19th century, open-access museum example of Albanian textile craft. Cleveland Museum of Art, CC0.
  83. - Iconostasis (altar screen), Onufri Museum church. The carved wooden iconostasis (altar screen) of the Church of the Dormition of St Mary, Berat, an example of Albanian ecclesiastical woodcarving.
  84. - Iconostasis of Rehova church, 19th century. Carved wooden iconostasis from the Church of St Nicholas in Rehova, Erseka, 19th century, now in the National Museum of Medieval Art, Korçë.
  85. - Woman in Vraka, Albania, by Marubi. A Marubi studio portrait of a woman in the regional dress of Vraka, northern Albania. Costume is the clear subject: full figure, formal pose, regional headwear and jewellery visible.
  86. - Albanian man from Lurja, Marubi studio. Marubi studio portrait of a man from the Lurja region in his regional dress, one of the studio's regional 'type' portraits documenting highland costume by district.
  87. - Albanian man from Mati, Marubi studio. Marubi studio portrait of a man from the Mati region in regional highland dress, part of the studio's series of district 'type' photographs.
  88. - Albanian man with tirq, Marubi studio. Marubi studio portrait of a man from Kraja explicitly showing the tirq, the tight woollen leggings worn across the northern and borderland highlands. Costume detail (the legwear) is the subject.
  89. - Man and woman from Elbasan, Marubi studio. A Marubi studio couple portrait from Elbasan, central Albania, showing the town's distinct Ottoman-influenced dress alongside the highland styles the studio more often recorded.
  90. - Man from Shala, Marubi studio. Marubi studio portrait of a man from Shala, one of the northern highland tribal districts, in regional dress.
  91. - Mountaineer from Dukagjini, Marubi studio. Marubi studio portrait of a highlander from the Dukagjini region, the area governed by the Kanun of Lekë Dukagjini, shown in full highland dress.
  92. - Veiled Albanian woman from Shkodra, Marubi studio. A veiled woman of Shkodra photographed in the Marubi studio, documenting Ottoman-era urban dress conventions of the town's Muslim quarter, distinct from the highland costume the studio more often shows.
  93. - Woman from Grudë, Marubi studio. A Marubi studio portrait of a woman from Grudë wearing the xhubleta, the bell-shaped highland dress UNESCO listed in 2022 as needing urgent safeguarding, a rare historic studio document of the garment itself.
  94. - Group of Albanian women and children, Marubi studio. Marubi studio group portrait of women and children from Dajç, near the Buna river, showing generational costume together in one frame.
  95. - The construction of Shkodër Cathedral. Workers raising Shkodër's Catholic cathedral around 1858, in the century before the building was closed under state atheism and reconsecrated after 1990, Pope John Paul II said Mass here in 1993.
  96. - Fustanella costumes, Marubi studio. A Marubi studio study of men in the fustanella, the pleated kilt, photographed in Shkodra in 1860, costume is the explicit subject of the frame, not incidental to a portrait.
  97. - Butrint painted by Edward Lear. Edward Lear painted the marshes and ruins of Butrint in 1861, years after the Albanian journeys that produced his travel writing. His pictures were the first images of the site many Europeans ever saw.
  98. - Venetian galleys defeat Robert Guiscard at Butrint. A nineteenth-century engraving of the Venetian victory over the Norman fleet of Robert Guiscard off Butrint in 1085. Control of the channel opposite Corfu decided who commanded the entrance to the Adriatic.
  99. - A morning call in Albania, 1864. An illustration from Mary Adelaide Walker's 1864 account of travelling through Macedonia to the Albanian lakes, showing a domestic visit. British travel writers were among the few outside observers of Albanian interiors in the Ottoman decades.
  100. - Studio portrait of models in Skodra costume, Ottoman Empire. A staged studio portrait of models in the traditional dress of the Ottoman province of Shkodra (Işkodra), made for the 1873 international ethnographic-costume album, Ottoman-era urban dress documented for an imperial exhibition, not an incidental photograph.
  101. - Albanian highlanders above Shkoder. An 1877 book engraving of Albanian men in the mountains above Shkoder, made for a British travel account of Ottoman Europe. Images like this shaped how western readers first pictured the Albanian highlands.
  102. - Members of the League of Prizren. A group of League of Prizren figures posed for the camera. Photographs of the 1878 movement are scarce, and most surviving portraits of its leaders come from studio sittings like this.
  103. - The Shkodër delegation to the League of Prizren. Delegates from the sanjak of Shkodër photographed at the League of Prizren in 1878. Baca Kurti, a leader of the northern highlanders, stands second from the right.
  104. - Sami Frashëri's Albanian ABC book, 1879. An Albanian-language ABC primer from 1879, part of the Rilindja push to teach Albanian reading and writing.
  105. - Pjeter Marubi in his Shkoder studio. Pietro Marubi, known in Albania as Pjeter Marubi, fled Italy and opened a photographic studio in Shkoder in the 1850s. The dynasty he founded went on to record half a million Albanian faces over three generations.
  106. - The Prizren assembly in an illustrated newspaper. An engraved view of Albanians meeting at Prizren, printed in a Serbian illustrated paper in 1882. The League drew attention across the Balkans and in the European press.
  107. - Kolë Idromeno - Motra Tone ("The Albanian Mona Lisa"), 1883. Motra Tone, portrait by Kolë Idromeno, 1883, sometimes called "the Albanian Mona Lisa", in the National Art Gallery, Tirana.
  108. - Skanderbeg painted by Anastas Ballamaci. An 1889 portrait of Skanderbeg by the Albanian painter Anastas Ballamaci, made a generation before independence. The hero's image circulated widely among Albanians in the late Ottoman decades.
  109. - Kristo Sulidhi with a child, Marubi studio. A studio sitting from the Marubi workshop in Shkodër in the 1890s. The archive the family built up is the largest photographic record of Albanian society in the late Ottoman period.
