Cameras
Two hundred years of the camera — and the footage it gave us. From Niépce's eight-hour window in 1826 and Muybridge's galloping horse to the Lumière train, the moon-landing broadcast, the camcorder, the first digital frame, and the film studio everyone now carries in a pocket. The devices that captured the world, shown beside what they captured.
A chronological documentary of 729 moments on Loreline.
last updated 2026-07-21
Eras
- The Birth of the Image (1826–1888) — The camera obscura, Niépce's first surviving photograph, the daguerreotype, the calotype negative, wet plate — humanity learns to fix light.
- Colour, Instant & the Moon (1907–1979) — Autochrome and Kodachrome bring colour; Polaroid makes it instant; Super 8 fills the family album; and a camera on the Moon shows us the whole Earth.
- Pictures That Move (1878–1895) — Muybridge's galloping horse settles a bet and starts cinema; Edison's Kinetoscope and the Lumières' Cinématographe make pictures move.
- The Snapshot & The Silver Screen (1888–1929) — Kodak puts a camera in everyone's hands and the Brownie invents the snapshot; Méliès and Porter invent the movies; the Leica miniaturises it all.
- The Video Revolution (1936–2005) — Television cameras, the first videotape, the Portapak, the camcorder — and the bystander's camcorder that could suddenly hold power to account.
- The Digital Turn (1975–2007) — Steven Sasson's 1975 prototype, the megapixel race, the DSLR, and the first cameras built into phones — film becomes data.
- A Camera in Every Pocket (2007–today) — The iPhone, GoPro, the drone, mirrorless and computational photography — until everyone alive carries a film studio and the whole world is on camera.
- — Camera obscura (1700). Camera obscura — the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Camera obscura (1700). Camera obscura — the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Camera obscura (1700). Camera obscura — the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Camera obscura (1700). Camera obscura — the camera itself, 1700. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The 1st Photographer - Joseph Nicéphore Niépce. Niepce First Photograph (1826). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The World’s Earliest Photograph | Episode 42: View from the Window at Le Gras, Joseph Niépce. Niepce First Photograph (1826). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The First Photographer: The Photographs of Nicéphore Niépce. Niepce First Photograph (1826). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The First Photograph: Scientific Analysis. Niepce View from the Window at Le Gras 1826 (1826). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Niépce's first photograph (1826). Niépce's first photograph — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Niépce's first photograph (1826) (1826). Niépce's first photograph (1826) — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Niépce's first photograph (1826) (1826). Niépce's first photograph (1826) — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Niépce's first photograph (1826) (1826). Niépce's first photograph (1826) — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Niépce's first photograph (1826) (1826). Niépce's first photograph (1826) — an image made in 1826. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The Oldest Photographs in the World. Oldest photographs history (1838). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The Shoe Shiner and the Inventor | Episode 36: Boulevard Du Temple, Louis Daguerre. Boulevard du Temple (first photo of a person) (1838). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — First photo of a human (1838) (1838). First photo of a human (1838) — an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — First photo of a human (1838) (1838). First photo of a human (1838) — an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — First photo of a human (1838) (1838). First photo of a human (1838) — an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — First photo of a human (1838) (1838). First photo of a human (1838) — an image made in 1838. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The Daguerreotype - Photographic Processes Series - Chapter 2 of 12. Daguerreotype process (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The Oldest Portrait Photographs - Part 1. Earliest portrait photographs (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Sun Pictures: Henry Fox Talbot and the First Photographs. Talbot Calotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — How was it made? The Daguerreotype | V&A. Daguerreotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early Photography: Making Daguerreotypes. Daguerreotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Photographic processes | The Daguerreotype. Daguerreotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The science of making a daguerreotype. Daguerreotype (1839). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The daguerreotype camera (1839). The daguerreotype camera — the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The daguerreotype camera (1839). The daguerreotype camera — the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The daguerreotype camera (1839). The daguerreotype camera — the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The daguerreotype camera (1839). The daguerreotype camera — the camera itself, 1839. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The Birth of Photography: Drawing With Light. Photography / film chemistry explainer (1839). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
