Cameras

Two hundred years of the camera — and the footage it gave us. From Niépce's eight-hour window in 1826 and Muybridge's galloping horse to the Lumière train, the moon-landing broadcast, the camcorder, the first digital frame, and the film studio everyone now carries in a pocket. The devices that captured the world, shown beside what they captured.

A chronological documentary of 729 moments spanning 1700–2026 on Loreline.

last updated 2026-07-21

Eras

  1. Camera obscura (1700). Camera obscura — the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  2. Camera obscura (1700). Camera obscura — the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  3. Camera obscura (1700). Camera obscura — the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  4. Camera obscura (1700). Camera obscura — the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  5. The 1st Photographer - Joseph Nicéphore Niépce. Niepce First Photograph (1826). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  6. The World’s Earliest Photograph | Episode 42: View from the Window at Le Gras, Joseph Niépce. Niepce First Photograph (1826). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  7. The First Photographer: The Photographs of Nicéphore Niépce. Niepce First Photograph (1826). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  8. The First Photograph: Scientific Analysis. Niepce View from the Window at Le Gras 1826 (1826). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  9. Niépce's first photograph (1826). Niépce's first photograph — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  10. Niépce's first photograph (1826) (1826). Niépce's first photograph (1826) — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  11. Niépce's first photograph (1826) (1826). Niépce's first photograph (1826) — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  12. Niépce's first photograph (1826) (1826). Niépce's first photograph (1826) — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  13. Niépce's first photograph (1826) (1826). Niépce's first photograph (1826) — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  14. The Oldest Photographs in the World. Oldest photographs history (1838). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  15. The Shoe Shiner and the Inventor | Episode 36: Boulevard Du Temple, Louis Daguerre. Boulevard du Temple (first photo of a person) (1838). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  16. First photo of a human (1838) (1838). First photo of a human (1838) — an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  17. First photo of a human (1838) (1838). First photo of a human (1838) — an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  18. First photo of a human (1838) (1838). First photo of a human (1838) — an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  19. First photo of a human (1838) (1838). First photo of a human (1838) — an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  20. The Daguerreotype - Photographic Processes Series - Chapter 2 of 12. Daguerreotype process (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  21. The Oldest Portrait Photographs - Part 1. Earliest portrait photographs (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  22. Sun Pictures: Henry Fox Talbot and the First Photographs. Talbot Calotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  23. How was it made? The Daguerreotype | V&A. Daguerreotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  24. Early Photography: Making Daguerreotypes. Daguerreotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  25. Photographic processes | The Daguerreotype. Daguerreotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  26. The science of making a daguerreotype. Daguerreotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  27. The daguerreotype camera (1839). The daguerreotype camera — the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  28. The daguerreotype camera (1839). The daguerreotype camera — the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  29. The daguerreotype camera (1839). The daguerreotype camera — the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  30. The daguerreotype camera (1839). The daguerreotype camera — the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  31. The Birth of Photography: Drawing With Light. Photography / film chemistry explainer (1839). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
  32. OTD in Space – March 23: First Photo of the Moon. First Photograph of the Moon (1840). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  33. Bayard's staged photo (1840) (1840). Bayard's staged photo (1840) — an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  34. Bayard's staged photo (1840) (1840). Bayard's staged photo (1840) — an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  35. Bayard's staged photo (1840) (1840). Bayard's staged photo (1840) — an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  36. Bayard's staged photo (1840) (1840). Bayard's staged photo (1840) — an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  37. Photographic Processes | The Calotype. Talbot calotype negative (1841). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  38. How was it made? Calotypes | V&A. Talbot Calotype (1841). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  39. William Henry Fox Talbot - Scientist, Inventor and Photography Pioneer. Talbot Calotype (1841). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  40. Talbot's calotype negative (1843). Talbot's calotype negative — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  41. Talbot's calotype negative (1843). Talbot's calotype negative — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  42. Talbot's calotype negative (1843). Talbot's calotype negative — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  43. Talbot's calotype (1843). Talbot's calotype — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  44. Talbot's calotype (1843). Talbot's calotype — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  45. Talbot's calotype negative (1843). Talbot's calotype negative — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  46. Talbot's calotype (1843). Talbot's calotype — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  47. FIRST EVER Photo of the Sun Revealed 180 Years Ago Today!. First Photograph of the Sun (1845). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  48. Early daguerreotype portrait (1845). Early daguerreotype portrait — an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  49. Early daguerreotype portrait (1845). Early daguerreotype portrait — an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  50. Early daguerreotype portrait (1845). Early daguerreotype portrait — an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  51. Early daguerreotype portrait (1845). Early daguerreotype portrait — an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  52. Stereoscope and Stereographs. Stereograph / Stereoscope (1850). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  53. Victorian Virtual Reality: How does stereoscopy work?. Stereograph / Stereoscope (1850). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  54. The Wet Collodion Process. Wet-plate Collodion (1851). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  55. Photography: A Victorian Sensation – Stereography. Stereograph / Stereoscope (1851). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  56. How was it made? Wet Collodion | V&A. Wet-plate Collodion (1851). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  57. The Collodion - Photographic Processes Series - Chapter 5 of 12. Wet-plate Collodion (1851). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  58. First photo of the moon (1851). First photo of the moon — an image made in 1851. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  59. First photo of the moon (1851). First photo of the moon — an image made in 1851. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  60. Digitising Ambrotypes and Daguerreotypes. Ambrotype & Daguerreotype (1855). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  61. TinType Photography Process HD. Tintype photography process (1856). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  62. The First Aerial Photographs. First aerial photography (1858). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
  63. Nadar's portraits (1860). Nadar's portraits — an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  64. The stereoscope (1860). The stereoscope — the camera itself, 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  65. Nadar's portraits (1860). Nadar's portraits — an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  66. The stereoscope (1860). The stereoscope — the camera itself, 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  67. Nadar's portraits (1860). Nadar's portraits — an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  68. Nadar's portraits (1860). Nadar's portraits — an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  69. Almanac: America's First Aerial Photograph. First aerial photograph (USA) (1860). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
  70. The world's first colour photograph. First Color Photograph (Maxwell) (1861). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  71. First colour photo (Maxwell 1861) (1861). First colour photo (Maxwell 1861) — an image made in 1861. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  72. Mathew Brady's Vision. Mathew Brady / Civil War Photography (1862). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  73. Civil War photography (Brady) (1863). Civil War photography (Brady) — an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  74. Civil War photography (Brady) (1863). Civil War photography (Brady) — an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  75. Civil War photography (Brady) (1863). Civil War photography (Brady) — an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  76. Civil War photography (Brady) (1863). Civil War photography (Brady) — an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  77. Early landscape photography (1865). Early landscape photography — an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  78. Early landscape photography (1865). Early landscape photography — an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  79. Early landscape photography (1865). Early landscape photography — an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  80. Early landscape photography (1865). Early landscape photography — an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  81. A tintype (1870). A tintype — an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  82. A tintype (1870). A tintype — an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  83. A tintype (1870). A tintype — an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  84. A tintype (1870). A tintype — an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  85. Eadweard Muybridge: Leland Stanford Jr.. Muybridge / Leland Stanford (1872). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  86. How One Horse Inspired the Invention of Movies. Muybridge & the Stanford horse bet (1872). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  87. Motion Capture Evolution: Muybridge to Marey | Shell Historical Film Archive. Muybridge to Marey (motion capture) (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  88. Muybridge's galloping horse (1878) (1878). Muybridge's galloping horse (1878) — an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  89. Muybridge's galloping horse (1878) (1878). Muybridge's galloping horse (1878) — an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  90. Muybridge's galloping horse (1878) (1878). Muybridge's galloping horse (1878) — an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  91. Muybridge's galloping horse (1878) (1878). Muybridge's galloping horse (1878) — an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  92. 1st Movie (Motion Picture) - Sallie Gardner at a Gallop (1878) Eadward Muybridge | Frame-by-Frame. Muybridge Horse in Motion 1878 (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  93. The Horse in Motion (Eadweard Muybridge) 1878. Muybridge The Horse in Motion (1878). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
  94. Slices of Time: Eadweard Muybridge’s Cinematic Legacy. Eadweard Muybridge (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  95. "Sallie Gardner at a Gallop" or "The Horse in Motion" (Eadweard Muybridge, 1878). Muybridge — Sallie Gardner at a Gallop (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  96. 1878 - Sallie Gardner at a Gallop - Eadweard Muybridge. Muybridge — Sallie Gardner at a Gallop (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  97. Muybridge, The Attitudes of Animals in Motion. Eadweard Muybridge zoopraxiscope (1879). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  98. The zoopraxiscope (1879). The zoopraxiscope — the camera itself, 1879. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  99. The zoopraxiscope (1879). The zoopraxiscope — the camera itself, 1879. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  100. The magic lantern (1880). The magic lantern — the camera itself, 1880. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  101. The magic lantern (1880). The magic lantern — the camera itself, 1880. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  102. The magic lantern (1880). The magic lantern — the camera itself, 1880. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  103. Etienne-Jules Marey - Sport in the Darkroom (EN). Etienne-Jules Marey (1882). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  104. Marey's chronophotography (1882). Marey's chronophotography — an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  105. Marey's chronophotography (1882). Marey's chronophotography — an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  106. Marey's chronophotography (1882). Marey's chronophotography — an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  107. Marey's chronophotography (1882). Marey's chronophotography — an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  108. Eadweard Muybridge: Studies in Motion. Eadweard Muybridge (1887). In the years cinema was invented, the camera learned to capture not a moment but motion itself.