  110. - Naim Frashëri, Rilindja poet. A period portrait of Naim Frashëri, the leading poet of the Albanian national revival (Rilindja), author of Bagëti e Bujqësia and Histori e Shqipërisë.
  111. - Gold-thread embroidered garment for a woman, Scutari, late 19th century. A gold-thread embroidered women's garment in silk and velvet, catalogued as either Prizren or Scutari (Shkodër), late 19th century, Cleveland names Shkodër, this facet's central costume city, as one of two possible origins.
  112. - Kolë Idromeno - portrait of Skanderbeg, 1890. Portrait painting of George Castriota Skanderbeg by Kolë Idromeno, 1890, one of the earliest Albanian painterly depictions of the national hero.
  113. - Jeronim de Rada, Arbëresh poet. Portrait of Jeronim de Rada (Girolamo de Rada), the Italo-Albanian (Arbëresh) poet and pioneer of Albanian romantic literature in Calabria, an Arbëresh, not mainland-Albanian, literary strand.
  114. - Sami Frashëri in his office, 1896. Sami Frashëri, encyclopedist and Rilindja writer, photographed in his office in 1896.
  115. - Family cradle at Margegaj. A carved wooden cradle more than a century old, kept by the Mekshiqi family at Margegaj in Tropoja. Objects like this were handed down through generations in the highland houses.
  116. - Pupils of the girls' school at Korçë. The girls' school at Korçë, opened in 1891, was the first in the country to teach girls in Albanian. Its pupils and teachers were photographed around the turn of the century, when such schooling was still illegal under Ottoman law.
  117. - Theodor Ippen in northern Albanian costume. The Austro-Hungarian consul and Albanologist Theodor Ippen photographed by Marubi in 1900, dressed head to toe in northern Albanian highland costume, a European official adopting local dress for the portrait, useful for showing how the costume read to outside observers.
  118. - Mirditë rebels, postcard by Kel Marubi. A Kel Marubi postcard captioned 'Rebellion of Mirdits against the Ottomans,' showing armed men of Mirdita in highland dress, from the Mirdita uprisings of the 1900s.
  119. - Photios, Metropolitan of Korce. Photios Kalpidis served as Orthodox metropolitan of Korce and was killed near the village of Bratvica in September 1906. His death marked the violent edge of the church and school rivalries in Ottoman southern Albania.
  120. - Men of Shkoder, 1903. A group of Shkoder men photographed by Franz Nopcsa in 1903, in the fez and sashed dress of the late Ottoman town. Shkoder was then the largest Albanian city and the centre of Catholic northern Albania.
  121. - New Year card sent to Asdreni. A postcard sent to the poet Aleksander Stavre Drenova, known as Asdreni, by a close friend around the turn of the century. Asdreni wrote the words of the Albanian anthem while living among the emigrant colonies.
  122. - The Drin below the Vizier's Bridge, 1905. The Drin running through its gorge near Ura e Vezirit, photographed by Franz Nopcsa in 1905. The river and its crossings governed every journey into the northern Albanian interior.
  123. - Albanian woman at Ellis Island. Lewis Hine photographed this woman in Albanian dress at Ellis Island in 1905, during the years he documented arriving migrants. Tens of thousands of Albanians, many of them from Korçë and the south, crossed to the United States before the First World War.
  124. - The men of Iballje in Puka, 1905. Armed men of Iballje in the district of Puka, photographed by Franz Nopcsa in 1905. In the northern highlands the rifle was ordinary dress and disputes were settled under the customary law of the Kanun.
  125. - The village of Zym below Mount Pashtrik. Franz Nopcsa photographed the Albanian village of Zym on the slopes of Pashtrik between Prizren and Gjakova in 1905. His expeditions produced the first systematic photographic record of Albanian-speaking country outside Albania proper.
  126. - The fortress of Prizren, 1905. Prizren's citadel above the town, photographed by Franz Nopcsa in 1905. Prizren was the seat of the 1878 League that first stated Albanian national demands, and remained a centre of Albanian life beyond the later border.
  127. - Thanas Floqi in 1905. Thanas Floqi, later one of the signatories of the declaration of independence at Vlore, photographed in 1905 while the Albanian national movement was still an underground affair.
  128. - An Albanian man in national costume, photographed by Ferenc Nopcsa. A Ferenc Nopcsa plate whose own caption identifies the subject as national costume, the clearest costume-labelled frame found in the unused portion of his collection, but its date could not be independently confirmed in this pass.
  129. - Skreli tribesmen, photographed by William Le Queux. A group of men of the Skreli tribe, northern Albania, photographed on William Le Queux's 1906 travels, shown in full highland dress with weapons.
  130. - Chief of the Skreli tribe, photographed by William Le Queux. A named clan chief of the Skreli tribe, photographed near Shkodra in 1906, wearing the formal dress of a highland bajraktar (standard-bearer/chieftain).
  131. - Catholic woman of Shkodra, unveiled for the camera. A Catholic woman of Shkodra photographed in 1906, notable because the original caption records that she was unveiled specifically for this photograph, a documented moment of Ottoman-era dress convention being set aside.
  132. - The Cukali mountains from the Gomina valley. The broken limestone country of Cukali in the district of Puka, recorded by Franz Nopcsa in 1907. Nopcsa mapped the geology of these ranges while also compiling notes on the tribes who lived in them.
  133. - Maja e Jezerces, 1907. At 2,694 metres Jezerca is the highest summit of the Albanian Alps, photographed by Franz Nopcsa in 1907. His climbs in these mountains were the first properly documented survey of the range.
  134. - Women of the Kastrati tribe, photographed by Edith Durham. Edith Durham photographed women of the Kastrati tribe in northern Albania in May 1908, in the region she documented most closely between 1900 and 1913, a costume-subject group portrait from the ethnographer's own fieldwork.
  135. - The cast of Sami Frashëri's Besa in Korçë. Players of Sami Frashëri's drama Besa photographed in Korçë in 1908. Staging plays in Albanian was itself a political act in the last years of Ottoman rule, when the language had no official standing.