- — OTD in Space – March 23: First Photo of the Moon. First Photograph of the Moon (1840). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Bayard's staged photo (1840) (1840). Bayard's staged photo (1840) — an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Bayard's staged photo (1840) (1840). Bayard's staged photo (1840) — an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Bayard's staged photo (1840) (1840). Bayard's staged photo (1840) — an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Bayard's staged photo (1840) (1840). Bayard's staged photo (1840) — an image made in 1840. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Photographic Processes | The Calotype. Talbot calotype negative (1841). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — How was it made? Calotypes | V&A. Talbot Calotype (1841). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — William Henry Fox Talbot - Scientist, Inventor and Photography Pioneer. Talbot Calotype (1841). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Talbot's calotype negative (1843). Talbot's calotype negative — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Talbot's calotype negative (1843). Talbot's calotype negative — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Talbot's calotype negative (1843). Talbot's calotype negative — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Talbot's calotype (1843). Talbot's calotype — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Talbot's calotype (1843). Talbot's calotype — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Talbot's calotype negative (1843). Talbot's calotype negative — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Talbot's calotype (1843). Talbot's calotype — an image made in 1843. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — FIRST EVER Photo of the Sun Revealed 180 Years Ago Today!. First Photograph of the Sun (1845). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early daguerreotype portrait (1845). Early daguerreotype portrait — an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early daguerreotype portrait (1845). Early daguerreotype portrait — an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early daguerreotype portrait (1845). Early daguerreotype portrait — an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early daguerreotype portrait (1845). Early daguerreotype portrait — an image made in 1845. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Stereoscope and Stereographs. Stereograph / Stereoscope (1850). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Victorian Virtual Reality: How does stereoscopy work?. Stereograph / Stereoscope (1850). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The Wet Collodion Process. Wet-plate Collodion (1851). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Photography: A Victorian Sensation – Stereography. Stereograph / Stereoscope (1851). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — How was it made? Wet Collodion | V&A. Wet-plate Collodion (1851). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The Collodion - Photographic Processes Series - Chapter 5 of 12. Wet-plate Collodion (1851). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — First photo of the moon (1851). First photo of the moon — an image made in 1851. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — First photo of the moon (1851). First photo of the moon — an image made in 1851. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Digitising Ambrotypes and Daguerreotypes. Ambrotype & Daguerreotype (1855). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — TinType Photography Process HD. Tintype photography process (1856). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The First Aerial Photographs. First aerial photography (1858). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
- — Nadar's portraits (1860). Nadar's portraits — an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The stereoscope (1860). The stereoscope — the camera itself, 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Nadar's portraits (1860). Nadar's portraits — an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — The stereoscope (1860). The stereoscope — the camera itself, 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Nadar's portraits (1860). Nadar's portraits — an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Nadar's portraits (1860). Nadar's portraits — an image made in 1860. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Almanac: America's First Aerial Photograph. First aerial photograph (USA) (1860). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
- — The world's first colour photograph. First Color Photograph (Maxwell) (1861). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — First colour photo (Maxwell 1861) (1861). First colour photo (Maxwell 1861) — an image made in 1861. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Mathew Brady's Vision. Mathew Brady / Civil War Photography (1862). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Civil War photography (Brady) (1863). Civil War photography (Brady) — an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Civil War photography (Brady) (1863). Civil War photography (Brady) — an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Civil War photography (Brady) (1863). Civil War photography (Brady) — an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Civil War photography (Brady) (1863). Civil War photography (Brady) — an image made in 1863. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early landscape photography (1865). Early landscape photography — an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early landscape photography (1865). Early landscape photography — an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early landscape photography (1865). Early landscape photography — an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Early landscape photography (1865). Early landscape photography — an image made in 1865. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — A tintype (1870). A tintype — an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — A tintype (1870). A tintype — an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — A tintype (1870). A tintype — an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — A tintype (1870). A tintype — an image made in 1870. In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Eadweard Muybridge: Leland Stanford Jr.. Muybridge / Leland Stanford (1872). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — How One Horse Inspired the Invention of Movies. Muybridge & the Stanford horse bet (1872). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Motion Capture Evolution: Muybridge to Marey | Shell Historical Film Archive. Muybridge to Marey (motion capture) (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Muybridge's galloping horse (1878) (1878). Muybridge's galloping horse (1878) — an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Muybridge's galloping horse (1878) (1878). Muybridge's galloping horse (1878) — an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Muybridge's galloping horse (1878) (1878). Muybridge's galloping horse (1878) — an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Muybridge's galloping horse (1878) (1878). Muybridge's galloping horse (1878) — an image made in 1878. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — 1st Movie (Motion Picture) - Sallie Gardner at a Gallop (1878) Eadward Muybridge | Frame-by-Frame. Muybridge Horse in Motion 1878 (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Horse in Motion (Eadweard Muybridge) 1878. Muybridge The Horse in Motion (1878). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