549 further moments continue the chronology here. Full text archive: /loreline-text/cameras.md

  1. Muybridge's motion studies (1887). Muybridge's motion studies — an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  2. Muybridge's motion studies (1887). Muybridge's motion studies — an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  3. Muybridge's motion studies (1887). Muybridge's motion studies — an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  4. Muybridge's motion studies (1887). Muybridge's motion studies — an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  5. How Kodak invented the “snapshot”. Kodak No.1 1888 / You press the button (1888). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  6. Kodak: How George Eastman revolutionized photography. Kodak No.1 / George Eastman (1888). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  7. Roundhay Garden Scene (1888) (1888). Roundhay Garden Scene (1888) — an image made in 1888. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  8. The first Kodak (1888) (1888). The first Kodak (1888) — the camera itself, 1888. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  9. The first Kodak (1888) (1888). The first Kodak (1888) — the camera itself, 1888. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  10. ADVANCED EMULSION: Silver Halide Crystals, Imaging Couplers, Orange Masks and Processing. How film photography chemistry works (1888). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
  11. Roundhay Garden Scene (1888). (1888). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  12. 1891-95; 1900 - Chronophotographs by Étienne-Jules Marey (HA series) - Marey, Georges Demenÿ, Comte. Marey Chronophotography (1891). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  13. PBS|The Kinetoscope. Edison Kinetoscope (1891). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  14. Dickson Greeting (1891). ). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  15. Dickson Greeting. (1891). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  16. PBS|The Black Maria. Edison Black Maria studio (1893). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  17. Edison Kinetoscopic Record of a Sneeze, Jan. 7, 1894. Edison Kinetoscope (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  18. The Dickson Experimental Sound Film. Dickson Experimental Sound Film (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  19. Fred Ott's Sneeze (1894). Fred Ott's Sneeze (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  20. William Dickson: Fred Ott's Sneeze (1894). Fred Ott's Sneeze (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  21. Thomas Edison's - Carmencita - Black Maria Studio (1894) World's First Film Studio. Carmencita (Edison Black Maria) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  22. Carmencita. (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  23. Edison Kinetoscope (1894). Edison Kinetoscope — the camera itself, 1894. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  24. Edison Kinetoscope (1894). Edison Kinetoscope — the camera itself, 1894. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  25. 1894 - Buffalo Dance - William Kennedy Laurie Dickson (Edison Studios). Buffalo Dance (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  26. Annie Oakley (1894) : by Thomas A. Edison Kinetoscope. Annie Oakley (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  27. Annie Oakley. Edison film 1894 (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  28. Early Traffic (1890-1899). Early traffic (British Pathe) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  29. L'arroseur arrosé [The Sprinkler Sprinkled] (Louis Lumière, 1895). The Sprinkler Sprinkled (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  30. 1895 - Serpentine Dance by Annabelle - William Kennedy Laurie Dickson (Edison Studios). Annabelle Serpentine Dance (Edison) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  31. Boat Leaving The Port (1895). Boat Leaving the Port (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  32. Baby's Dinner - Repas de Bebe (Lumiere - 1895). Baby's Meal (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  33. [Actual 4K Scan] The Arrival of a Train at La Ciotat Station - Lumière Brothers - 1896.. Lumiere Arrival of a Train La Ciotat 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  34. Workers Leaving the Lumière Factory (1895) - The First Motion Picture in History | Lumière Brothers. Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  35. "Workers Leaving the Lumière Factory in Lyon" (Lumière Brothers, France, 1895). Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  36. Workers Leaving The Lumiere Factory - Lumiere Brothers 1895. Lumiere Workers Leaving the Factory 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  37. La Sortie de l'Usine Lumière à Lyon (Workers Leaving the Lumiere Factory) 2 (1895) Louis Lumiere. Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  38. Repas de bébé (Baby's Breakfast) (1895) Louis Lumiere. Lumiere Baby's Breakfast 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  39. The Lumière Cinématographe (1895). The Lumière Cinématographe — the camera itself, 1895. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  40. The Lumière Cinématographe (1895). The Lumière Cinématographe — the camera itself, 1895. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  41. Arrival of a Train at La Ciotat, 1895 (Lumière brothers). Lumiere Arrival of a Train (1895). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