  136. - The first Albanian-language school in Kavajë. Pupils and teachers of the Albanian school at Kavajë, founded in the late 1880s and photographed in 1908. The Young Turk revolution of that year briefly allowed such schools to operate openly.
  137. - The band of Qani Bey, 1908. An armed Albanian band photographed by the Manaki brothers in 1908. Groups like this operated across the Ottoman vilayets in the years when Albanian demands for schools, alphabet and autonomy were hardening into a national movement.
  138. - The official Albanian alphabet decided at the Congress of Manastir, 1908. The handwritten decision fixing the Albanian Latin alphabet, adopted at the Congress of Manastir in November 1908, the document that standardised how Albanian is written.
  139. - The Alphabet Commission of the Congress of Manastir, 1908. The commission of writers and delegates tasked with fixing a single Albanian alphabet at the 1908 Congress of Manastir.
  140. - Delegates of the Congress of Manastir, 1908. The full delegate assembly of the 1908 Congress of Manastir, the meeting that fixed a single Albanian alphabet.
  141. - The Band of Freedom in Korçë. The Banda e Lirisë, a wind band founded in Korçë in the years of the national awakening, photographed in 1909. Such societies carried the movement's message through concerts and public parades.
  142. - Sarandë harbour seen from the sea. The bay of Sarandë photographed from a ship around 1910, when the town was still an Ottoman coastal village facing Corfu. A century later the same shoreline carries the country's busiest summer resort.
  143. - Durrës harbour and the royal palace. The waterfront at Durrës with the palace on the left, the residence used by Prince Wilhelm of Wied during his short reign in 1914. Durrës was Albania's capital in the first years of independence.
  144. - Mati Logoreci. The teacher and grammarian Mati Logoreci took part in the Congress of Manastir and spent his life arguing for schooling in Albanian. Photographed in the 1910s, in the decade when the language question became a national one.
  145. - Xhelal Koprencka. 's declaration of independence at Vlore in November 1912. Portrait made in the 1910s.
  146. - Woman from the Albanian Alps, postcard by Kolë Idromeno. A postcard by Kolë Idromeno, the Shkodër painter, photographer and pioneer of Albanian cinema, titled 'Nuse prej Shalet' (bride from Shala), bridal costume of the Albanian Alps.
  147. - Orthodox woman of Shkodra, postcard by Kolë Idromeno. A Kolë Idromeno postcard of an Orthodox woman of Shkodra, documenting the dress conventions of the city's Orthodox Christian community alongside its larger Catholic and Muslim populations.
  148. - The Pro Albania demonstration at Piana degli Albanesi. Arbëresh villagers of Piana degli Albanesi in Sicily march for the Albanian cause on 10 September 1911, the poet Giuseppe Schirò at the centre. Communities settled in Italy since the fifteenth century campaigned hard in the years before independence.
  149. - On the road to Durrës, November 1912. An Albanian drives a small flock past a Serbian soldier on the road to Durrës in November 1912, the month Albania declared independence at Vlorë. Serbian and Montenegrin forces were then occupying much of the north.
  150. - Albanian refugees on the road to Turkey. Albanians driven from their homes during the Balkan Wars, travelling east towards Ottoman territory. The muhaxhirë displacements of 1912 and 1913 emptied whole districts.
  151. - Albanian refugees at Salonica. Albanians who fled the advancing Serbian army, photographed at Salonica in 1912 on their way to Turkey. Many never came back.
  152. - Ottoman positions on Tarabosh. Ottoman fortifications on the Tarabosh heights guarding Shkoder during the siege of 1912-1913. The garrison held out for months while the Balkan League carved up the empire's European provinces.
  153. - Ismail Qemali's wardrobe, Vlorë. The wardrobe of Ismail Qemali, first head of the Albanian government, kept in the Independence Museum in Vlorë. Small domestic objects like this are most of what survives of the 1912 administration.
  154. - The Albanian Declaration of Independence on display. The original declaration signed at Vlorë on 28 November 1912, shown in its case at the Independence Museum. The text announced Albania's separation from the Ottoman Empire.
  155. - The storming of Korçë, drawn in 1913. A Greek lithograph of 1913 shows the army entering Korçë in December 1912. The town stayed under Greek administration through the Balkan Wars and was contested again in the years that followed.
  156. - Refugee women from Gjakova at Shkoder, 1913. Muslim Albanian women of the Krasniqi from the country around Gjakova, photographed as refugees in Shkoder in 1913. The Balkan Wars pushed tens of thousands of Albanians out of the newly partitioned northern districts.
  157. - View of Filiates in Chameria, 1913. Filiates, in the district Albanians call Chameria, photographed in 1913 as the Balkan Wars redrew the region's borders. The area was assigned to Greece, leaving a large Albanian-speaking population outside the new state.
  158. - The castle of Berat from below. The fortress quarter of Berat rising over the town, photographed by the Dutch officer Lodewijk Thomson in 1913 or 1914. Families have lived continuously inside these walls since the Ottoman centuries.
  159. - Montenegrin flag over the fortress of Shkoder. The Montenegrin flag flies over Rozafa after Shkoder surrendered in April 1913 at the end of a six-month siege. Great Power pressure forced Montenegro to hand the city to the new Albanian state weeks later.
  160. - Montenegrin troops leave Shkoder. Montenegrin forces withdraw from Shkoder in 1913 after the Great Powers refused to let them keep the city. Their departure secured Shkoder for Albania at the moment the state's borders were being fixed.
  161. - Major Thomson and General De Veer at Durrës. The two senior Dutch officers of the mission sent to build a gendarmerie for the new Albanian state. Thomson was killed at Durrës in June 1914 during the revolt against Prince Wied.
  162. - Dignitaries at Berat, 1913. Local notables and Dutch officers photographed at Berat during the Dutch Military Mission of 1913-1914, among them the prefect Fejzi Alizoti and Aziz Vrioni. The mission was sent to build a gendarmerie for the brand-new Albanian state.