- — Slices of Time: Eadweard Muybridge’s Cinematic Legacy. Eadweard Muybridge (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — "Sallie Gardner at a Gallop" or "The Horse in Motion" (Eadweard Muybridge, 1878). Muybridge — Sallie Gardner at a Gallop (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — 1878 - Sallie Gardner at a Gallop - Eadweard Muybridge. Muybridge — Sallie Gardner at a Gallop (1878). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Muybridge, The Attitudes of Animals in Motion. Eadweard Muybridge zoopraxiscope (1879). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The zoopraxiscope (1879). The zoopraxiscope — the camera itself, 1879. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The zoopraxiscope (1879). The zoopraxiscope — the camera itself, 1879. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The magic lantern (1880). The magic lantern — the camera itself, 1880. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The magic lantern (1880). The magic lantern — the camera itself, 1880. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The magic lantern (1880). The magic lantern — the camera itself, 1880. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Etienne-Jules Marey - Sport in the Darkroom (EN). Etienne-Jules Marey (1882). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Marey's chronophotography (1882). Marey's chronophotography — an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Marey's chronophotography (1882). Marey's chronophotography — an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Marey's chronophotography (1882). Marey's chronophotography — an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Marey's chronophotography (1882). Marey's chronophotography — an image made in 1882. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Eadweard Muybridge: Studies in Motion. Eadweard Muybridge (1887). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
…549 further moments continue the chronology here. Full text archive: /loreline-text/cameras.md
- — Muybridge's motion studies (1887). Muybridge's motion studies — an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Muybridge's motion studies (1887). Muybridge's motion studies — an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Muybridge's motion studies (1887). Muybridge's motion studies — an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Muybridge's motion studies (1887). Muybridge's motion studies — an image made in 1887. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — How Kodak invented the “snapshot”. Kodak No.1 1888 / You press the button (1888). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — Kodak: How George Eastman revolutionized photography. Kodak No.1 / George Eastman (1888). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — Roundhay Garden Scene (1888) (1888). Roundhay Garden Scene (1888) — an image made in 1888. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The first Kodak (1888) (1888). The first Kodak (1888) — the camera itself, 1888. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — The first Kodak (1888) (1888). The first Kodak (1888) — the camera itself, 1888. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — ADVANCED EMULSION: Silver Halide Crystals, Imaging Couplers, Orange Masks and Processing. How film photography chemistry works (1888). In the first age of photography, exposures took hours and every image was a small miracle of chemistry and light.
- — Roundhay Garden Scene (1888). (1888). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — 1891-95; 1900 - Chronophotographs by Étienne-Jules Marey (HA series) - Marey, Georges Demenÿ, Comte. Marey Chronophotography (1891). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — PBS|The Kinetoscope. Edison Kinetoscope (1891). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Dickson Greeting (1891). ). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Dickson Greeting. (1891). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — PBS|The Black Maria. Edison Black Maria studio (1893). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Edison Kinetoscopic Record of a Sneeze, Jan. 7, 1894. Edison Kinetoscope (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Dickson Experimental Sound Film. Dickson Experimental Sound Film (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Fred Ott's Sneeze (1894). Fred Ott's Sneeze (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — William Dickson: Fred Ott's Sneeze (1894). Fred Ott's Sneeze (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Thomas Edison's - Carmencita - Black Maria Studio (1894) World's First Film Studio. Carmencita (Edison Black Maria) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Carmencita. (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Edison Kinetoscope (1894). Edison Kinetoscope — the camera itself, 1894. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Edison Kinetoscope (1894). Edison Kinetoscope — the camera itself, 1894. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — 1894 - Buffalo Dance - William Kennedy Laurie Dickson (Edison Studios). Buffalo Dance (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Annie Oakley (1894) : by Thomas A. Edison Kinetoscope. Annie Oakley (Edison) (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Annie Oakley. Edison film 1894 (1894). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Early Traffic (1890-1899). Early traffic (British Pathe) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — L'arroseur arrosé [The Sprinkler Sprinkled] (Louis Lumière, 1895). The Sprinkler Sprinkled (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — 1895 - Serpentine Dance by Annabelle - William Kennedy Laurie Dickson (Edison Studios). Annabelle Serpentine Dance (Edison) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Boat Leaving The Port (1895). Boat Leaving the Port (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Baby's Dinner - Repas de Bebe (Lumiere - 1895). Baby's Meal (Lumiere) (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — [Actual 4K Scan] The Arrival of a Train at La Ciotat Station - Lumière Brothers - 1896.. Lumiere Arrival of a Train La Ciotat 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Workers Leaving the Lumière Factory (1895) - The First Motion Picture in History | Lumière Brothers. Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — "Workers Leaving the Lumière Factory in Lyon" (Lumière Brothers, France, 1895). Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Workers Leaving The Lumiere Factory - Lumiere Brothers 1895. Lumiere Workers Leaving the Factory 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — La Sortie de l'Usine Lumière à Lyon (Workers Leaving the Lumiere Factory) 2 (1895) Louis Lumiere. Workers Leaving the Lumiere Factory (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Repas de bébé (Baby's Breakfast) (1895) Louis Lumiere. Lumiere Baby's Breakfast 1895 (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Lumière Cinématographe (1895). The Lumière Cinématographe — the camera itself, 1895. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Lumière Cinématographe (1895). The Lumière Cinématographe — the camera itself, 1895. In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Arrival of a Train at La Ciotat, 1895 (Lumière brothers). Lumiere Arrival of a Train (1895). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
- — The Lumiere Brothers: Crash Course Film History #3. Lumiere Cinematographe (1895). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Feeding the Doves 1896. Feeding the Doves (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Auguste and Louis Lumière - Démolition d'un mur (1896). Demolition of a Wall (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Arrival of a Train at La Ciotat (1896) Louis Lumière. Arrival of a Train at La Ciotat (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Arrival of a Train at La Ciotat Station 1896 - Lumière Brothers (4K scan). Arrival of a Train at La Ciotat (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — 1896 - On Brighton Beach - George Albert Smith ou Robert William Paul (?). On Brighton Beach (G.A. Smith / R.W. Paul) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Démolition d'un mur [Demolition of a Wall] (Lumière, 1896). Demolition of a Wall (Lumiere) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Kiss (1896) May Irwin, John Rice - First kiss in commercial cinema. The Kiss (May Irwin / John Rice, Edison) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — May Irwin Kiss. The Kiss (May Irwin Kiss, Edison) (1896). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — G.A. Smith Stop Motion. (1898). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Early English Traffic: Turn of the Century London (1896-1903) | British Pathé. Early London traffic (British Pathe) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The One Man Band (1900) George Melies. The One-Man Band (Melies) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — grandma's reading glass / short experimental film directed by George Albert Smith 1900. Grandma's Reading Glass (G.A. Smith) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The One-Man Band (L'Homme-Orchestre, 1900) ㅡ Georges Méliès. The One-Man Band (Melies) (1900). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — 1901 - The Big Swallow - James Williamson. The Big Swallow (Williamson) (1901). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — A Trip to the Moon (1902) (1902). A Trip to the Moon (1902) — an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — A Trip to the Moon (1902) (1902). A Trip to the Moon (1902) — an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — A Trip to the Moon (1902) (1902). A Trip to the Moon (1902) — an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — A Trip to the Moon (1902) (1902). A Trip to the Moon (1902) — an image made in 1902. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — 1901/1902 - 8 preserved fragments of Edward Raymond Turner. Early color film Friese-Greene Biocolour (1909). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — The First Colour Film by Edward Raymond Turner (1899/1902). Edward Turner 1902 first color film (1902). Colour, instant prints and home movies brought the camera into everyday life — and one rode to the Moon.
- — Le Voyage dans la Lune (1902) - Georges Méliès - (HQ) - Music by David Short - Billi Brass Quintet. Melies A Trip to the Moon 1902 (1902). As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — A Trip to the Moon (1902) - ORIGINAL B/W Movie by Georges Méliès (le voyage dans la lune). A Trip to the Moon (Melies) (1902). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Life of an American Fireman (1903) Edison. Life of an American Fireman (Porter) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — EdisonElectrocutesElephant. Electrocuting an Elephant (Topsy, Edison) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — Electrocuting an Elephant. (Topsy, Edison) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Great Train Robbery (1903) (1903). The Great Train Robbery (1903) — an image made in 1903. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — The Great Train Robbery (1903) (1903). The Great Train Robbery (1903) — an image made in 1903. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — The Great Train Robbery (1903) (1903). The Great Train Robbery (1903) — an image made in 1903. As the snapshot and the silent film arrived, photography left the studio and the movies were born.
- — The Great Train Robbery (1903) Edwin S. Porter. The Great Train Robbery (Porter) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
- — The Great Train Robbery. (Porter) (1903). In the years cinema was invented, the camera learned to capture not a moment but motion itself.
Full text archive: /loreline-text/cameras.md