  42. The Lumiere Brothers: Crash Course Film History #3. Lumiere Cinematographe (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  43. Feeding the Doves 1896. Feeding the Doves (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  44. Auguste and Louis Lumière - Démolition d'un mur (1896). Demolition of a Wall (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  45. The Arrival of a Train at La Ciotat (1896) Louis Lumière. Arrival of a Train at La Ciotat (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  46. The Arrival of a Train at La Ciotat Station 1896 - Lumière Brothers (4K scan). Arrival of a Train at La Ciotat (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  47. 1896 - On Brighton Beach - George Albert Smith ou Robert William Paul (?). On Brighton Beach (G.A. Smith / R.W. Paul) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  48. Démolition d'un mur [Demolition of a Wall] (Lumière, 1896). Demolition of a Wall (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  49. The Kiss (1896) May Irwin, John Rice - First kiss in commercial cinema. The Kiss (May Irwin / John Rice, Edison) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  50. May Irwin Kiss. The Kiss (May Irwin Kiss, Edison) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  51. G.A. Smith Stop Motion. (1898). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  52. Early English Traffic: Turn of the Century London (1896-1903) | British Pathé. Early London traffic (British Pathe) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  53. The One Man Band (1900) George Melies. The One-Man Band (Melies) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  54. grandma's reading glass / short experimental film directed by George Albert Smith 1900. Grandma's Reading Glass (G.A. Smith) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  55. The One-Man Band (L'Homme-Orchestre, 1900) ㅡ Georges Méliès. The One-Man Band (Melies) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  56. 1901 - The Big Swallow - James Williamson. The Big Swallow (Williamson) (1901). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  57. A Trip to the Moon (1902) (1902). A Trip to the Moon (1902) — an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  58. A Trip to the Moon (1902) (1902). A Trip to the Moon (1902) — an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  59. A Trip to the Moon (1902) (1902). A Trip to the Moon (1902) — an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  60. A Trip to the Moon (1902) (1902). A Trip to the Moon (1902) — an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  61. 1901/1902 - 8 preserved fragments of Edward Raymond Turner. Early color film Friese-Greene Biocolour (1909). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  62. The First Colour Film by Edward Raymond Turner (1899/1902). Edward Turner 1902 first color film (1902). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
  63. Le Voyage dans la Lune (1902) - Georges Méliès - (HQ) - Music by David Short - Billi Brass Quintet. Melies A Trip to the Moon 1902 (1902). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  64. A Trip to the Moon (1902) - ORIGINAL B/W Movie by Georges Méliès (le voyage dans la lune). A Trip to the Moon (Melies) (1902). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  65. Life of an American Fireman (1903) Edison. Life of an American Fireman (Porter) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  66. EdisonElectrocutesElephant. Electrocuting an Elephant (Topsy, Edison) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  67. Electrocuting an Elephant. (Topsy, Edison) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  68. The Great Train Robbery (1903) (1903). The Great Train Robbery (1903) — an image made in 1903. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  69. The Great Train Robbery (1903) (1903). The Great Train Robbery (1903) — an image made in 1903. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  70. The Great Train Robbery (1903) (1903). The Great Train Robbery (1903) — an image made in 1903. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
  71. The Great Train Robbery (1903) Edwin S. Porter. The Great Train Robbery (Porter) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
  72. The Great Train Robbery. (Porter) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.

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