  163. - The military barracks at Vlore. The barracks at Vlore photographed by the Dutch officer Carel de Iongh during the mission of 1913-1914. Vlore had been the seat of Albania's provisional government since the declaration of independence in November 1912.
  164. - The port building at Vlore that became the Independence Museum. Thomson photographed this building in the port of Vlore in 1913 or 1914. It now houses the Museum of Independence, commemorating the declaration made in the town on 28 November 1912.
  165. - The road from Vlore down to the port. General de Veer walks with Et'hem Vlora on the road running from the centre of Vlore to its harbour, with the ruined Bektashi tekke of Kuz Baba on the hill. Photographed during the Dutch mission of 1913-1914.
  166. - Colonel de Veer before leaving for Albania. The official portrait of Colonel Willem de Veer, taken in the summer of 1913 before he sailed to Albania. He commanded the Dutch mission sent to organise a gendarmerie for the new state and later acted as its effective governor.
  167. - Dutch officers leave Utrecht for Albania. Lieutenant Fabius, captains Kroon, Sluis and De Waal and lieutenant Doorman board the train at Utrecht on 28 February 1914, bound for Albania to organise the new state's gendarmerie.
  168. - Declaration of Northern Epirote autonomy at Gjirokaster. The provisional government of the self-declared Autonomous Republic of Northern Epirus announces its autonomy at Gjirokaster on 1 March 1914, after the Great Powers assigned the district to Albania. The republic lasted a matter of months.
  169. - Prince Wilhelm and Princess Sophie arrive in Albania. Wilhelm of Wied and his wife Sophie of Schoenburg-Waldenburg step ashore at Durres on 7 March 1914 to take up the throne offered by the Great Powers. Their reign lasted barely six months.
  170. - Prince Wilhelm of Wied boards a launch to leave Durrës. On 23 May 1914 Prince Wilhelm of Wied, assisted by Admiral Eugenio Trifari, takes a launch out to an Italian warship as the rebellion reached Durrës. He returned briefly, then left Albania for good that September.
  171. - Armed Epirote band at Korce, 1914. Irregulars of the so-called Sacred Band photographed at Korce during the short-lived Autonomous Republic of Northern Epirus. The southern districts were contested for months after Albania's borders were drawn in 1913.
  172. - Albanian forces in the south. Irregular Albanian troops in southern Albania, photographed in the Dutch Military Mission material. The south was in open fighting through 1914 as Greek-backed forces contested the new border.
  173. - International Control Commission negotiating with Epirote delegates. Members of the International Control Commission meeting delegates from the Greek-speaking districts of southern Albania in 1914. The talks produced the Protocol of Corfu, which promised local autonomy inside Albania's new borders.
  174. - Girls dancing at Durres, 1914. Girls dancing at Durres around April 1914, from the photographic diary of the Marquis di San Giuliano. The town was the capital of Albania during the six months of Prince Wied's reign.
  175. - Waiting for Prince Wied at Durres. Crowds gather at Durres in March 1914 to await Wilhelm of Wied, the German prince the Great Powers had chosen as Albania's sovereign. He landed on 7 March and left the country on 3 September.
  176. - Military band at the Italian consulate, Durres. A military band plays in front of the Italian consulate at Durres in March 1914. Italy and Austria-Hungary competed for influence over the new principality from the day it was created.
  177. - Essad Pasha Toptani and dignitaries at Durres. Essad Pasha Toptani in uniform with other dignitaries at Durres in March 1914. Within weeks he was arrested for plotting against Prince Wied; he later ran his own government at Durres during the war.
  178. - Princess Sophie zu Wied and her children at Durres. Princess Sophie zu Wied with her children at Durres in the spring of 1914. The family arrived in March and sailed away in September as revolt spread and the war closed in.
  179. - Princess Sophie zu Wied among children in Durrës. Princess Sophie zu Wied, wife of Prince Wilhelm, greets children in Durrës in the spring of 1914. The Marquis di San Giuliano collection documents the six months when a German prince ruled Albania from the port town.
  180. - Mosque and Austro-Hungarian legation, Durrës. A mosque stands beside the konak in Durrës, with the Austro-Hungarian legation visible in the distance, spring 1914. The capital of Prince Wilhelm of Wied was still an Ottoman-built port town.

606 further moments continue the chronology here. Full text archive: /loreline-text/albania.md

  1. - Aid unloaded at Durrës after the earthquake. Relief material is unloaded at Durrës on 27 November 2019, a day after the strongest earthquake to hit Albania in decades killed fifty-one people and left thousands homeless along the central coast.
  2. - The National Theatre of Albania, before demolition. Albania's National Theatre, built 1939, photographed in December 2019, months before the government demolished it despite a protected-monument designation.
  3. - Bulqizë miners protest in Tirana. Chrome miners from Bulqizë demonstrate in Tirana in January 2020 for the right to organise a union. The Bulqizë mine, opened under the communist government, remains one of the country's hardest workplaces.
  4. - Village school at Sotirë. The school building in the village of Sotirë in southern Albania, part of the Greek-speaking minority area of the Dropull and Vurg valleys. Community schools like this one carry minority-language teaching in the far south.
  5. - Monument to Queen Teuta at the Kruje museum. A modern figure of Teuta at the museum in Kruje. Albania's national imagination reaches past Skanderbeg to the Illyrian rulers, and Teuta is the one most often given a face.
  6. - Demolition of the National Theatre of Albania, 18 May 2020. The demolition of Albania's National Theatre, photographed 18 May 2020, one day after riot police cleared protesting artists and the building was bulldozed overnight.
  7. - Window of the Dollma teqe at Krujë. A carved window of the Dollma teqe below Krujë castle, a Bektashi lodge kept by the same family since the eighteenth century. It survived the 1967 campaign that closed every other place of worship in the country.
  8. - Bektashi pilgrimage on Mount Tomorr. Footage of the Bektashi pilgrimage to the shrine of Abbas Ali on Mount Tomorr, the August gathering that draws hundreds of thousands of believers to the mountain sacred to the order.
  9. - Remains of the National Theatre of Albania. The rubble of the National Theatre of Albania after its May 2020 demolition.
  10. - MIRUD performing at Festivali i Këngës 59. The artist MIRUD performing at the 59th Festivali i Këngës in 2020, the annual Albanian song contest broadcast by RTSH.
  11. - Introducing: The Albanian Çifteli. Introductory demonstration of the çifteli, the two-string long-necked lute central to northern Albanian folk music.
  12. - Queen Teuta Quartet - Arbëresh Medley (Traditional). Arbëresh (Italo-Albanian diaspora, Calabria/Sicily) traditional medley performed by the Queen Teuta Quartet, preserving song heritage descended from 15th-century Albanian settlement in Italy. Labeled Arbëresh, not mainland-Albanian.
  13. - Inside the Independence Museum, Vlorë. A reconstructed working room inside the Independence Museum in Vlorë. The furnishings recall the improvised offices from which the new Albanian state was administered in 1912 and 1913.
  14. - National Museum of Independence, Vlorë. The Muzeu Kombëtar i Pavarësisë occupies the villa where Albania's first government sat in 1912. The museum preserves the rooms used by Ismail Qemali and his ministers.
  15. - The Marubi archive on show in Milan. A short piece from the Marubi National Museum of Photography in Shkodër for 'Marubi archive: the photographic ritual', curated by Zef Paci. The Marubi studio photographed Albanians across three generations from 1856 onward.
  16. - Inside Hoxha's secret villa and bunker. Top Channel's 'Gjurme Shqiptare' examines the hidden villa and the command bunker prepared for Enver Hoxha in case of war, and asks how many labourers died building them. The complex stayed unknown to the public for decades.
  17. - Making Albanian raki by grape distillation. Grapes fermented and run through a still at a farm in Daias, Albania, to make raki, the actual distillation process behind the fruit brandy that anchors Albanian hospitality and the autumn household calendar.
  18. - Northern folk motifs by Agron Pllumaj. The Gheg musician Agron Pllumaj performs motifs from the northern Albanian folk repertoire in a clip he dedicates to an old church and to family members no longer living.
  19. - Copper ewer and tray in the ethnographic museum. A copper gjym and tepsi in an Albanian ethnographic museum. Coppersmiths worked whole quarters of the old bazaars at Shkoder, Kruje and Gjirokaster.
  20. - Women's jelek, Elbasan Ethnographic Museum. A women's jelek from the Elbasan Ethnographic Museum, photographed for Wiki Loves Folklore 2021, showing the embroidered vest style specific to the region's women's ensemble.
  21. - Labëria regional folk costume. Regional folk costume of Labëria, southern Albania, photographed for Wiki Loves Folklore 2021.
  22. - Anxhela Peristeri - Karma - Albania - Official Music Video - Eurovision 2021. Anxhela Peristeri performing 'Karma' for Albania at Eurovision 2021, winner of that year's Festivali i Këngës.
  23. - Bebe Rexha - Baby, I'm Jealous (feat. Doja Cat) [Official Music Video]. Bebe Rexha featuring Doja Cat, official music video for 'Baby, I'm Jealous'.
  24. - Petition for public transport passes, Tirana. Activists of Levizja Bashke hand in a petition for the return of urban travel passes and better public transport in Tirana in the summer of 2021. Street campaigning of this kind has become a normal part of Albanian civic life.
  25. - Visiting the summit of Mount Tomorr. First-person footage of the climb to the 2,416-metre summit of Mount Tomorr, showing the pilgrimage türbe and the mountain landscape sacred to the Bektashi order.
  26. - Manjola Nallbani - Triumf. A more recent official single from Manjola Nallbani, three-time Festivali i Këngës winner (1989, 1992, 1993) and one of the defining voices connecting communist-era and modern Albanian pop.
  27. - Olimpia Smajlaj performing at Festivali i Këngës 60. Olimpia Smajlaj performing at the 60th Festivali i Këngës in 2021.
  28. - National Geographic reportazh për Voskopojën. National Geographic-produced report on Voskopojë, focusing on the town's 18th-century fresco-covered churches, rebroadcast on Tv Klan.
  29. - Arilena Ara, Albanian singer. Arilena Ara, who represented Albania at the Eurovision Song Contest 2021 with 'Fall from the Sky'.
  30. - Albanian Sharki (Çifteli Qifteli) me 3 tela, instrument Shqiptar. Demonstration of the 3-string Albanian sharki, a çifteli variant, by a dedicated instrument-focused channel.
  31. - A row over the Mother Teresa memorial. Skopje's mayor wants the memorial to Mother Teresa, born in the city in 1910 to an Albanian family, removed because it blocks a street. The proposal put the municipality at odds with the Vatican.
  32. - Lea Ypi on the year everything changed. The writer Lea Ypi describes coming of age in Albania as the last Stalinist state in Europe fell apart, the subject of her memoir 'Free'. She speaks from inside a family whose own history the change reopened.
  33. - Statues of Abdyl Frashëri, Ymer Prizreni and Sulejman Vokshi. The three leading figures of the League of Prizren, cast in bronze in the town where the League met. Abdyl Frashëri went on to argue the Albanian case in the European capitals.
  34. - Orthodox chapel in Pustec on Lake Prespa. A small Orthodox chapel in Pustec on Lake Prespa in eastern Albania, home to the country's Slavic Orthodox Macedonian minority.
  35. - Thousands on Skanderbeg Square against price rises. Crowds fill Skanderbeg Square in Tirana on 12 March 2022 to protest against the sharp rise in fuel and food prices. It was the largest street mobilisation in the capital in several years.
  36. - Ronela Hajati performing 'Sekret', Eurovision 2022. Ronela Hajati performing 'Sekret' on stage at the Eurovision Song Contest 2022 semi-final in Turin.
  37. - The League of Prizren complex. The restored complex in Prizren where Albanian delegates met in June 1878 to resist the partition of Albanian-inhabited lands. The League is treated as the start of the national awakening.
  38. - Ermal Meta, 2022. Ermal Meta, the Albanian-Italian singer-songwriter and 2018 Sanremo Music Festival winner, performing in 2022.
  39. - Gjon's Tears in concert, Fribourg 2022. Gjon's Tears, the Swiss singer of Kosovo-Albanian descent who represented Switzerland at Eurovision 2021, performing live in 2022.
  40. - Inside the submarine pen and the airbase. A walk through abandoned military installations of the communist decades, among them a rock-cut submarine shelter on the coast and a disused air base with its aircraft left behind. They were built against an invasion that never came.
  41. - Ardenica Monastery, interior. Frescoed interior of the church at Ardenica Monastery, one of the Orthodox foundations that anchored religious life in southern-central Albania for centuries.
  42. - Shkodra Elektronike - Turtulleshë. Shkodra Elektronike's folktronica reinterpretation of a traditional Shkodran song, distinct from their Eurovision 2025 entry 'Zjerm' which is excluded per the dedupe list.
  43. - Voskopoja, fshati unik i 24 kishave, turistët të mahnitur nga ikonat. Euronews Albania news segment on Voskopojë, the village of 24 churches, showing visitors viewing the fresco and icon cycles inside the churches.
  44. - Kisha Fjetja e Shën Mërisë, Voskopojë. Travel-documentary visit to the Dormition of the Virgin Mary church in Voskopojë, one of the town's fresco-covered 18th-century churches.
  45. - Adnan Aliu - live with gajde (Albanian bagpipe). Live gajde (Albanian bagpipe) performance by Adnan Aliu, illustrating the instrument's continuing use in Albanian folk music, notably in the Elbasan region.
  46. - Tavë kosi, the Elbasan yoghurt-and-lamb bake. Tavë kosi, Albania's de facto national dish, baked lamb and rice under a yoghurt-and-egg custard, a recipe traced to Elbasan.
  47. - Korçë kilim, wreath motif detail. Detail of a traditional Korçë kilim showing repeating geometric and wreath motifs, an example of Albania's regional carpet-weaving craft tradition.
  48. - Scene from 'The Bat' at the National Theatre of Opera and Ballet, Tirana. A live stage scene from Johann Strauss's operetta 'Die Fledermaus' (The Bat) performed at the National Theatre of Opera and Ballet of Albania, Tirana, 2022.
  49. - Albanian armed forces band at the independence centenary-and-ten. The band of the Albanian armed forces plays in Tirana on 3 December 2022, part of the celebrations for 110 years since the declaration of independence at Vlorë. Bands from eight countries took part.
  50. - BUNK'ART 2 - art installation inside the bunker museum. Contemporary art installation inside BUNK'ART 2, the former secret-police bunker beneath Tirana's Skanderbeg Square, converted into a museum and exhibition space.
  51. - Bettany Hughes at Butrint. The historian Bettany Hughes walks the Roman city on the Vivari channel and then travels inland to mountain communities, setting the ruins beside the customs that still govern life in the highlands.
  52. - Bari, August 1991, remembered. An Italian documentary on the ship Vlora and the arrival of the Albanians at Bari, carrying the account of Eva Meksi, who made the crossing. It sets the exodus against the collapse of the regime that produced it.
  53. - Fërgesë with peppers and cottage cheese. Fërgesë, a stewed dish of peppers, tomato and cottage cheese found across Albanian home cooking, shown here in a domestic kitchen preparation.
  54. - Fërgesë e verë, the summer version. Fërgesë e verë, the lighter summer preparation of the classic pepper-and-cheese stew, plated for a home meal.
  55. - A stanza of Gjergj Fishta's verse, displayed. A public inscription of a stanza by Gjergj Fishta, photographed in 2023.
  56. - Tirana's Rock under construction. The Skanderbeg Building, known as Tirana's Rock, rising beside the central square in 2023. A decade of high-rise building has changed the skyline of the capital beyond recognition.
  57. - Sinan Vllasaliu - Hite 2023 (Hitet më të mira). Sinan Vllasaliu is among the most prominent tallava-adjacent Kosovo popullore performers active today; this compilation represents his contemporary hits.
  58. - Muzeu Ikonografik Onufri Berat (Fronti Dhespotik). Museum-guide video walkthrough of the despotic throne (Fronti Dhespotik) and icon display inside the Onufri Museum, Berat, showing the icons themselves on screen.
  59. - Muzeu Ikonografik Onufri Berat, Ikonostasi. Close-up footage of the carved and painted iconostasis inside the Onufri Museum, Berat.
  60. - The Pyramid's Remarkable Rebirth - mini-documentary. Official mini-documentary on the architectural renovation of the Pyramid of Tirana, from derelict Hoxha-era museum to a youth and technology centre.
  61. - Former Radio Tirana villa, exterior. The former Radio Tirana broadcast villa building, a modern photograph of the site associated with the state radio's music and propaganda broadcasts under communism.
  62. - Festivali i Këngës 62 logo. Official logo of the 62nd Festivali i Këngës, the long-running RTSH Albanian song contest (since 1962) that doubles as the Eurovision national selection.
  63. - House of Gjergj Fishta at Fishte. The house of Gjergj Fishta at Fishte near Lezhe. The Franciscan poet wrote Lahuta e Malcis, the verse epic of the northern highlands, and took part in the 1908 alphabet congress at Manastir; the communist state later banned his work outright.
  64. - The Marubi National Museum of Photography, Shkodër. The Shkodër museum that holds the Marubi collection, some half a million negatives covering a century of Albanian life. It opened in its present form in 2016.
  65. - The fortress of Krujë. The walls of Krujë with the museum tower rising inside them. The League of Lezhë, formed in 1444, made this fortress the centre of Albanian resistance to the Ottomans.
  66. - The Resurrection of Christ Orthodox Cathedral, Tirana. The Resurrection of Christ Cathedral in Tirana, seat of the Autocephalous Orthodox Church of Albania under Archbishop Anastasios, consecrated in 2012 on the site of a demolished predecessor.
  67. - Albanian Muslim community centre, London. The UK Albanian Muslim Community and Cultural Centre on Carlton Vale in London, photographed in 2023. Britain took in large numbers of Albanians from Kosovo and Albania from the 1990s onward.
  68. - The Bektashi world headquarters in Tirana. The seat of the Bektashi order, whose leadership moved from Anatolia to Tirana in 1930 after the Turkish republic banned the dervish lodges. Suppressed in 1967, the order re-established itself here after 1990.
  69. - Gazmend Freitag visits Ismail Kadare at his home in Qerret, 2023. Ismail Kadare photographed at his home in Qerret in September 2023, less than a year before his death.
  70. - 1944 Congress Monument, Përmet. The 1944 Congress Monument in Përmet's town centre, a socialist-era lapidar (memorial sculpture) commemorating the founding congress of communist Albania's anti-fascist government.
  71. - Bronze bust of Gjon Buzuku. A modern bronze bust of Gjon Buzuku, author of the 1555 Meshari, by sculptor Ilia Doko.
  72. - Performance at the National Theatre of Opera and Ballet, Tirana. A 2023 performance at Tirana's National Theatre of Opera and Ballet, the venue that later hosted Ismail Kadare's state funeral in July 2024.
  73. - The economics of self-reliance. An examination of how communist Albania tried to build a closed, self-supplying economy after breaking with Yugoslavia, the Soviet Union and finally China, and what that policy cost. It draws on Blendi Fevziu's biography of Enver Hoxha.
  74. - Ballakume and revani, the desserts of Dita e Verës. Ballakume and revani, the traditional sweets baked for Dita e Verës (Summer Day) on 14 March, a pagan-rooted spring festival centred on Elbasan and marked nationwide with bonfires and sweets.
  75. - Triangle byrek. Triangular byrek pastries, the phyllo pie Albanians eat most often, filled here in the classic folded shape sold from bakeries nationwide.
  76. - Inside the Skanderbeg Museum, Krujë. A gallery inside the National Museum Gjergj Kastrioti Skënderbeu, built into the castle of Krujë. The museum tells the story of the 1443 to 1468 resistance from the fortress that withstood three Ottoman sieges.
  77. - Collections of the Kruje museum. Displays in the historical museum at Kruje, where copies of Skanderbeg's helmet and sword stand in for originals held in Vienna.
  78. - Inside the Skanderbeg museum, Kruje. The interior of the national museum Gjergj Kastrioti Skenderbeu at Kruje in 2024. The building, designed by Pranvera Hoxha, wraps the story of the 1443-1468 resistance around the castle ruins.
  79. - Skanderbeg statue at San Basile, Calabria. A statue of Gjergj Kastrioti Skanderbeg in San Basile, one of the Arbëresh villages founded by Albanians who crossed to Italy after the Ottoman conquest. The communities have kept their language for five centuries.
  80. - Alban Skënderaj - Pranvera. A recent official single by Alban Skënderaj, one of contemporary Albania's most consistently popular male pop vocalists since his 2005 Top Fest debut.
  81. - Anri Sala - Marian Goodman Gallery Los Angeles. Gallery walkthrough footage of Anri Sala's video/sound/light installation 'Time No Longer' at Marian Goodman Gallery, Los Angeles, the Albanian artist who represented the country at the Venice Biennale.
  82. - Over the pass from Valbona to Theth. A complete account of the day-long walk between Valbona Valley and Theth national parks, filmed along the trail. The crossing is the main way through the Albanian Alps and has reshaped both villages.
  83. - Memorial to the Cham victims at Kllogjer. A monument at Kllogjer to the Cham Albanians killed and driven out of Epirus at the end of the Second World War. Tens of thousands crossed into Albania in 1944 and 1945 and never went back.
  84. - Skanderbeg monument on the field of Vajkal, Bulqizë. A monument to Skanderbeg on the plain of Vajkal in the Bulqizë highlands, where his forces fought the Ottomans. Rural sites like this carry the memory of the campaigns as strongly as the museums do.
  85. - St Mary's monastery church at Dhermi. The historic monastery church of St Mary above Dhermi on the Albanian Riviera, with its graveyard, photographed in 2024. The Himara coast kept its Orthodox monasteries through the Ottoman centuries.
  86. - Shkodra Elektronike - Zjerm | Albania | National Final Performance #Eurovision2025. Shkodra Elektronike's Festivali i Këngës 63 national-final performance of 'Zjerm', which went on to place 8th for Albania at Eurovision 2025.
  87. - Cham memorial in Elbasan. A monument in Elbasan to the Cham Albanians, the Muslim Albanian population of Greek Epirus who left or were driven out at the end of the Second World War. Many of the families resettled in towns like this one.
  88. - The Duam bukë memorial in Kavajë. A memorial in Kavajë carrying the words Duam bukë, we want bread. Kavajë was one of the towns where public protest against the old order became open at the start of the 1990s.
  89. - Partisan memorial in Berat. The partisan memorial in Berat, the town where the National Liberation Front formed its provisional government in October 1944.
  90. - Lushnje history museum from the air. An aerial view of the history museum at Lushnje in 2025. The Congress of Lushnje met here in January 1920, rejected the partition of Albania planned by the Paris peace conference and moved the capital to Tirana.
  91. - Krujë castle above the plain. The walls of Krujë on their ridge, with the coastal plain falling away below. The position is why the fortress held out through three Ottoman sieges.
  92. - Lapidar at Peza e Vogël. A partisan monument at Peza e Vogël, near the village where the National Liberation Movement held its founding conference in September 1942. Thousands of such lapidars were raised across Albania between the 1960s and the 1980s.
  93. - Tirana's Rock completed. The finished Skanderbeg Building on the edge of the central square in 2025. Its jagged form was designed to echo the mountains, and it now dominates every view of the square.
  94. - Inside the Marubi museum. A display of prints and plate cameras in the Marubi museum at Shkodër. Pjetër Marubi opened the first photographic studio in Albania here in the 1850s.
  95. - The Gjon Markagjoni tower, Shkoder. The stone tower attached to the Shkoder historical museum belonged to the Markagjoni family, chiefs of Mirdita. Fortified tower houses like this were the standard architecture of the northern clans.
  96. - The historical museum of Shkoder. 's archaeological, ethnographic and photographic collections, including Marubi material.
  97. - Rozafa fortress above Shkoder. Rozafa stands on the ridge where the Buna and Drin meet, an Illyrian stronghold rebuilt by Venice and the Ottomans. The legend of the woman walled into its foundations is one of the best known Albanian stories.
  98. - Skanderbeg in Piana degli Albanesi. Gezim Muriqi's statue of Skanderbeg stands in Piana degli Albanesi in Sicily, an Arberesh town that has kept the Albanian language and the Byzantine rite since the fifteenth century.
  99. - Martyrs' cemetery at Kuc. The Martyrs' Cemetery below the village of Kuc. Every district in Albania was given a cemetery like this for its partisan dead, laid out with the same star and the same rows of identical stones.
  100. - What Is Ismail Kadare's Impact On Albanian Literature? - Talking Southeast Europe. A 2025 discussion programme on Ismail Kadare's impact on Albanian literature, made after his death.
  101. - Skanderbeg on horseback in Skopje. The equestrian statue of Skanderbeg in the Albanian quarter of Skopje. His figure serves as a common reference point for Albanians across the region.
  102. - Inside the dome of the Et'hem Bey Mosque. The painted interior dome of the Et'hem Bey Mosque in Tirana, the neoclassical Ottoman mosque whose unauthorised 1991 reopening by ten thousand worshippers marked the public end of the atheist-state era.
  103. - Hoxha, the dictator next door. An Italian documentary on Enver Hoxha, the ruler across the Adriatic whose regime shaped four decades of Albanian life and whose repression is still argued over. It follows his rise and the apparatus he built around himself.
  104. - Statue of Queen Geraldine in Tirana. The bronze of Geraldine Apponyi, Hungarian-born queen of the Albanians, unveiled in Tirana in 2022. She married Zog in April 1938 and left the country with him a year later, two days after giving birth, as Italian troops landed.
  105. - Buthrotum above the Vivari channel. A survey of Butrint, the ancient Buthrotum, whose occupation runs from the eighth and seventh centuries BC through Greek, Roman, Byzantine and Venetian phases. The site lies on Albania's southern coast between Lake Butrint and the sea.
  106. - Gjirokastra marks twenty years of protection. Local television from Gjirokastra on the celebrations for two decades of international protection for Albanian iso-polyphony, first proclaimed in 2005. The town marked it with singing in the old quarter.
  107. - Festivali i Këngës 64 - Nata Finale (livestream). Official RTSH livestream of the Festivali i Këngës 64 grand final, the annual state song contest (since 1962) that selected Albania's Eurovision 2026 entry.
  108. - Over the pass from Theth to Valbona. A multi-day crossing of the Albanian Alps from Theth over the pass to Valbona and north to Cerem near the Montenegrin border. The route runs through high summer villages and empty limestone country.
  109. - Dua Lipa at a Berlin premiere, February 2026. Dua Lipa, the British-Albanian/Kosovar pop star, photographed at a film premiere event in Berlin in February 2026.
  110. - Skanderbeg Square at night, Tirana. The central square of Tirana after dark, rebuilt as a pedestrian space in the 2010s. The National History Museum and its mosaic front stand on its northern side.
  111. - Berat above the Osum. A walk through Berat, whose Mangalem and Gorica quarters and hillside castle preserve one of the best kept Ottoman townscapes in the country. The tiers of windowed houses rise straight from the Osum river.
  112. - Wedding procession through Krume. A wedding procession moving through the streets of Krume in Has, in the far north-east, in June 2026. The convoy of cars with horns and flags has replaced the horseback procession but the ritual is the same.
  113. - Memorial at the Qafë Prush crossing. A memorial at the Qafë Prush pass on the border between Has in Albania and Kosovo. The crossing was closed for most of the communist period and reopened only after 1990.
  114. - Partisan memorial at Krumë. The partisan memorial in Krumë, the small highland centre of the Has district. Monuments to the wartime resistance were built in almost every Albanian town.
  115. - Türbes and graves at the Bektashi World Center. Türbes (mausoleum shrines) and graves within the walled Bektashi World Center in Tirana, photographed in June 2026.
  116. - Flamingo Revolution protest on Skanderbeg Square. Demonstrators fill Skanderbeg Square on 14 June 2026 during the protests nicknamed the Flamingo Revolution, aimed at the government and at resort building inside protected wetlands.
  117. - Bust of Havzi Nela, Kukes. The bust of the teacher and poet Havzi Nela outside the school named after him in Kukes. Nela was hanged in 1988, the last public execution in communist Albania, for verses and views the state judged hostile.
  118. - Bust of Hasan Prishtina, Kukes. The bust of Hasan Prishtina outside the culture palace in Kukes. Prishtina led the Albanian revolt of 1912 that helped force the Ottoman government's hand months before independence was declared at Vlore.
  119. - Protesters fill Boulevard Dëshmorët e Kombit. Demonstrators of the movement known as the Flamingo Revolution occupy Tirana's central boulevard on 4 July 2026. The avenue laid out under Zog and widened under Hoxha remains the stage for Albanian political life.
  120. - Ye (Kanye West) performing at Eagle Stadium, Tirana, 2026. American rapper Ye (Kanye West) performing a major international concert at Eagle Stadium, Tirana, July 2026, evidence of Albania's growing role as an international live-music tour stop.

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